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Guillermo Schmidhuber de la Mora (born 1943, Mexico city) is a Mexican author, playwright, and critic.
Among his most notable works are: Obituary, The Useless Heroes, The Heirs of Segismund, The Secret Friendship of Juana and Dorothy, and Never Say Adiós to Columbus. His novel Women of the Tequila Volcano was published simultaneously in Argentina and Mexico. He has published several books on Mexican theatre, especially on the works of Rodolfo Usigli and Elena Garro. As a playwright he has won several prizes, including the Letras de Oro for best work in Spanish written in the United States (University of Miami 1987), and the National Award of Theatre by the Mexican government (INBA 1980). His plays have been translated into German, French and English.
He was professor at the University of Louisville and the University of Kentucky from 1986 to 1993. He is currently a professor at the University of Guadalajara, the second largest university in Mexico. He helped discover two previously lost texts of Sor Juana Inés de la Cruz; one of them, The Second Celestina, was published with a prologue by Octavio Paz.
From 1995 to 2001 he served as the Cultural Attaché for the Mexican state of Jalisco
Schmidhuber's bibliography covers 120 books or chapters. Some of his writings are:
Guillermo Schmidhuber is the son of Guillermo Schmidhuber y Martínez (1913–1945) and Josefina de la Mora y Peña (1913–1990). He lives in Guadalajara, Mexico, where he continues writing plays and articles in the company of his wife and three children. [1]
Doña Inés de Asbaje y Ramírez de Santillana, better known as Sor Juana Inés de la Cruz was a Mexican writer, philosopher, composer and poet of the Baroque period, and Hieronymite nun. Her contributions to the Spanish Golden Age gained her the nicknames of "The Tenth Muse" or "The Phoenix of America",; historian Stuart Murray calls her a flame that rose from the ashes of "religious authoritarianism".
The University of the Cloister of Sor Juana is a private university located in the former San Jerónimo Convent in the historic center of Mexico City. This convent is best known for having been the home of Sor Juana Inés de la Cruz for over twenty five years, she produced many of her writings here. After the convent was closed in the 19th century, the large complex was divided and was home to a number of institutions and businesses, including a large dance hall in the mid 20th century. In the 1970s, the government expropriated the complex, explored it and began the restoration process. In 1979, the current university was founded at this site and it is currently the benefactor and guardian of the complex. The institution offers bachelors, two masters and two certificates, mostly in the humanities. The institution also sponsors or co-sponsors a number of cultural and educational activities, mostly situated in the historic center of the city.
Antonio Alatorre Vergara was a Mexican writer, philologist and translator, famous due to his influential academic essays about Spanish literature, and because of his book Los 1001 años de la lengua española.
Gloria Guardia was a Panamanian novelist, essayist and journalist whose works received recognition in Latin America, Europe, Australia and Japan. She was a Fellow at the Panamanian Academy of Letters and Associate Fellow at the Spanish Royal Academy, the Colombian and the Nicaraguan Academy of Letters
Ermilo Abreu Gómez was a writer, journalist and lecturer born in Mérida, Yucatán, México. He was a member of the Mexican Academy of Language from 1963. He was also a professor in several universities in the United States. He died in Mexico City in 1971.
Margo Glantz Shapiro is a Mexican writer, essayist, critic and academic. She has been a member of the Academia Mexicana de la Lengua since 1995. She is a recipient of the FIL Award.
Jácaras are Spanish songs which are accompanied with instruments and are performed during the entr'acte of a theatrical performance and also as an accompaniment to many types of dance.
Maria Vilalta i Soteras was a Catalan-born Mexican playwright and a theatre director. Her plays have been translated, published and produced in numerous countries. She won the critic’s prize for the best play of the year ten times. In November 2010 she was awarded the National Prize for Arts and Sciences in the field of Linguistics and Literature, for her work which has national and international resonance. President Felipe Calderón Hinojosa gave her the award at Mexico's National Palace.
The Guadalajara International Book Fair, better known as the FIL is the largest book fair in the Americas, and second-largest book fair in the world after Frankfurt's. It is also considered the most important cultural annual event of its kind in the Spanish-speaking world. The purpose of the FIL is to provide an optimal business environment for the book-industry professionals and exhibitors who attend the fair, and for the reading public eager to meet authors and pick up the latest entries in the market.
Cristina Rivera Garza is a Mexican author and professor best known for her fictional work, with various novels such as Nadie me verá llorar winning a number of Mexico’s highest literary awards as well as awards abroad. The author was born in the state of Tamaulipas, near the U.S.-Mexico border, and has developed her career in teaching and writing in both the United States and Mexico. She has taught history and creative writing at various universities such as the National Autonomous University of Mexico (UNAM) and Tec de Monterrey, Campus Toluca, and she currently holds a position at the University of California, San Diego. Rivera Garza is the recipient of a 2020 MacArthur Fellowship. Some of her other accolades include the Juan Vicente Melo National Short Story Award, the Sor Juana Inés de la Cruz Prize, and the Anna Seghers International Prize.
Blanca López de Mariscal o Blanca Guadalupe López Morales is a Professor emeritus and researcher in literature at Tecnológico de Monterrey, Campus Monterrey, México.
Sor Juana Inés de la Cruz is a Mexican telenovela produced by Televisa and broadcast by Telesistema Mexicano in 1962. It is based on the life of Juana Inés de la Cruz.
Tarsicio Herrera Zapién is a Mexican writer, researcher and academic, specializing in the culture and classical literature. He studies the works of Sister Juana Inés de la Cruz, as well as music composition and recovery of classical musicological works.
Luz Méndez de la Vega was a Guatemalan feminist writer, journalist, poet, academic and actress. As an academic, she concentrated on researching and rescuing the work of colonial Guatemalan women writers. She was the winner of Guatemala's highest prize for literature, Miguel Ángel Asturias National Literature Prize, and the Chilean Pablo Neruda Medal, among many other literary awards throughout her career.
Margarita López Portillo y Pacheco (1914–2006) was a Mexican novelist who earned several awards for her novels and also had three of them adapted for film. She was a public servant, serving under three presidents in various capacities of regulating media. During her brother José López Portillo's (1976-1982) presidency, she received sharp criticism for his nepotism and failure to act on warnings of potential fire at the National Cinema Library. She studied the works of Sister Juana Inés de la Cruz and led an effort to restore the convent where the Sister had lived. In 1980, she was granted the French Order of Arts and Letters.
Rosa Beltrán is a Mexican writer, lecturer and academic. On 12 June 12, 2014, she was chosen by the Academia Mexicana de la Lengua to occupy seat 306 in its membership.
Yolanda Quijano is a Mexican painter and sculptor whose work has been recognized with membership in the Salón de la Plástica Mexicana.
Lina Meruane Boza is a Chilean writer and professor. Her work, written in Spanish, has been translated into English, Italian, Portuguese, German, and French. In 2011 she won the Anna Seghers-Preis for the quality of her work, and in 2012 the Sor Juana Inés de la Cruz Prize for her novel Sangre en el ojo.
Los empeños de una casa is one of Sor Juana Inés de la Cruz's dramatic literary pieces. It was first performed on October 4, 1683, during the birthday celebrations held for the first-born child of the Viceroy Count of Paredes; of which coincided with the entry of the new Archbishop of Mexico City, Francisco de Aguiar y Seijas.