Good luck knot

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Good luck knot
Good luck knot(ABOK 2437).jpg
NamesGood luck knot, Shamrock knot [1]
Category Decorative
ABoK 2436

The Good luck knot [lower-alpha 1] [2] [3] [4] , also known as the Chrysanthemum Knot [lower-alpha 2] [5] and One Mind Knot [lower-alpha 3] [6] , can be seen in images carved on a statue of the East Asian Goddess of Mercy, Guanyin, which was created between AD 557 and 588, and later found in a cave in northwest China. [3]

Contents

See also

Notes

  1. 吉祥結
  2. 菊結び
  3. 동심결매듭

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The reef knot, or square knot, is an ancient and simple binding knot used to secure a rope or line around an object. It is sometimes also referred to as a Hercules knot. The knot is formed by tying a left-handed overhand knot between two ends, instead of around one end, and then a right-handed overhand knot via the same procedure, or vice versa. A common mnemonic for this procedure is "right over left; left over right", which is often appended with the rhyming suffix "... makes a knot both tidy and tight". Two consecutive overhands tied as described above of the same handedness will make a granny knot. The working ends of the reef knot must emerge both at the top or both at the bottom, otherwise a thief knot results.

The reef knot or square knot consists of two half knots, one left and one right, one being tied on top of the other, and either being tied first...The reef knot is unique in that it may be tied and tightened with both ends. It is universally used for parcels, rolls and bundles. At sea it is always employed in reefing and furling sails and stopping clothes for drying. But under no circumstances should it ever be tied as a bend, for if tied with two ends of unequal size, or if one end is stiffer or smoother than the other, the knot is almost bound to spill. Except for its true purpose of binding it is a knot to be shunned.

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The Chinese button knot is essentially a knife lanyard knot where the lanyard loop is shortened to a minimum, i.e. tightened to the knot itself. There emerges therefore only two lines next to each other from the knot: the beginning and the end. The knot has traditionally been used as a button on clothes in Asia, thus the name.

The Chinese Button Knot is worn throughout China on underwear and night clothes. Buttons of this sort are more comfortable to lie on and to rest against compared to common bone and composition buttons, and they cannot be broken even by the laundry.

A Chinese tailor ties the knot without guide, flat on his table. But one may be more quickly and easily tied in hand by a modification of the sailor’s method of tying his knife lanyard knot (#787). The two knots are tied alike, but they are worked differently.

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The Plafond knot, with its spiral-like center and rectangular border, was inspired by the decorations found on the dome-like central sections of ceilings in Chinese temples and palaces. The ceilings, which are divided into nine rectangular sections, three across and three deep, each have a domed apex composed of a circular design filled with auspicious motifs surrounded by a complementary motif which radiates out to the rectangular border. This effect is echoed in the plafond knot, which is made by hooking up and tightening a number of flat knots.

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The Pan Chang Knot is one of the eight symbols of Buddhism. It communicates that religion's belief in a cycle of life with no beginning and no end. It was illustrated in a painting of the Emperor Xiaozhong that is now in the Palace Museum in Beijing. The knot is also known as the Mystic Knot, and is believed to impart good fortune to those who wear and observe it. It is an intricate knot that forces the tyer to think in three dimensions.

<span class="mw-page-title-main">Lào zi</span> Knotting craft in ancient China also used as clothing decoration

Lào zi, also called Tāo zi, is an ancient appellation for knots in China. In ancient Chinese literature, the Lào zi actually refers to what is now known as zhongguo jie in Chinese and Chinese knotting in English. The term Chinese knotting only became known in recent years when it was summarized by Lydia Chen in the 1980s. It was a tradition to use the lào and/or tāo as a form of yaopei in Hanfu where it was tied to the waist by using silk or cotton ribbon.

References

  1. Ashley, Clifford W.. The Ashley Book of Knots. Published by Faber and Faber, 1993 — p390 — #2436 — ISBN   9780571096596
  2. Fun with Chinese Knotting - Making Your Own Fashion Accessories & Accents — ISBN   978-08048-4406-2
  3. 1 2 The Ultimate Book of Decorative Knots by Lindsey Philpott (2010) — p 326 — ISBN   978-1-4081-5726-8
  4. Lydia Chen. Chinese Knotting (1981) — ISBN   0-8048-1389-2
  5. Ruri-Ishikawa
  6. Maedeup: The Art of Traditional Korean Knots by Kim Hee-jin