Aelbert Jacobszoon Cuyp or Cuijp was one of the leading Dutch Golden Age painters, producing mainly landscapes. The most famous of a family of painters, the pupil of his father, Jacob Gerritszoon Cuyp (1594–1651/52), he is especially known for his large views of Dutch riverside scenes in a golden early morning or late afternoon light. He was born and died in Dordrecht.
Paulus Potter was a Dutch painter who specialized in animals within landscapes, usually with a low vantage point.
GovertTeuniszoon Flinck was a Dutch painter of the Dutch Golden Age.
Pieter Hendricksz. de Hooch, was a Dutch Golden Age painter famous for his genre works of quiet domestic scenes with an open doorway. He was a contemporary, in the Delft Guild of St. Luke, of Jan Vermeer with whom his work shares themes and style. De Hooch was first recorded in Delft on 5 August 1652, when he and another painter, Hendrick van der Burgh witnessed the signing of a will. He was active in 1683, but his date of death is unknown.
Nicolaes Pieterszoon Berchem was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces.
Aert van der Neer, or Aernout or Artus, was a landscape painter of the Dutch Golden Age, who specialized in small night scenes lit only by moonlight and fires, and snowy winter landscapes, both often looking down a canal or river. He was a contemporary of Aelbert Cuyp and Meindert Hobbema, and like the latter he lived and died in comparative obscurity.
Adriaen van de Velde, was a Dutch painter, draughtsman and print artist. His favorite subjects were landscapes with animals and genre scenes. He also painted beaches, dunes, forests, winter scenes, portraits in landscapes, as well as mythological and biblical scenes. He belongs to a group of painters referred to as the Dutch Italianate painters, who combined Dutch agricultural landscapes with mythological or Arcadian scenes in Italian settings. His paintings are characterised by their delicate, careful composition and his mastery of lighting effects as well as the human figure.
Bartholomeus van der Helst was a Dutch painter. Considered to be one of the leading portrait painters of the Dutch Golden Age, his elegant portraits gained him the patronage of Amsterdam's elite as well as the Stadtholder's circle. Besides portraits, van der Helst painted a few genre pictures as well as some biblical scenes and mythological subjects.
Dirk Rafelsz Camphuysen was a Dutch painter, poet and theologian.
Ferdinand Bol was a Dutch painter, etcher and draftsman. Although his surviving work is rare, it displays Rembrandt's influence; like his master, Bol favored historical subjects, portraits, numerous self-portraits, and single figures in exotic finery.
Tethart Philipp Christian Haag was a Dutch artist and court painter to William V of Orange-Nassau and the director of cultural institutions in The Hague.
Karel Dujardin was a Dutch Golden Age painter. Although he did a few portraits and a few history paintings of religious subjects, most of his work is small Italianate landscape scenes with animals and peasants, and other genre scenes. Dujardin spent two extended periods, at the beginning and end of his career, in Italy, and most of his paintings and landscape etchings have an Italian or Italianate setting.
JohannesLingelbach was a Dutch Golden Age painter, associated with the second generation of Bambocciate, a group of genre painters working in Rome from 1625–1700.
Gerrit van Uylenburgh, or Gerrit Uylenburgh, was a Dutch Golden Age painter and art-dealer. He was the eldest son of Hendrick van Uylenburgh and took over the family art-dealing business after Hendrick's death and burial in the Westerkerk church in 1661. This business, then in a house on Lauriergracht, formerly owned by Govaert Flinck, played a key role in the art world of the Dutch Golden Age.
Lambert Jacobsz, also Lambert Jacobsz. or Lambert Jacobszoon, was a Dutch Golden Age painter and preacher.
Thomas van Apshoven was a Flemish painter known for his landscapes with peasant scenes and genre scenes in interiors. His genre scenes depict village festivals, the interiors of taverns, village scenes or landscapes with peasants engaged in various activities, singeries, guardroom scenes and laboratories of alchemists. Some still lifes have also been attributed to him. His themes and style are close to that of David Teniers the Younger.
Francina Margaretha van Huysum (1707–1789), was an 18th-century flower painter from the Dutch Republic.
Laureys a Castro or Lorenzo a Castro was a Flemish painter of marine views and portraits who is mainly known for his work carried out in England roughly between 1672 and 1700. He was clearly regarded as a leading marine painter in England as many of his works were held in English collections.
The Prince William V Gallery is an art gallery on the Buitenhof in The Hague that currently shares an entrance with the Gevangenpoort museum. It is a recreation of the original gallery Galerij Prins Willem V, once founded there by William V, Prince of Orange in 1774. The displayed paintings are part of the collection of the Mauritshuis. Amongst the paintings on display are works by Peter Paul Rubens, Jan Steen, Paulus Potter and Gerard van Honthorst.
