| Gualino Madonna | |
|---|---|
 | |
| Artist | Duccio di Buoninsegna |
| Year | 1280–1283 |
| Type | Tempera and gold on wood |
| Dimensions | 157 cm× 86 cm(62 in× 34 in) |
| Location | Galleria Sabauda, Turin |
The Gualino Madonna is a painting attributed to Italian late medieval artist Duccio di Buoninsegna. [1] It is housed in the Galleria Sabauda of Turin, northern Italy.
The provenance of the panel is unknown. In 1910 it was sold on the Florence antiquary market covered by a 16th-century repainting, which was removed in 1920. In 1925 it was acquired by the Turinese entrepreneur and collector Riccardo Gualino who, in 1930, gave it to the Galleria Sabauda. In 1933-1959 it was in London, after which it returned to the Turinese museum.
The work is not signed, and has been attributed, among the others, to Cimabue. Now it is unanimously assigned to Duccio, belonging to his early career, when he was influenced by Cimabue.
Cimabue, also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter and designer of mosaics from Florence.
Duccio di Buoninsegna, commonly known as just Duccio, was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is considered one of the greatest Italian painters of the Middle Ages, and is credited with creating the painting styles of Trecento and the Sienese school. He also contributed significantly to the Sienese Gothic style.
The Galleria Sabauda is an art collection in the Italian city of Turin, which contains the royal art collections amassed by the House of Savoy over the centuries. It is located on Via XX Settembre, 86.
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The Rucellai Madonna is a panel painting representing the Virgin and Child enthroned with Angels by the Sienese painter Duccio di Buoninsegna. The original contract for the work is dated 1285; the painting was probably delivered in 1286. The painting was commissioned by the Laudesi confraternity of Florence to decorate the chapel they maintained in the Dominican church of Santa Maria Novella. It was transferred to the Galleria degli Uffizi in the 19th century. The Rucellai Madonna is the largest 13th-century panel painting extant.
The Santa Trinita Maestà is a panel painting by the Italian medieval artist Cimabue, dating to c. 1288-1292. Originally painted for the church of Santa Trinita, Florence, where it remained until 1471, it is now housed in the Uffizi Gallery of Florence, Italy. It represents the Madonna enthroned with the Baby Jesus and surrounded by eight angels and, below, four half portraits of prophets.
Master of Città di Castello, in Italian, Maestro di Città di Castello, was an anonymous painter of Medieval art. Mason Perkins is responsible for his identification and naming in 1908, based on the styling from the Master preserved at the Pinacoteca comunale, Città di Castello, in Umbria.
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Alik Cavaliere (1926–1998) was an Italian sculptor. He spent his life researching the meaning of life, freedom, nature, and history. An atheist and libertarian, he didn't believe in any preconceived, final structure of society, the environment, or the universe. Nor did he follow any art movements of his time, although he knew all of them and was temporarily influenced by some. He made his own way, narrating his perceptions with witty irony, through sculptures made up of a wide range of materials, disposed in a chaotic labyrinth which visitors are forced to traverse without being able to find a definitive point of view.
The Perugia Crucifix is a gold and tempera on panel painted crucifix of the Christus patiens type. It is dated to 1272 thanks to an inscription on its base reading "ANNO DOMINI MCCLXXII TEMPORE GREGORI P.P.X.. It is held in the Galleria nazionale dell'Umbria, in Perugia.
The Flagellation of Christ is a panel painting by 13th-century Italian artist Cimabue, in egg tempera and gold leaf on a poplar panel, dated to c.1280. It has been held by the Frick Collection in New York since 1950, and is the only painting by Cimabue in the US. The Frick Collection acquired the painting from the Knoedler gallery in Paris in 1950. Previously, it had been owned by the antiques dealer M Rolla at the end of the 19th century, inherited by G Rolla, and then sold to the art dealer Eduardo Moratilla.
The Castelfiorentino Madonna is a tempera-and-gold-on-panel painting attributed to the Italian painter Cimabue, dating to c.1283–1284. Showing a half-length Madonna Odigitria-type Madonna, it originally hung in the collegiate church of Santi Lorenzo e Leonardo but now hangs in the Museo di Santa Verdiana in Castelfiorentino.
The Crevole Madonna is a tempera and gold on wood panel painting by Duccio di Buoninsegna, created c. 1283-1284. It was originally in the Pieve di Santa Cecilia in Crevole and now its held in the Museo dell'Opera metropolitana del Duomo in Siena. It was one of the artist's first works.
The Feast in the House of Simon the Pharisee is a c.1565 oil-on-canvas painting by Veronese, now in the Galleria Sabauda in Turin.
Portrait of Blaise Cendrars is a 1917 oil on card painting by Amedeo Modigliani, showing the French writer Blaise Cendrars. Formerly part of the Riccardo Gualino collection, it is now in the Galleria Sabauda in Turin.
The Life of Christ is a series of five paintings in tempera and gold on panel depicting scenes from the Life of Christ and the Last Judgement. The works date to around 1290–1300 and are attributed to the circle of Cimabue or to a Venetian artist. They are now in various museums and private collections: the Longhi Foundation in Florence, the New Orleans Museum of Art, the Portland Art Museum, the Pedralbes Monastery near Barcelona and a private collection in Milan.
Portrait of a Man in Black or Man in Black in Profile is a c. 1520-1522 oil on panel painting by Rosso Fiorentino, now in the Galleria Palatina in Florence.
The Virgin Pantanassa is a tempera painting by Andreas Ritzos. Ritzos was a Greek painter active on the island of Crete. He flourished from 1435 to 1492. The painter has an existing catalog of over sixty works attributed to him. He signed his works in both Greek and Latin. He is one of the most influential painters of the Cretan Renaissance. He painted in the traditional Greek-Italian Byzantine style. His work was also heavily influenced by Venetian painting. His teacher was Angelos Akotantos. He was also affiliated with Andreas Pavias. His son was famous Greek painter Nikolaos Ritzos. Ritzo's Italian contemporaries were Paolo Uccello and Fra Angelico. They all painted a mixture of the Greek-Italian Byzantine and Italian Renaissance styles. The art of Crete was heavily influenced by the founder of the Venetian school Paolo Veneziano.
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