This article needs additional citations for verification .(January 2015) |
Gyula Derkovits (13 April 1894, Szombathely, 18 June 1934, Budapest) was a Hungarian painter and graphic artist whose work shows elements of Expressionism, Cubism and Constructivism.
His father was a master carpenter and, despite showing some early artistic talent, he was forced to pursue the same trade. A friend who was a sign painter gave him his first drawing lessons, [1] against his family's wishes. Displeased with that situation, he fled from his family by volunteering to serve in World War I.
This proved to be an unfortunate decision, as he was wounded at the front, leaving him with a paralyzed left hand [1] and a lung problem which became tuberculosis. In 1916, he moved to Budapest where he supported himself with a disability pension and, ironically, by doing some carpentry. In 1918, he joined the Hungarian Communist Party and remained a member until 1930, when membership became too dangerous.
During this time, he learned to draw and paint at various night schools until 1918, when Károly Kernstok agreed to take him as a student, free of charge, at the Nyergesújfalu art colony and taught him copper engraving in addition to painting. [1] Unfortunately, the many changes in government disrupted pension payments and he was forced to return to manual labor, which was increasingly too difficult for him. As a result, he moved to Vienna in 1923, where he was able to find sufficient work doing paintings and etchings and had a successful exhibition at the Weihburg Gallery. He lived there for three years, then returned to Budapest.
In 1928, his reputation was secured by a series of twelve woodcuts depicting the peasant revolt of 1514 (led by György Dózsa), [1] despite having been done at the behest of the Communist Party. After 1930, his style became increasingly personal and eccentric. Tempera was his preferred medium then and his paintings, with subjects from daily life, became larger; almost monumental. He also worked in clay and wood sculpture. He died, aged only forty, after a series of illnesses.
Several streets have been named after him and a "Derkovits Art Scholarship" has been presented since 1955. [2]
Tivadar Csontváry Kosztka was a Hungarian painter who was part of the avant-garde movement of the early twentieth century. Working mostly in Budapest, he was one of the first Hungarian painters to become known in Europe. On 15 December 2006 the Kieselbach Gallery in Budapest sold an auction the most expensive Csontváry painting so far. The Rendezvous (1902) was bought by an anonymous client for more than one million EUR.
Árpád Szenes was a Hungarian-Jewish abstract painter who worked in France.
Ilka Gedő was a Hungarian painter and graphic artist. Her work survives decades of persecution and repression, first by the semi-fascist regime of the 1930s and 1940s and then, after a brief interval of relative freedom between 1945 and 1949, by the communist regime of the 1950s to 1989. In the first stage of her career, which came to an end in 1949, she created a huge number of drawings that can be divided into various series. From 1964 on, she resumed her artistic activities creating oil paintings. "Ilka Gedő is one of the solitary masters of Hungarian art. She is bound to neither the avant-garde nor traditional trends. Her matchless creative method makes it impossible to compare her with other artists."
Gyula Benczúr was a Hungarian painter and art teacher. He specialized in portraits and historical scenes.
János Mattis-Teutsch or Máttis-Teutsch, Mátis-Teutsch was a Hungarian painter, sculptor, graphic artist, art critic, and poet. Best known for his Seelenblumen ("Soulflowers") cycle of paintings, he was an important contributor to the development of modern art and avant-garde trends inside Romania. He was the grandfather of the artist Waldemar Mattis-Teutsch.
The Kingdom of Hungary, referred to retrospectively as the Regency and the Horthy era, existed as a country from 1920 to 1946 under the rule of Regent Miklós Horthy, who officially represented the Hungarian monarchy. In reality there was no king, and attempts by King Charles IV to return to the throne shortly before his death were prevented by Horthy.
Ferenc Berényi was a Hungarian painter.
Károly Ferenczy was a Hungarian painter and leading member of the Nagybánya artists' colony.
El Kazovsky was a Russian-born Hungarian painter, performer, poet and costume designer; one of the leading Hungarian painters of his time.
János Thorma was a Hungarian painter. A representative figure of the Nagybánya artists' colony, which started in 1896, in Nagybánya, Austria-Hungary, He moved through different styles, shifted from the naturalism that was the aesthetic of the colony, to historical subjects, to romantic realism and to a Post-Impressionism style. His work is held by the Hungarian National Gallery, the Thorma János Múzeum, regional museums and private collectors.
Endre Rozsda was a Hungarian-French painter.
János Saxon-Szász is a freelance Hungarian creative artist and art organizer.
Ödön Márffy was a Hungarian painter, one of The Eight in Budapest, credited with bringing cubism, Fauvism and expressionism to the country.
Lajos Tihanyi was a Hungarian painter and lithographer who achieved international renown working outside his country, primarily in Paris, France. After emigrating in 1919, he never returned to Hungary, even on a visit.
Lajos Csontó is a Hungarian artist.
Gyula Tornai was a Hungarian painter, now featured in the Hungarian National Gallery. He was a noted painter in the Orientalist genre.
János Nagy Balogh was a Hungarian painter and graphic artist who specialized in proletarian subjects.
Márta Lacza is a Hungarian graphic artist and portrait painter. She has one brother Jozsef Lacza who lives in Canada Toronto with his son Peter Anthony Lacza.
Ferenc Doór was a Hungarian painter and graphic artist, "The lover of the Danube and Szentendre".
Géza Jenő Ferenc Vastagh was a Hungarian painter; specializing in animals.