No wave was an avant-garde music genre and visual art scene which emerged in the late 1970s in Downtown New York City. The term was a pun based on the rejection of commercial new wave music. Reacting against punk rock's recycling of rock and roll clichés, no wave musicians instead experimented with noise, dissonance, and atonality, as well as non-rock genres like free jazz, funk, and disco. The scene often reflected an abrasive, confrontational, and nihilistic world view.
Creation Records Ltd. was a British independent record label founded in 1983 by Alan McGee, Dick Green, and Joe Foster. Its name came from the 1960s band The Creation, whom McGee greatly admired. The label ceased operations in 1999, although it was revived at one point in 2011 for the release of the compilation album Upside Down.
Fast Product was an independent record label, established in Edinburgh by Bob Last, his partner, Hilary Morrison and Tim Pearce in December 1977. Its first release was also the first single by the Mekons, released on 20 January 1978.
The Fire Engines were a post-punk band from Edinburgh, Scotland.
David Markey is an American film director.
Teenage Fanclub are a Scottish alternative rock band formed in Glasgow in 1989. The group were founded by Norman Blake, Raymond McGinley and Gerard Love, all of whom shared lead vocals and songwriting duties until Love's departure in 2018. As of 2023, the band's lineup consists of Blake, McGinley, Francis Macdonald, Dave McGowan and Euros Childs.
The Pastels are an indie rock group from Glasgow formed in 1981. They were a key act of the Scottish and British independent music scenes of the 1980s, and are specifically credited for the development of an independent and confident music scene in Glasgow. The group has had a number of members, but currently consists of Stephen McRobbie, Katrina Mitchell, Tom Crossley, John Hogarty, Alison Mitchell and Suse Bear.
Indie pop is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of indie pop has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop.
The Soup Dragons are a Scottish alternative rock band of the late 1980s and early 1990s. Named after a character in the 1970s children's television series Clangers, the group is best known for its cover of the Rolling Stones' song "I'm Free", which was a Top 5 hit in the United Kingdom in 1990; and "Divine Thing", a Top 40 hit in the United States in 1992.
The Edinburgh International Film Festival (EIFF), established in 1947, in is the world's oldest continually running film festival. EIFF presents both UK and international films, in all genres and lengths. It also presents themed retrospectives and other specialized programming strands.
"Teenage Kicks" is the debut single by Northern Irish punk rock band the Undertones. Written in the summer of 1977 by J.J. O'Neill, the band's rhythm guitarist and principal songwriter, the song was recorded on 15 June 1978 and initially released that September on independent Belfast record label Good Vibrations, before the band signed to Sire Records on 2 October 1978. Sire Records subsequently obtained all copyrights to the material released upon the Teenage Kicks EP and the song was re-released as a standard vinyl single on Sire's own label on 14 October that year, reaching number 31 in the UK Singles Chart two weeks after its release
Frances McKee is a Scottish singer and songwriter known best for her work in the Scottish indie band The Vaselines.
James Lambie is a contemporary visual artist, and was shortlisted for the 2005 Turner Prize with an installation called Mental Oyster.
Scars were a Scottish post-punk band from Edinburgh, Scotland, and were a part of that city's music scene of the late 1970s and early 1980s.
David Alexander "Davy" Henderson is a Scottish singer and guitarist whose career began in the 1970s. He is best known for his work with The Fire Engines, Win, The Nectarine No. 9, and more recently The Sexual Objects and Port Sulphur.
Big Gold Dream is a 2015 film documenting the story of Scotland's post-punk scene, focusing on record labels Fast Product and Postcard Records. Directed by filmmaker Grant McPhee, the film's name is taken from the 1981 Fire Engines single of the same name, the final release on the Pop Aural label.
Tartan Features is a filmmaking network and distribution platform based in Scotland. It supports the production of micro-budget feature films.
Teenage Superstars is a 2017 film about the Glasgow independent music scene between 1982 and 1992, focusing on the bands that emerged from in and around the city at this point including The Pastels, BMX Bandits, The Soup Dragons, Teenage Fanclub, The Vaselines, The Jesus and Mary Chain and Primal Scream. In doing so, the film also considers the early days of Creation Records and Stephen Pastel, David Keegan and Sandy McLean’s 53rd & 3rd record label. The film follows on chronologically from 2015's Big Gold Dream, also directed by Grant McPhee, with its title taken from The Vaselines song "Teenage Superstars".
The Power of the Dog is a 2021 revisionist Western psychological drama film written and directed by Jane Campion. It is based on Thomas Savage's 1967 novel of the same title. The film stars Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons, and Kodi Smit-McPhee. Set in Montana and shot mostly within rural Otago, the film is an international co-production among New Zealand, the United Kingdom, Canada, and Australia.
Hungry Beat is a 2022 book published by white Rabbit Books and written by Grant McPhee and Douglas MacIntyre with Neil Cooper. It is an oral history of Scotland's Post-Punk scene, focussing on the record labels Fast Product and Postcard Records. The introduction was written by Ian Rankin.
