History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word historia in Latin and histoire in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850.
Maurice Utrillo, born Maurice Valadon; 26 December 1883 – 5 November 1955), was a French painter of the School of Paris who specialized in cityscapes. From the Montmartre quarter of Paris, France, Utrillo is one of the few famous painters of Montmartre to have been born there.
Ferdinand Victor Eugène Delacroix was a French Romantic artist who was regarded as the leader of the French Romantic school.
Jean Désiré Gustave Courbet was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work.
Renaissance art is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age.
The Musée de Cluny, officially Musée de Cluny-Musée National du Moyen Âge, is a museum of medieval art in Paris. It is located in the 5th arrondissement of Paris, bordered by square Samuel-Paty to the south, boulevard Saint-Michel to the west, boulevard Saint-Germain to the north, and rue Saint-Jacques to the east.
Pierre Bonnard was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject.
Jean Béraud was a French painter renowned for his numerous paintings depicting the life of Paris, and the nightlife of Paris society. Pictures of the Champs Elysees, cafés, Montmartre and the banks of the Seine are precisely detailed illustrations of everyday Parisian life during the "Belle Époque". He also painted religious subjects in a contemporary setting.
Anne-François-Louis Janmot was a French painter and poet.
Illustrated handscrolls, emakimono, or emaki (絵巻) is an illustrated horizontal narration system of painted handscrolls that dates back to Nara-period Japan. Initially copying their much older Chinese counterparts in style, during the succeeding Heian (794–1185) and Kamakura periods (1185–1333), Japanese emakimono developed their own distinct style. The term therefore refers only to Japanese painted narrative scrolls.
The Death of Marat is a 1793 painting by Jacques-Louis David depicting the artist's friend and murdered French revolutionary leader, Jean-Paul Marat. One of the most famous images from the era of the French Revolution, it was painted when David was the leading French Neoclassical painter, a Montagnard, and a member of the revolutionary Committee of General Security. Created in the months after Marat's death, the painting shows Marat lying dead in his bath after his assassination by Charlotte Corday on 13 July 1793. Art historian T. J. Clark called David's painting the first modernist work for "the way it took the stuff of politics as its material, and did not transmute it".
Catholic art is art produced by or for members of the Catholic Church. This includes visual art (iconography), sculpture, decorative arts, applied arts, and architecture. In a broader sense, Catholic music and other art may be included as well. Expressions of art may or may not attempt to illustrate, supplement and portray in tangible form Catholic teaching. Catholic art has played a leading role in the history and development of Western art since at least the 4th century. The principal subject matter of Catholic art has been the life and times of Jesus Christ, along with people associated with him, including his disciples, the saints, and motifs from the Catholic Bible.
Pierre Henri Révoil was a French painter in the troubadour style.
André Jacques Victor Orsel was a French painter; primarily of religious subjects.
Luxe, Calme et Volupté is a 1904 oil painting by the French artist Henri Matisse. Both foundational in the oeuvre of Matisse and a pivotal work in the history of art, Luxe, Calme et Volupté is considered the starting point of Fauvism. This painting is a dynamic and vibrant work created early on in his career as a painter. It displays an evolution of the Neo-Impressionist style mixed with a new conceptual meaning based in fantasy and leisure that had not been seen in works before.
Notre-Dame-de-Lorette is a Roman Catholic church located in the 9th arrondissement of Paris, It was built between 1823 and 1836 in the Neo-classical architectural style by architect Louis-Hippolyte Lebas, in a neighbourhood known as the New Athens, for its many artistic and scholarly residents in the 19th century, including George Sand, Pierre-Auguste Renoir, and Alexandre Dumas. While the exterior is classical and austere, the church interior is known for its rich collection of paintings, sculpture, and polychrome decoration.
Christ On the Mount of Olives is an 1889 painting by French artist Paul Gauguin. It is both a self-portrait and a representation of Jesus about to be taken by the soldiers.
The Murder of the Bishop of Liège is an 1828 or 1829 oil on canvas painting by Eugène Delacroix, showing the murder of Louis de Bourbon, Bishop of Liège by William I de La Marck's men during the 15th-century Wars of Liège, as told in chapter 22 of Walter Scott's historical novel Quentin Durward. First exhibited at the Paris Salon of 1831, it is now in the Louvre in Paris.
Michel Dumas was a French painter, primarily of religious subjects.
The Good Samaritan is an oil in canvas painting by Aimé Morot, from 1880. Although large it was originally larger, but the artist reduced it in order to focus more directly on the life-sized figures at the centre of the composition. It was exhibited at the Salon of 1880, where it won a medal of honour.
