Debi Mazar Corcos is an American actress and television personality. She began her career with supporting roles in Goodfellas (1990), Little Man Tate (1991), Singles (1992), and Batman Forever (1995), followed by lead roles on the legal drama series Civil Wars and L.A. Law. She portrayed press agent Shauna Roberts on the HBO series Entourage. She starred as Maggie Amato on TV Land's Younger, and alongside her husband Gabriele Corcos in the Cooking Channel series Extra Virgin.
Fred Brathwaite, more popularly known as Fab 5 Freddy, is an American visual artist, filmmaker, and hip hop pioneer. He is considered one of the architects of the street art movement. Freddy emerged in New York's downtown underground creative scene in the late 1970s as a graffiti artist. He was the bridge between the burgeoning uptown rap scene and the downtown No Wave art scene. He gained wider recognition in 1981 when Debbie Harry rapped on the Blondie song "Rapture" that "Fab 5 Freddy told me everybody's fly." In the late 1980s, Freddy became the first host of the groundbreaking hip-hop music video show Yo! MTV Raps.
Beat Street is a 1984 American dance drama film featuring New York City hip hop culture of the early 1980s. Set in the South Bronx, the film follows the lives of a pair of brothers and their group of friends, all of whom are devoted to various elements of early hip hop culture, including breakdancing, DJing and graffiti.
Richard Colón, better known by his stage name Crazy Legs, is an American b-boy who was featured in the earliest stories on hip hop dancing to appear in mainstream press, and as president of the Rock Steady Crew brought the form to London and Paris in 1983. Today he is also involved in community outreach, dance instruction, and dance theater productions. He has appearanced in fiction films and documentaries. Crazy Legs is current president of the Rock Steady Crew.
Wild Style is a 1983 American hip hop film directed and produced by Charlie Ahearn. Regarded as the first hip hop motion picture, it includes appearances by seminal figures such as Adam Horowitz Fab Five Freddy, Lee Quiñones, Lady Pink, The Rock Steady Crew, The Cold Crush Brothers, Rammellzee with Shockdell, Queen Lisa Lee of Zulu Nation, Grandmaster Flash, and ZEPHYR.
Whodini is an American hip hop group that was formed in 1982. The Brooklyn, New York–based trio consisted of vocalist and main lyricist Jalil Hutchins; co-vocalist John Fletcher, a.k.a. Ecstasy ; and turntable artist DJ Drew Carter, a.k.a. Grandmaster Dee.
Hip hop dance is a range of street dance styles primarily performed to hip hop music or that have evolved as part of hip hop culture. It is influenced by a wide range of styles that were created in the 1970s and made popular by dance crews in the United States. The television show Soul Train and the 1980s films Breakin', Beat Street, and Wild Style showcased these crews and dance styles in their early stages; therefore, giving hip-hop dance mainstream exposure.
Breakdancing or breaking, also called b-boying or b-girling (women), is a style of street dance originated by African Americans and Nuyoricans in the Bronx.
Hip hop or hip-hop is a culture and art movement that was created by African Americans, and Caribbean Americans starting in the Bronx, New York City. Pioneered from Black and Caribbean American street culture, that had been around for years prior to its more mainstream discovery.. Hip-hop culture has historically been shaped and dominated by African American men, though female hip hop artists have contributed to the art form and culture as well. Hip hop culture is characterized by the key elements of rapping, DJing and turntablism, and breakdancing; other elements include graffiti, beatboxing, street entrepreneurship, hip hop language, and hip hop fashion. From hip hop culture emerged a new genre of popular music, hip hop music.
H.I.P. H.O.P. was France's first television show and first regular nationwide weekly show in the world to be dedicated to the hip hop culture. It was broadcast each Sunday afternoon on the French national channel TF1 in 1984, from January 14, for 43 weeks, which had a certain impact on the beginnings of the French hip hop scene. The host was Sidney, who was already presenting a hip-hop radio program since 1981, along with the Paris City Breakers. They had guests such as Herbie Hancock on February 19, Sugarhill Gang, Kurtis Blow, Afrika Bambaataa, The Rock Steady Crew, Art of Noise and Madonna, plus graffiti artists such as Futura 2000.
Nelson George is an American author, columnist, music and culture critic, journalist, and filmmaker. He has been nominated twice for the National Book Critics Circle Award.
Michael Thomas Holman is a New York-based artist, writer, filmmaker and musician. He is also an early 1980s downtown scene subculturalist and creator of the Hip Hop music program Graffiti Rock. Holman is a founding member, along with Jean-Michel Basquiat, of the experimental band Gray.
The New York City Breakers are an original B-boy group in early 1980s that was established in the Bronx borough of New York City formed by Michael Holman. The group originally consisted of members from Wildstyle and "Floor Master Crew"
Michael Lawrence Marrow, known as PHASE 2 and Lonny Wood, was an American aerosol paint artist based in New York City. Mostly active in the 1970s, Phase 2 is generally credited with originating the "bubble letter" style of aerosol writing, also known as "softies".
Carter "Fever One" McGlasson is a breakdancer and DJ originally from Seattle, Washington who relocated to New York City in 1997, and eventually joined the world-famous Rock Steady Crew. He is most well known for his 'gunzblazin' style which he developed while studying with his mentors Icey Ice and Lil' Lep of the New York City Breakers.
"Rebel Without a Pause" is a song by hip hop group Public Enemy and the first single from their 1988 album, It Takes a Nation of Millions to Hold Us Back. The title is a reference to the 1955 film Rebel Without a Cause.
Hip-hop or hip hop, formerly known as disco rap, is a genre of popular music, that emerged in the late 1960s and early 1970s primarily from African American, Afro-Latin, and Afro-Caribbean musical aesthetics practiced by youth in the South Bronx. Hip-hop music originated as an anti-drug and anti-violence social movement led by the Afrika Bambaataa and the Universal Zulu Nation. The genre is characterized by stylized rhythmic sounds—often built around disco grooves, electronic drum beats, and rapping, a percussive vocal delivery of rhymed poetic speech as consciousness-raising expression. The music developed as part of the broader hip-hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, breakdancing, and graffiti art or writing. Knowledge is sometimes described as a fifth element, underscoring its role in shaping the values and promoting empowerment and consciousness-raising through music. In 1999, emcee KRS-One, often referred to as "The Teacher," elaborated on this framework in a Harvard lecture, identifying additional elements that extend beyond the basic four. These include self-expression, street fashion, street language, street knowledge, and street entrepreneurialism, which remain integral to hip-hop's musical expression, entertainment business, and sound production. Girls’ double-dutch was also recognized as a key stylistic component of breakdancing, according to KRS. While often used to refer solely to rapping and rap music, "hip-hop" more properly denotes the practice(s) of the entire subculture. The term hip-hop music is sometimes used synonymously with the term rap music, though rapping may not be the focus of hip-hop music. The genre also centers DJing, turntablism, scratching, beatboxing, and instrumental tracks.
Lance Taylor, also known as Afrika Bambaataa, is an retired American DJ, rapper, and record producer from South Bronx, New York City. He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of hip hop culture. Afrika Bambaataa is one of the originators of breakbeat DJing.
Hip-hop theater is a form of theater that presents contemporary stories through the use of one or more of the four elements of hip-hop culture—b-boying, graffiti writing, MCing (rapping), and DJing. Other cultural markers of hip-hop such as spoken word, beatboxing, and hip-hop dance can be included as well although they are not always present. What is most important is the language of the theatrical piece and the plot's relevance to the world. Danny Hoch, the founder of the Hip-Hop Theater Festival, further defines it as such: "Hip-hop theatre must fit into the realm of theatrical performance, and it must be by, about and for the hip-hop generation, participants in hip-hop culture, or both."
The history of hip-hop dances encompasses the people and events since the late 1960s that have contributed to the development of early hip-hop dance styles, such as uprock, breaking, locking, roboting, boogaloo, and popping. African Americans created uprock and breaking in New York City. African Americans in California created locking, roboting, boogaloo, and popping—collectively referred to as the funk styles. All of these dance styles are different stylistically. They share common ground in their street origins and in their improvisational nature of hip hop.
