Deccani is an Indo-Aryan language spoken in the Deccan region of south-central India and the native language of the Deccani people. The historical form of Deccani sparked the development of Urdu literature during the late-Mughal period. Deccani arose as a lingua franca under the Delhi and Bahmani Sultanates, as trade and migration from the north introduced Hindavi to southern India. It later developed a literary tradition under the patronage of the Deccan Sultanates. Deccani itself came to influence Hindustani, on which Urdu and Hindi are based.
The Deccan sultanates were five late-medieval Indian kingdoms—on the Deccan Plateau between the Krishna River and the Vindhya Range—that were created from the disintegration of the Bahmani Sultanate and ruled by Muslim dynasties: namely Ahmadnagar, Berar, Bidar, Bijapur, and Golconda. The sultanates had become independent during the break-up of the Bahmani Sultanate. The five sultanates owed their existence to the declaration of independence of Ahmadnagar in 1490, followed by Bijapur and Berar in the same year. Golconda became independent in 1518, and Bidar in 1528.
Indo-Persian culture refers to a cultural synthesis present on the Indian subcontinent. It is characterised by the absorption or integration of Persian aspects into the various cultures of modern-day republics of Bangladesh, India, and Pakistan. The earliest introduction of Persian influence and culture to the subcontinent was by various Muslim Turko-Persian rulers, such as the 11th-century Sultan Mahmud Ghaznavi, rapidly pushed for the heavy Persianization of conquered territories in northwestern Indian subcontinent, where Islamic influence was also firmly established. This socio-cultural synthesis arose steadily through the Delhi Sultanate from the 13th to 16th centuries, and the Mughal Empire from then onwards until the 19th century. Various Indo-Muslim dynasties of Turkic, local Indian and Afghan origin patronized the Persian language and contributed to the development of a Persian culture in India. The Delhi Sultanate developed their own cultural and political identity which built upon Persian and Indic languages, literature and arts, which formed the basis of an Indo-Muslim civilization.
The Adil Shahi or Adilshahi, was the reigning dynasty of the Sultanate of Bijapur in western Deccan from 1489 to 1686. Bijapur had been a province of the Bahmani Sultanate (1347–1518), and member of the Deccan Sultanates, before its political decline in the last quarter of the 15th century and eventual break-up in 1518. The Bijapur Sultanate was fully absorbed into the Mughal Empire on 12 September 1686, after its conquest by the Emperor Aurangzeb.
Indian painting has a very long tradition and history in Indian art. The earliest Indian paintings were the rock paintings of prehistoric times, such as the petroglyphs found in places like the Bhimbetka rock shelters. Some of the Stone Age rock paintings found among the Bhimbetka rock shelters are approximately 10,000 years old. Because of the climatic conditions in the Indian subcontinent, very few early examples survive today.
Firishta or Ferešte, full name Muhammad Qasim Hindu Shah Astarabadi, was a Persian historian, who later settled in India and served the Deccan Sultans as their court historian. He was born in 1570 and died in 1620. The name Firishta means 'angel' in Persian.
Golshan or Gulshan may refer to:
Farrukh Beg, also known as Farrukh Husayn, was a Persian miniature painter, who spent a bulk of his career in Safavid Iran and Mughal India, praised by Mughal Emperor Jahangir as "unrivaled in the age."
An Islamic garden is generally an expressive estate of land that includes themes of water and shade. Their most identifiable architectural design reflects the charbagh quadrilateral layout with four smaller gardens divided by walkways or flowing water. Unlike English gardens, which are often designed for walking, Islamic gardens are intended for rest, reflection, and contemplation. A major focus of the Islamic gardens was to provide a sensory experience, which was accomplished through the use of water and aromatic plants.
Ibrahim Adil Shah I was a Sultan and later Shah of the Indian kingdom of Bijapur. He succeeded his elder brother, Mallu Adil Shah, through the machinations of the Afaqi faction at the court. He was the first Adil Shahi ruler to assume the royal title of Shah.
Shāh Nimatullāh or Shāh Ni'matullāh Wali,, also spelled as Ne'matollah and Ni'matallah was the spiritual leader or Qutb of the Ni'matullah Order in Iran from the 14th and 15th centuries. He is revered by Sunni Islam as a saint and by the Ni'matullāhī tariqa, who consider him their founder.
The Persian word Falnama covers two forms of bibliomancy used historically in Iran, Turkey, and India. Quranic Falnamas were sections at the end of Quran manuscripts used for fortune-telling based on a grid. In the 16th century, Falnama manuscripts were introduced that used a different system; individuals performed purification rituals, opened a random page in the book and interpreted their fortune in light of the painting and its accompanying text. Only a few illustrated Falnamas now survive; these were commissioned by rich patrons and are unusually large books for the time, with bold, finely executed paintings. These paintings illustrate historical and mythological figures as well as events and figures associated with the Abrahamic religions.
Chahar Gulshan is an 18th-century Persian language book about the history of India. It was written by Rai Chatar Man Kayath of the Mughal Empire in 1759 CE. It is also known as Akhbar-un Nawadir or Akhbaru-l-Nawadir.
The Deccanis or Deccani people are an Indo-Aryan ethno-religious community of Deccani-speaking Muslims who inhabit or are from the Deccan region of Western and Southern India. The community traces its origins to the shifting of the Delhi Sultanate's capital from Delhi to Daulatabad in 1327 during the reign of Muhammad bin Tughluq. Further ancestry can also be traced from immigrant Muslims referred to as Afaqis, also known as Pardesis who came from Central Asia, Iraq and Iran and had settled in the Deccan region during the Bahmani Sultanate (1347). The migration of Muslim Hindavi-speaking people to the Deccan and intermarriage with the local Hindus whom converted to Islam, led to the creation of a new community of Hindustani-speaking Muslims, known as the Deccani, who would come to play an important role in the politics of the Deccan. Their language, Deccani, emerged as a language of linguistic prestige and culture during the Bahmani Sultanate, further evolving in the Deccan Sultanates.
Deccan painting or Deccani painting is the form of Indian miniature painting produced in the Deccan region of Central India, in the various Muslim capitals of the Deccan sultanates that emerged from the break-up of the Bahmani Sultanate by 1520. These were Bijapur, Golkonda, Ahmadnagar, Bidar, and Berar. The main period was between the late 16th century and the mid-17th, with something of a revival in the mid-18th century, by then centred on Hyderabad.
Viceroy of the Deccan was the representative of the Mughal emperors in Deccan, Deccan consisted of six Mughal governorates (Subah): Khandesh, Bijapur, Berar, Aurangabad, Hyderabad and Bidar. Carnatic region was a subdivision which was partly administered by the governor of Bijapur and Hyderabad.
The Nasser D. Khalili Collection of Islamic Art includes 28,000 objects documenting Islamic art over a period of almost 1400 years, from 700 AD to the end of the twentieth century. It is the largest of the Khalili Collections: eight collections assembled, conserved, published and exhibited by the British-Iranian scholar, collector and philanthropist Nasser David Khalili, each of which is considered among the most important in its field. Khalili's collection is one of the most comprehensive Islamic art collections in the world and the largest in private hands.
Navina Najat Haidar is an art historian and curator, and currently serves as the chief curator of Islamic art at the Metropolitan Museum of Art in New York.
Muḥammad Nuṣrat, called Nuṣratī ('victorious'), was a Deccani Urdu poet.
The Muraqqaʿ-e Gulshan or Moraqqaʿ-e Golshan is an eclectic album (muraqqa) of miniature paintings, drawings, calligraphy and engravings by Indo-Persian, Deccani, Turkish and European artists.
