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Pink Flamingos is a 1972 American black comedy film by John Waters. It is part of what Waters has labelled the "Trash Trilogy", which also includes Female Trouble (1974) and Desperate Living (1977). The film stars the countercultural drag queen Divine as a criminal living under the name of Babs Johnson, who is proud to be "the filthiest person alive". While living in a trailer with her mother Edie, son Crackers, and companion Cotton, Divine is confronted by the Marbles, a pair of criminals envious of her reputation who try to outdo her in filth. The characters engage in several grotesque, bizarre, and explicitly crude situations, and upon the film's re-release in 1997 it was rated NC-17 by the MPAA "for a wide range of perversions in explicit detail". It was filmed in the vicinity of Baltimore, Maryland, where Waters and most of the cast and crew grew up.
Radley Metzger was an American pioneering filmmaker and film distributor, most noted for popular artistic, adult-oriented films, including Thérèse and Isabelle (1968), Camille 2000 (1969), The Lickerish Quartet (1970), Score (1974), The Private Afternoons of Pamela Mann (1974), The Image (1975), The Opening of Misty Beethoven (1976) and Barbara Broadcast (1977). According to one film reviewer, Metzger's films, including those made during the Golden Age of Porn (1969–1984), are noted for their "lavish design, witty screenplays, and a penchant for the unusual camera angle". Another reviewer noted that his films were "highly artistic — and often cerebral ... and often featured gorgeous cinematography". Film and audio works by Metzger have been added to the permanent collection of the Museum of Modern Art (MoMA) in New York City.
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Lovers Are Wet is a 1973 Japanese film in Nikkatsu's Roman porno series, directed by Tatsumi Kumashiro and starring Rie Nakagawa. Alternate titles for the film include Twisted Path of Youth, Twisted Path of Love, and Lovers and Wet Sands. In 1999 the mainstream Japanese film journal Kinema Junpo named it as one of the best Japanese films of the 20th century.
In the film industry, unsimulated sex is the presentation of sex scenes in which actors genuinely perform the depicted sex acts, rather than simulating them. Although it is ubiquitous in films intended as pornographic, it is very uncommon in other films. At one time in the United States, such scenes were restricted by law and self-imposed industry standards such as the Motion Picture Production Code. Films showing explicit sexual activity were confined to privately distributed underground films, such as stag films or "porn loops". In the 1960s, social attitudes about sex began to shift, and sexually explicit films were decriminalized in many countries.
Don't Answer the Phone! is a 1980 American psychological horror film co-written and directed by Robert Hammer.
References
- 1 2 Donahue, Suzanne Mary (1987). American film distribution : the changing marketplace. UMI Research Press. p. 302. Please note figures are for rentals in US and Canada
- 1 2 "Brother Theodore". Psychotronic Video. No. 2. Spring 1989. p. 36.
- ↑ "'Gums': Trashy Topic, Treatment". The Palm Beach Post. 4 October 1977. p. 8.
- ↑ Dahlke, Kurt. "Gums". DVD Talk. Retrieved 18 June 2023.
- ↑ "Gums". Shock Cinema. No. 8. 1996. p. 15.
