Guy Van Waas (Brussels, 15 April 1948) is a Belgian conductor, clarinetist and organist.
He was clarinetist of the Orchestre des Champs-Élysées, Akademie für Alte Musik Berlin and the Orchestra of the Eighteenth Century. Since 2001 he is director of Les Agrémens, a baroque orchestra sponsored by the Communauté française de Belgique and conductor of the Choeur de Chambre de Namur. [1] He was also professor of chamber music at the Conservatoire of Mons. [2]
Jean-François Marmontel was a French historian, writer and a member of the Encyclopédistes movement.
Étienne Nicolas Méhul was a French composer of the late classical and early romantic periods. He was known as "the most important opera composer in France during the Revolution". He was also the first composer to be called a "Romantic". He is known particularly for his operas, written in keeping with the reforms introduced by Christoph Willibald Gluck and Wolfgang Amadeus Mozart.
Jean Francisque-Étienne Martinon was a French conductor and composer.
Jean-Joseph de Mondonville, also known as Jean-Joseph Cassanéa de Mondonville, was a French violinist and composer. He was a younger contemporary of Jean-Philippe Rameau and enjoyed great success in his day. Pierre-Louis Daquin claimed, "If I couldn't be Rameau, there's no one I would rather be than Mondonville".
Manuel Rosenthal was a French composer and conductor who held leading positions with musical organizations in France and America. He was friends with many contemporary composers, and despite a considerable list of compositions is mostly remembered for having orchestrated the popular ballet score Gaîté Parisienne from piano scores of Offenbach operettas, and for his recordings as a conductor.
Jean Fournet was a French flautist and conductor.
Le temple de la Gloire is an opéra-ballet by Jean-Philippe Rameau with a libretto by Voltaire. The work was first performed in a five-act version on 27 November 1745 at the Grande Écurie, Versailles to celebrate the French victory at the Battle of Fontenoy. It transferred, unsuccessfully, to the Paris Opéra on 7 December 1745. A revised version, in a prologue and three acts, appeared at the Opéra on 19 April 1746.
Désiré Louis Corneille Dondeyne was a French conductor, composer and teacher who was born in Laon in the Aisne département.
La Caravane du Caire is an opera or opéra-ballet in three acts by André Grétry, set to a libretto by Étienne Morel de Chédeville. Tradition has it that either the libretto was partially written or the idea of it was allegedly suggested by the Count of Provence, who would go down in history as Louis XVIII of France.
Henri Dumont was a baroque composer of the French school, born in the Southern Netherlands.
Pierre Cao is a Luxembourgian composer and conductor. He studied composition and conducting at the Royal Conservatory of Brussels.
Maximilien-Paul-Marie-Félix d'Ollone was a 20th-century French composer.
Émile Louis Victor Mathieu was a Belgian music teacher and composer of classical music.
Ida Rose Esther Gotkovsky is a French composer and pianist. She is currently a professor of music theory at the Conservatoire National Superieur de Musique in France.
The Choeur de Chambre de Namur is a choir based in Namur, which is sponsored by the Communauté française de Belgique. Since 2010 the artistic director has been Leonardo García Alarcón and conductor of the instrumental ensemble is Guy Van Waas.
Laurence Dale is an English tenor, artistic director and conductor.
Céphale et Procris is an opera by André Grétry with a French-language libretto by Jean-François Marmontel based on the Classical myth of Cephalus and Procris as told in Book Seven of Ovid's Metamorphoses. It takes the form of a ballet héroïque in three acts. It was first performed at the Palace of Versailles on 30 December 1773.
Emmanuel Trenque is a contemporary French choir conductor.
Bruno Boterf is a contemporary French tenor, specialising in Baroque and early music.
Claire Lefilliâtre is a contemporary French soprano specialising in Baroque music repertoire.