Deccani is an Indo-Aryan language spoken in the Deccan region of south-central India and the native language of the Deccani people. The historical form of Deccani sparked the development of Urdu literature during the late-Mughal period. Deccani arose as a lingua franca under the Delhi and Bahmani Sultanates, as trade and migration from the north introduced Hindustani to southern India. It later developed a literary tradition under the patronage of the Deccan Sultanates. Deccani itself came to influence Urdu and Hindi.
The Deccan sultanates is a historiographical term referring to five late medieval to early modern Indian kingdoms on the Deccan Plateau between the Krishna River and the Vindhya Range that were created from the disintegration of the Bahmani Sultanate and ruled by Muslim dynasties: namely Ahmadnagar, Berar, Bidar, Bijapur, and Golconda. The five sultanates owed their existence to the declaration of independence of Ahmadnagar in 1490, followed by Bijapur and Berar in the same year. Golconda became independent in 1518, and Bidar in 1528.
The Sultanate of Bijapur was an early modern kingdom in the western Deccan and South India, ruled by the Adil Shahi or Adilshahi dynasty. Bijapur had been a taraf (province) of the Bahmani Sultanate prior to its independence in 1490 and before the former's political decline in the last quarter of the 15th century. It was a member of the Deccan Sultanates, the collective name of the five successor states of the Bahmani Sultanate. At its peak, the Sultanate of Bijapur was one of the most powerful states in South Asia, second to the Mughal Empire, which conquered it on 12 September 1686 under Aurangzeb.
Indian painting has a very long tradition and history in Indian art. The earliest Indian paintings were the rock paintings of prehistoric times, such as the petroglyphs found in places like the Bhimbetka rock shelters. Some of the Stone Age rock paintings found among the Bhimbetka rock shelters are approximately 10,000 years old. Because of the climatic conditions in the Indian subcontinent, very few early examples survive today.
Firishta or Ferešte, full name Muhammad Qasim Hindu Shah Astarabadi, was a Persian historian, who later settled in India and served the Deccan Sultans as their court historian. He was born in 1570 and died in 1620.
Malik Ambar was a military leader who served as the Peshwa of the Ahmadnagar Sultanate in the Deccan region of India.
Golshan or Gulshan may refer to:
Farrukh Beg, also known as Farrukh Husayn, was a Persian miniature painter, who spent a bulk of his career in Safavid Iran and Mughal India, praised by Mughal Emperor Jahangir as "unrivaled in the age."
Ibrahim Adil Shah I was a Sultan and later Shah of the Indian kingdom of Bijapur. He succeeded his elder brother, Mallu Adil Shah, through the machinations of the Afaqi faction at the court. He was the first Adil Shahi ruler to assume the royal title of Shah.
Shāh Nimatullāh or Shāh Ni'matullāh Wali,, also spelled as Ne'matollah and Ni'matallah was the spiritual leader or Qutb of the Ni'matullah Order in Iran from the 14th and 15th centuries. He is revered by Sunni Islam as a saint and by the Ni'matullāhī tariqa, who consider him their founder.
The Persian word Falnama covers two forms of bibliomancy used historically in Iran, Turkey, and India. Quranic Falnamas were sections at the end of Quran manuscripts used for fortune-telling based on a grid. In the 16th century, Falnama manuscripts were introduced that used a different system; individuals performed purification rituals, opened a random page in the book and interpreted their fortune in light of the painting and its accompanying text. Only a few illustrated Falnamas now survive; these were commissioned by rich patrons and are unusually large books for the time, with bold, finely executed paintings. These paintings illustrate historical and mythological figures as well as events and figures associated with the Abrahamic religions.
Aurangabad is one of the historical cities of the Deccan, India. It is well known for its literary and cultural traditions. As this city was the stronghold of the Mughals, a number of civil and military officers, men of letters, citizens, etc., from Delhi came here with the result that Aurangabad was so much influenced by the North Indian culture that it was considered to be the Delhi of the Deccan. Thus, till 1763, Aurangabad was the seat of Government and the capital of the Deccan. Afterwards when Hyderabad was made the capital, poets, literary men and learned people gradually left Aurangabad and this city lost its literary prominence. Still the city continued to produce men of literary genius well into the 20th century. Though, Aurangabad had gained its importance since the time of Malik Ambar, up to 1700 AD the literary achievements of that city in regard to the Urdu language are not traceable. The Urdu spoken in Aurangabad is Hyderabadi Urdu, which in itself is a form of Dakhini Urdu.
Chahar Gulshan is an 18th-century Persian language book about the history of India. It was written by Rai Chatar Man Kayath of the Mughal Empire in 1759 CE. It is also known as Akhbar-un Nawadir or Akhbaru-l-Nawadir.
The Deccanis or Deccani people are an Indo-Aryan ethno-religious community of Deccani-speaking Muslims who inhabit or are from the Deccan region of Western and Southern India. The community traces its origins to the shifting of the Delhi Sultanate's capital from Delhi to Daulatabad in 1327 during the reign of Muhammad bin Tughluq. Further ancestry can also be traced from immigrant Muslims referred to as Afaqis, also known as Pardesis who came from Central Asia, Iraq and Iran and had settled in the Deccan region during the Bahmani Sultanate (1347). The migration of Muslim Hindavi-speaking people to the Deccan and intermarriage with the local Hindus whom converted to Islam, led to the creation of a new community of Hindustani-speaking Muslims, known as the Deccani, who would come to play an important role in the politics of the Deccan. Their language, Deccani, emerged as a language of linguistic prestige and culture during the Bahmani Sultanate, further evolving in the Deccan Sultanates.
Deccan painting or Deccani painting is the form of Indian miniature painting produced in the Deccan region of Central India, in the various Muslim capitals of the Deccan sultanates that emerged from the break-up of the Bahmani Sultanate by 1520. These were Bijapur, Golkonda, Ahmadnagar, Bidar, and Berar. The main period was between the late 16th century and the mid-17th, with something of a revival in the mid-18th century, by then centred on Hyderabad.
Viceroy of the Deccan was the representative of the Mughal emperors in Deccan, Deccan consisted of six Mughal governorates (Subah): Khandesh, Bijapur, Berar, Aurangabad, Hyderabad and Bidar. Carnatic region was a subdivision which was partly administered by the governor of Bijapur and Hyderabad.
The Nasser D. Khalili Collection of Islamic Art includes 28,000 objects documenting Islamic art over a period of almost 1400 years, from 700 AD to the end of the twentieth century. It is the largest of the Khalili Collections: eight collections assembled, conserved, published and exhibited by the British-Iranian scholar, collector and philanthropist Nasser David Khalili, each of which is considered among the most important in its field. Khalili's collection is one of the most comprehensive Islamic art collections in the world and the largest in private hands.
Navina Najat Haidar is an art historian and curator, and currently serves as the chief curator of Islamic art at the Metropolitan Museum of Art in New York.
Muḥammad Nuṣrat, called Nuṣratī ('victorious'), was a Deccani Urdu poet.
The Muraqqaʿ-e Gulshan or Moraqqaʿ-e Golshan is an eclectic album (muraqqa) of miniature paintings, drawings, calligraphy and engravings by Indo-Persian, Deccani, Turkish and European artists.
