Gran Duo Concertante

Last updated

The Gran Duo Concertante for two double basses and orchestra was composed by the Italian double bass virtuoso Giovanni Bottesini. The piece was premiered in Venice in 1844 by Bottesini and Giovanni Arpesani. Arpesani and Bottesini were both former students at the Milan Conservatory and at the time both were playing principal bass at Venetian opera houses, Bottesini at the Teatro San Benedetto and Arpesani at Teatro La Fenice. [1]

The Gran Duo Concertante is in three main sections performed without a break and usually lasts around 15 minutes if played up to tempo, but this estimate can vary greatly due to the artists' interpretation of the music. Double concertos were generally composed for different instruments, and Bottesini soon adapted the piece as a duo with violin which he performed in Italy with the violinist Luigi Arditi in the mid-1840s. The pair then moved to Havana, Cuba and performed the Gran Duo many times in the Americas, sometimes using the titles “La Fiesta de los Gitanos” or “The Feast of the Bohemians”. In the 1850s Camillo Sivori, the disciple of Niccolò Paganini, performed the piece with Bottesini many times in London and other European cities and is sometimes wrongly credited with making the arrangement. A manuscript copy of the piece that is probably the version played by Sivori exists in the library of the Royal Academy of Music, but the version most commonly heard today is that printed by Richault in 1879 with a much more elaborate violin part edited by Henryk Wieniawski. [2]

Bottesini performed the Grand Duo throughout his life with many of the world’s greatest violinists, including not only Arditi, Sivori and Wieniawski, but also Jean-Delphin Alard, Henri Vieuxtemps, Prosper Sainton, Émile Sauret, Antonio Bazzini, Achille Simonetti and many others. [3]

Bottesini also wrote another concerto for two double basses entitled "Gran Duo Passione Amorosa" in a more traditional, three-movement format.


  1. ”The Paganini of the Double Bass: Bottesini in Britain” (Chris West, 2021)
  2. ”The Paganini of the Double Bass: Bottesini in Britain” (Chris West, 2021)
  3. ”The Paganini of the Double Bass: Bottesini in Britain” (Chris West, 2021)

Related Research Articles

<span class="mw-page-title-main">David Oistrakh</span> Soviet violinist (1908–1974)

David Fyodorovich Oistrakh was a Soviet Russian violinist, violist, and conductor. He was also Professor at the Moscow Conservatory, People's Artist of the USSR (1953), and Laureate of the Lenin Prize (1960)

This article is about music-related events in 1880.

<span class="mw-page-title-main">Henri Vieuxtemps</span> Belgian composer and violinist

Henri François Joseph Vieuxtemps was a Belgian composer and violinist. He occupies an important place in the history of the violin as a prominent exponent of the Franco-Belgian violin school during the mid-19th century. He is also known for playing what is now known as the Vieuxtemps Guarneri del Gesù, a violin of superior workmanship.

<span class="mw-page-title-main">Leopold Auer</span> Hungarian violinist, academic, conductor, composer and teacher

Leopold von Auer was a Hungarian violinist, academic, conductor, composer, and instructor. Many of his students went on to become prominent concert performers and teachers.

<span class="mw-page-title-main">Giovanni Bottesini</span> Italian composer

Giovanni Bottesini was an Italian Romantic composer, conductor, and a double bass virtuoso.

<span class="mw-page-title-main">Henryk Wieniawski</span> Polish composer, violinist, and pedagogue (1835–1880)

Henryk Wieniawski was a Polish virtuoso violinist, composer and pedagogue, who is regarded amongst the most distinguished violinists in history. His younger brother Józef Wieniawski and nephew Adam Tadeusz Wieniawski were also accomplished musicians, as was his daughter Régine, who became a naturalised British subject upon marrying into the peerage and wrote music under the name Poldowski.

<span class="mw-page-title-main">Camillo Sivori</span> Italian violinist and composer (1817 - 1894)

Ernesto Camillo Sivori, was an Italian virtuoso violinist and composer.

<span class="mw-page-title-main">Ruggiero Ricci</span> American violinist (1918–2012)

Ruggiero Ricci was an American violinist known for performances and recordings of the works of Paganini.

<span class="mw-page-title-main">Luigi Arditi</span> Italian composer

Luigi Arditi was an Italian violinist, composer and conductor.

<span class="mw-page-title-main">Leonidas Kavakos</span> Greek violin virtuoso and conductor

Leonidas Kavakos is a Greek violinist and conductor. As a violinist, he has won prizes at several international violin competitions, including the Sibelius, Paganini, Naumburg, and Indianapolis competitions. He is an Onassis Foundation scholar. He has also recorded for record labels such as Sony/BMG and BIS. As a conductor, he was an artistic director of the Camerata Salzburg and has been a guest conductor of the London Symphony Orchestra and Boston Symphony Orchestra.

The "Carnival of Venice" is based on a Neapolitan folk tune called "O Mamma, Mamma Cara" and popularized by violinist and composer Niccolò Paganini, who wrote twenty variations on the original tune. He titled it "Il Carnevale Di Venezia," Op. 10. In 1829, he wrote to a friend, "The variations I've composed on the graceful Neapolitan ditty, 'O Mamma, Mamma Cara,' outshine everything. I can't describe it."

<span class="mw-page-title-main">Alessandro Rolla</span> Italian composer

Alessandro Rolla was an Italian viola and violin virtuoso, composer, conductor and teacher. His son, Antonio Rolla, was also a violin virtuoso and composer.

A double bass concerto is a notated musical composition, usually in three parts or movements, for a solo double bass accompanied by an orchestra. Bass concertos typically require an advanced level of technique, as they often use very high-register passages, harmonics, challenging scale and arpeggio lines and difficult bowing techniques. Music students typically play bass concerti with the orchestral part played by a pianist who reads from an orchestral reduction.

Bartłomiej "Bartek" Nizioł is a Polish violinist playing in a bel canto style. His interpretations tend to be objective and comprehensive.

<span class="mw-page-title-main">Váša Příhoda</span> Czech violinist

Váša Příhoda was a Czech violinist and minor composer. Considered a Paganini specialist, his recording of the Violin Concerto in A minor by Dvořák is still praised.

<span class="mw-page-title-main">Albert Markov</span> American musical artist

Albert Markov, is a Russian American violinist, composer, conductor, and pedagogue. He is the only concert violinist of the 20th and 21st century who composed major music works which are published, performed and recorded commercially on Sunrise label and published by G. Schirmer. During the time of the Soviet Union he was known as a prominent Soviet classical music artist. Albert Markov began his career as a concert violinist in Russia before immigrating to the United States in 1975.

Violin Concerto No. 4 in D minor, MS 60, is a concerto composed by Niccolò Paganini in the fall of 1829.

<span class="mw-page-title-main">Alessio Bidoli</span> Musical artist

Alessio Bidoli is an Italian violinist.

<span class="mw-page-title-main">Uxía Martínez Botana</span> Musical artist

Uxía Martínez Botana is a Spanish double bass player.