Greg Lamberson | |
---|---|
Born | Gregory Lamberson April 19, 1964 |
Occupation(s) | Author, filmmaker |
Years active | 1987–present |
Spouse | Tamar Lamberson |
Gregory Lamberson (born April 19, 1964) [1] is an American filmmaker and author. He is known for writing novels such as Johnny Gruesome and the series The Jake Helman Files, and for directing the 1988 film Slime City . He is also one of the directors of the Buffalo Dreams Fantastic Film Festival. [2]
Lamberson was born in Gowanda, New York and grew up in the nearby village of Fredonia. Having studied filmmaking at the School of Visual Arts in Manhattan, his first appearance in a film was an uncredited role in the 1987 horror comedy I Was a Teenage Zombie . [3] The next year, he directed and produced the cult film Slime City . In 1991, he wrote, directed, produced, and acted in the horror film Undying Love, and in 1999 did the same for the film Naked Fear. On May 19, 1999, he married Tamar Lamberson, and the couple had a daughter named Kaelin. [4]
Lamberson went on to produce various low-budget horror films, including several directed by Sam Qualiana, such as the 2012 film Snow Shark , the 2014 film The Legend of Six Fingers, and the upcoming horror film Lake Effect . [5] [6] He directed the 2013 horror film Dry Bones, as well as the 2015 horror comedy Killer Rack , both of which feature his daughter Kaelin in minor roles. In 2010, Lamberson directed Slime City Massacre , a semi-sequel to his feature directorial debut. [7]
Lamberson is also known for his novels. In 2002, he published Personal Demons the first of his series The Jake Helman Files, which features a former NYPD detective turned private investigator who encounters supernatural phenomena. [8] [9] He has since written and published five books in total in the series, with the most recent entry being Storm Demon in 2013. [10] His 2007 novel Johnny Gruesome received several awards and nominations, including a nomination for the Superior Achievement in a Novel category in the 2009 Bram Stoker Awards. [11]
Year | Association | Category | Nominated work | Result | Ref. |
---|---|---|---|---|---|
2010 | PollyGrind Film Festival | The Biggest Baddest Mother of the PollyGrind | Slime City Massacre | Won | [13] |
2016 | Fantastic Cinema Festival | Grand Jury Award for Best Feature Film | Killer Rack | Nominated | [14] |
Year | Association | Category | Nominated work | Result | Ref. |
---|---|---|---|---|---|
2008 | Black Quill Awards | Best Small Press Chill | Johnny Gruesome | Nominated | [11] |
2009 | Independent Publisher Book Awards | IPPY Gold Metal Award for Horror | Won | [11] | |
Bram Stoker Awards | Superior Achievement in a Novel | Nominated | [11] | ||
The Texas Chain Saw Massacre is a 1974 American independent horror film produced, co-composed, and directed by Tobe Hooper, who co-wrote it with Kim Henkel. The film stars Marilyn Burns, Paul A. Partain, Edwin Neal, Jim Siedow, and Gunnar Hansen. The plot follows a group of friends who fall victim to a family of cannibals while on their way to visit an old homestead. The film was marketed as being based on true events to attract a wider audience and to act as a subtle commentary on the era's political climate. Although the character of Leatherface and minor story details were inspired by the crimes of murderer Ed Gein, its plot is largely fictional.
The Silence of the Lambs is a 1991 American psychological horror thriller film directed by Jonathan Demme and written by Ted Tally, adapted from Thomas Harris's 1988 novel of the same name. It stars Jodie Foster as Clarice Starling, a young FBI trainee who is hunting a serial killer named "Buffalo Bill", who skins his female victims. To catch him, she seeks the advice of the imprisoned Dr. Hannibal Lecter, a brilliant psychiatrist and cannibalistic serial killer. The film also features performances from Scott Glenn, Anthony Heald, and Kasi Lemmons.
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Evil Dead The Musical is a rock musical stage play based on the Evil Dead franchise. First performed on stage in 2003 at the Tranzac club in Toronto, Ontario, the show instantly became a hit and eventually moved on to an off-Broadway run in 2006 at the New World Stages. Many regional productions of the show have been performed all over the world. Critics praised the show and one critic for The New York Times even hailed the musical as "the next The Rocky Horror Show".
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