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The 1896 version of La Fée aux Choux is a lost film directed by Alice Guy-Blaché that, according to her, featured a honeymoon couple, a farmer, pictures of babies glued to cardboard, and one live baby. The 1900 La Fée aux Choux and the 1902 Sage-Femme de Première Classe are frequently confused with the original lost film, which is arguably the world's first narrative film, and the first film directed by a woman.
Alice Ida Antoinette Guy-Blaché was a French pioneer film director. She was one of the first filmmakers to make a narrative fiction film, as well as the first woman to direct a film. From 1896 to 1906, she was probably the only female filmmaker in the world. She experimented with Gaumont's Chronophone sync-sound system, and with color-tinting, interracial casting, and special effects.
Solax Studios was an American motion-picture studio founded in 1910 by executives from the Gaumont Film Company of France. Alice Guy-Blaché, her husband Herbert, and a third partner, George A. Magie, established the Solax Company.
Raphael Zalman Soyer was a Russian-born American painter, draftsman, and printmaker. Soyer was referred to as an American scene painter. He is identified as a Social Realist because of his interest in men and women viewed in contemporary settings which included the streets, subways, salons and artists' studios of New York City. He also wrote several books on his life and art.
Anne Whitney was an American sculptor and poet. She made full-length and bust sculptures of prominent political and historical figures, and her works are in major museums in the United States. She received prestigious commissions for monuments. Two statues of Samuel Adams were made by Whitney and are located in Washington, D.C.'s National Statuary Hall Collection and in front of Faneuil Hall in Boston. She also created two monuments to Leif Erikson.
Herbert Blaché, born Herbert Reginald Gaston Blaché-Bolton was a British-born American film director, producer and screenwriter, born of a French father. He directed more than 50 films between 1912 and 1929.
Events from the year 1873 in France.
Matrimony's Speed Limit is a 1913 silent short film produced and directed by pioneering female film maker Alice Guy-Blaché. It was produced by Solax Studios when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey, at the beginning of the 20th century. It is one of only about 150 films surviving out of the more than one thousand produced and/or directed by Guy-Blaché.
Falling Leaves is a 1912 American silent short film by Alice Guy-Blaché, produced at Solax Studios. Starring Solax stock actors, the story concerns a child's earnest effort to keep her dying sister alive by naive means.
Pamela B. Green is a two-time Emmy-nominated, award-winning American film director and producer known for her work in feature film titles and motion graphics. She is the director, writer, editor and producer of the documentary Be Natural: The Untold Story of Alice Guy-Blaché. In 2020, she was awarded the Jane Mercer Researcher of the Year award at the FOCAL International awards for her work on Be Natural.
Forgotten Faces is a 1928 American silent drama film directed by Victor Schertzinger and starring Clive Brook, Mary Brian, and Olga Baclanova. The production was overseen by David O. Selznick, a rising young producer at the time. The film was remade by Paramount in 1936 as a sound film.
Magda Foy, also known and often credited as "The Solax Kid", was a child actor in the silent film era who worked for Solax Studio, the largest pre-Hollywood studio in the United States from 1910 to 1913.
The Great Adventure, also known as Her Great Adventure and Spring of the Year, is a 1918 American silent comedy-drama film directed by Alice Guy-Blaché, and starring Bessie Love.
The Jailbird is a 1920 American silent comedy-drama film directed by Lloyd Ingraham and written by Julien Josephson. The film stars Douglas MacLean, Doris May, Louis Morrison, William Courtright, Wilbur Higby, and Otto Hoffman. The film was released on October 10, 1920, by Paramount Pictures.
The Pit and the Pendulum is a three-reel film adapted from Edgar Allan Poe's 1842 short story of the same name, directed, and produced by pioneering French filmmaker Alice Guy-Blaché through her American company Solax Studios in 1913.
The Lure is a 1914 American silent drama film directed by Alice Guy Blaché starring James O'Neill, Fraunie Fraunholz, Kirah Markham, and Claire Whitney. The Lure was an adaptation of a controversial play by George Scarborough that gives a sympathetic depiction of social pressures leading women into prostitution.
A Fool and His Money is an American silent comedy film from 1912. It is either the first film or one of the earliest films with an African-American cast. It was directed by Alice Guy-Blaché, who is widely considered the first female film director. The plot involves a man who becomes suddenly wealthy, takes on an aristocratic lifestyle, and becomes engaged to a woman who had scorned him when he was poor. He soon loses his money to a card sharp who immediately wins the affection of his fiancée.
Be Natural: The Untold Story of Alice Guy-Blaché is a 2018 documentary about the first female filmmaker Alice Guy-Blaché, directed by Pamela B. Green. It was screened out of competition at the 2018 Cannes Film Festival in the Cannes Classics category. It was nominated for the festival's L'Œil d'or documentary prize. Be Natural went on to screen at Telluride, Deauville American Film Festival, New York Film Festival, and London BFI Film Festival.
She Would Be a Business Man is a 1910 American silent comedy film released by Centaur Film Company.
Dancing Days is a 1926 American silent romantic drama film directed by Albert H. Kelley and starring Helene Chadwick, Forrest Stanley, and Lillian Rich. It is based on the 1910 novel of the same name by the British writer J.J. Bell. The films depicts a married man who falls in love with a flapper, and is increasingly dominated by his new love interest.
References
- ↑ "Greater Love Hath No Man". TCM. Retrieved 2023-07-10.
- ↑ Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress (<-book title) p.72 c.1978
- ↑ "Press Release - Whitney Museum of American Art".
