H & R Daniel

Last updated

H & R Daniel
TypePrivate
IndustryCeramics
Founded1822;201 years ago (1822) in Hanley, UK
FounderHenry Daniel
Defunct1846 (1846)
FateDissolved
Key people
Henry and Richard Daniel
Productsporcelain, earthenware

H & R Daniel is a little known manufactory of porcelain and earthenware. During the 24 years the pottery was in operation it was considered of equal stature with Spode, Minton and their contemporaries. The pottery was situated in Stoke on Trent, Staffordshire, England.

Contents

Overview

Henry Daniel (1765–1841) was an enameller and colour maker. Prior to setting up his own manufactory in 1822 he ran a business within the Spode II* factory from at least 1805 to August 1822.

In 1822, Henry formed his own business. Richard (1800–1884) Henry's second son was officially made a partner in 1826. The manufactory known as H & R Daniel continued until 1846 when it ceased due to insolvency..[ citation needed ]

Daniel's wares were said to be on a par with the best hand painted porcelain of the time. Prestigious customers included the Earl of Shrewsbury and the Duke of Clarence (later William IV).

A Family of Enamellers

Henry was the son of Thomas (enameller) and Frances Daniel. [1] It is perhaps unsurprising that Henry followed in his father's footsteps as an enameller.

Henry and Elizabeth had four children, Thomas; Richard; John & Ann.

Henry Daniel’s Businesses

According to Berthoud, records show that Henry Daniel was in partnership with a John Brown in Hanley in 1802. [2] This came to an end in June 1806 and John Brown continued the business at Hanley, which had included the manufacture of earthenware, enamelling and gilding.

From 1805 until 1822 Daniel ran his own business on the Spode II premises and was Spode's enameller. [3] Whiter's job description of an enameller is of an “art director, a decorating manager, a colour manufacturer and a works chemist”. [3] This illuminates the important role that Daniel held for Spode as he bought blanks from Spode, decorated them in his own rented premises and sold them back to Spode to market.

Henry Daniel's relationship with Spode II was that of one businessman to another. Daniel rented his workshop from Spode, paid to grind his colours and have use of the gold pan, purchased all the equipment necessary, hired his own staff and built three kilns on the Spode site. [2] [4]

John Democratis contests that Daniel and Spode were “a dream team”. [5] Spode had the business acumen and produced fine wares that were decorated with exceptional skill and expertise by those in Daniel's employ. Whiter also describes Daniel as “an aristocrat of his craft”. [6] Their arguments are backed up by a factory visit by none other than the Prince of Wales (subsequently George IV) in 1806. He conferred the Royal Warrant of Appointment on Spode II. Apart from the fine quality of the wares, the enamelling and gilding by Daniel must have played a huge part in such approbation. Daniel's factory was no mean affair. It is recorded that at the Coronation of George IV (July 19, 1821) there were 192 persons employed by Daniel of whom 119 were female. [7]

The terms of agreement between Daniel and Spode II meant that when Daniel decided to set up in business of his own account, Spode had first call on all that Daniel owned on the Spode site. [4] Not only that but Spode II had precedence at offering employment to those on Daniel's payroll. Wilkinson writes that “Daniel left Spode a wonderful legacy, fully equipped, well-designed decorating department with talented artists, hand paintresses, hand painters and gilders”. [8]

1822-1846

Arrangements were severed in August 1822 between Spode II and Henry Daniel who took over the former Minton China Works to establish his own business. [9] Richard was formally taken on as a partner in his father's business in 1826.

It seems that Daniel lost no time at going into production for himself even if only in a small way. [10] He was successful in gaining a very large order from the Earl of Shrewsbury that was completed in 1827. [10] This prestigious order must surely have helped his business to become firmly established.

Evidence as to how the H & R Daniel products were received is indicated in a letter from Richard to his father. It appears that at this time Richard was promoting the family's wares to the London market. Richard exhorted his father to employ some more good flower painters, as “everybody says they never saw such goods before” and that other manufacturers trade was suffering because of the impact H & R Daniel was having in the market place. [11]

Between 1826 and 1836 the business prospered. More simply decorated products followed this period. However 1839 saw an order for a more elaborate service for Mary Talbot (daughter of the Earl of Shrewsbury) on the occasion of her marriage. [12]

Henry Daniel died in 1841 at the age of 76, notebooks show that he was still experimenting with colours as late as 1840. [13] Towards the end of his life Henry was at odds with Richard and Henry's will shows this in the way his bequests were left. [12]

The business continued as H & R Daniel until 1846 when it ceased trading due to financial difficulties. In 1847 Richard was sent to a debtors' prison. [14] Michael Berthoud's H & R Daniel, 1822-1846 quoted extensively is a must read.

It is worth noting that H & R Daniel produced porcelain, earthenware and ornamental goods.

Discovering Daniel Wares

This can prove almost impossible without appropriate resources. At the time H & R Daniel commenced their business, how would they be known? This was a new manufactory bursting onto the established scene when retailers at the time did not wish the public to know who the potter was for fear they would be cut out of the loop. This meant that items by and large would not have a factory mark; this did not apply to Daniel alone. [15]

Such is the case for the vast majority of H & R Daniel, the Shrewsbury service being an exception where an ornate back stamp may be seen. Certain other makers marks may be found but these are very rare. [16] [17] Pattern books such as the one held in the Victoria and Albert Museum, London is a further help. Smith and Beardmore's Identifying Daniel Porcelain Tablewares, 2009 is another resource. Some items have pattern numbers often in gilt but occasionally in a predominant colour featured in the pattern and can be matched to those recorded. A further aid to identity may be by cup handle shapes. [18] [19] [20]

With respect to Daniel earthenware items, these may be found with a backstamp giving the name of the pattern accompanied by a letter D. Unfortunately for the researcher/collector the same system was used by Thomas Dimmock & Co, this can and has resulted in confusion with Daniel items being wrongly attributed to Dimmock. Predominantly a book about H&R Daniel Earthenwares, 2015, this book contains a catalogue of Dimmock marks and patterns to assist with differentiation. [21] Daniel earthenware marks can also be seen at http://www.danielcc.org/earthenware.php.

Related Research Articles

<span class="mw-page-title-main">Porcelain</span> Ceramic material

Porcelain is a ceramic material made by heating raw materials, generally including kaolinite, in a kiln to temperatures between 1,200 and 1,400 °C. The greater strength and translucence of porcelain, relative to other types of pottery, arise mainly from vitrification and the formation of the mineral mullite within the body at these high temperatures. End applications include tableware, decorative ware such as figurines, and products in technology and industry such as electrical insulators and laboratory ware.

<span class="mw-page-title-main">Josiah Spode</span> Founder of the Spode pottery works (1733-1797)

Josiah Spode was an English potter and the founder of the English Spode pottery works which became famous for the high quality of its wares. He is often credited with the establishment of blue underglaze transfer printing in Staffordshire in 1781–84, and with the definition and introduction in c. 1789–91 of the improved formula for bone china which thereafter remained the standard for all English wares of this kind.

<span class="mw-page-title-main">Spode</span> English brand of pottery and homewares

Spode is an English brand of pottery and homewares produced by the company of the same name, which is based in Stoke-on-Trent, England. Spode was founded by Josiah Spode (1733–1797) in 1770, and was responsible for perfecting two extremely important techniques that were crucial to the worldwide success of the English pottery industry in the century to follow.

<span class="mw-page-title-main">Transfer printing</span>

Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. Pottery decorated using this technique is known as transferware or transfer ware.

<span class="mw-page-title-main">Royal Worcester</span>

Royal Worcester is a porcelain brand based in Worcester, England. It was established in 1751 and is believed to be the oldest or second oldest remaining English porcelain brand still in existence today, although this is disputed by Royal Crown Derby, which claims 1750 as its year of establishment. Part of the Portmeirion Group since 2009, Royal Worcester remains in the luxury tableware and giftware market, although production in Worcester itself has ended.

<span class="mw-page-title-main">Wedgwood</span> English pottery and porcelain manufacturer

Wedgwood is an English fine china, porcelain and luxury accessories manufacturer that was founded on 1 May 1759 by the potter and entrepreneur Josiah Wedgwood and was first incorporated in 1895 as Josiah Wedgwood and Sons Ltd. It was rapidly successful and was soon one of the largest manufacturers of Staffordshire pottery, "a firm that has done more to spread the knowledge and enhance the reputation of British ceramic art than any other manufacturer", exporting across Europe as far as Russia, and to the Americas. It was especially successful at producing fine earthenware and stoneware that were accepted as equivalent in quality to porcelain but were considerably cheaper.

<span class="mw-page-title-main">Thomas Minton</span>

Thomas Minton (1765–1836) was an English potter. He founded Thomas Minton & Sons in Stoke-on-Trent, Staffordshire, which grew into a major ceramic manufacturing company with an international reputation.

<span class="mw-page-title-main">Willow pattern</span> Chinese-style pattern used on pottery

The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic tableware. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from China. Its creation occurred at a time when mass-production of decorative tableware, at Stoke-on-Trent and elsewhere, was already making use of engraved and printed glaze transfers, rather than hand-painting, for the application of ornament to standardized vessels.

<span class="mw-page-title-main">Liverpool porcelain</span>

Liverpool porcelain is mostly of the soft-paste porcelain type and was produced between about 1754 and 1804 in various factories in Liverpool. Tin-glazed English delftware had been produced in Liverpool from at least 1710 at numerous potteries, but some then switched to making porcelain. A portion of the output was exported, mainly to North America and the Caribbean.

<span class="mw-page-title-main">Mintons</span> English pottery company (1793–2005)

Mintons was a major company in Staffordshire pottery, "Europe's leading ceramic factory during the Victorian era", an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot-pourri of styles - Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art Nouveau borders were among the many wonderful concoctions". As well as pottery vessels and sculptures, the firm was a leading manufacturer of tiles and other architectural ceramics, producing work for both the Houses of Parliament and United States Capitol.

<span class="mw-page-title-main">Bristol porcelain</span>

Bristol porcelain covers porcelain made in Bristol, England by several companies in the 18th and 19th centuries. The plain term "Bristol porcelain" is most likely to refer to the factory moved from Plymouth in 1770, the second Bristol factory. The product of the earliest factory is usually called Lund's Bristol ware and was made from about 1750 until 1752, when the operation was merged with Worcester porcelain; this was soft-paste porcelain.

<span class="mw-page-title-main">William Taylor Copeland</span> Lord Mayor of London

William Taylor Copeland, MP, Alderman was a British businessman and politician who served as Lord Mayor of London and a Member of Parliament.

<span class="mw-page-title-main">William Duesbury</span> English painter

William Duesbury (1725–1786) was an English enameller, in the sense of a painter of porcelain, who became an important porcelain entrepreneur, founder of the Royal Crown Derby and owner of porcelain factories at Bow, Chelsea, Derby and Longton Hall.

<span class="mw-page-title-main">Davenport Pottery</span>

Davenport Pottery was an English earthenware and porcelain manufacturer based in Longport, Staffordshire. It was in business, owned and run by the Davenport family, between 1794 and 1887, making mostly tablewares in the main types of Staffordshire pottery.

<span class="mw-page-title-main">Coalport porcelain</span>

Coalport, Shropshire, England was a centre of porcelain and pottery production between about 1795 and 1926, with the Coalport porcelain brand continuing to be used up to the present. The opening in 1792 of the Coalport Canal, which joins the River Severn at Coalport, had increased the attractiveness of the site, and from 1800 until a merger in 1814 there were two factories operating, one on each side of the canal, making rather similar wares which are now often difficult to tell apart.

<span class="mw-page-title-main">Ridgway Potteries</span> Family of potters, operating from late 18th to late 20th century

The Ridgway family was one of the important dynasties manufacturing Staffordshire pottery, with a large number of family members and business names, over a period from the 1790s to the late 20th century. In their heyday in the mid-19th century there were several different potteries run by different branches of the family. Most of their wares were earthenware, but often of very high quality, but stoneware and bone china were also made. Many earlier pieces were unmarked and identifying them is difficult or impossible. Typically for Staffordshire, the various businesses, initially set up as partnerships, changed their official names rather frequently, and often used different trading names, so there are a variety of names that can be found.

<span class="mw-page-title-main">Lowestoft Porcelain Factory</span> English porcelain factory in operation 1757-1802

The Lowestoft Porcelain Factory was a soft-paste porcelain factory on Crown Street in Lowestoft, Suffolk, England, which was active from 1757 to 1802. It mostly produced "useful wares" such as pots, teapots, and jugs, with shapes copied from silverwork or from Bow and Worcester porcelain. The factory, built on the site of an existing pottery or brick kiln, was later used as a brewery and malt kiln. Most of its remaining buildings were demolished in 1955.

<span class="mw-page-title-main">Thomas Turner (potter)</span>

Thomas Turner was an English potter. He was the lessee of the celebrated Salopian porcelain company, or Caughley manufactory, during the later decades of the 18th century. He is not to be confused with the potter John Turner (1737-1787) and his family, of Lane End, Staffordshire, who were active in the same period.

<span class="mw-page-title-main">Leeds Pottery</span> English pottery manufacturer

Leeds Pottery, also known as Hartley Greens & Co., is a pottery manufacturer founded around 1756 in Hunslet, just south of Leeds, England. It is best known for its creamware, which is often called Leedsware; it was the "most important rival" in this highly popular ware of Wedgwood, who had invented the improved version used from the 1760s on. Many pieces include openwork, made either by piercing solid parts, or "basketwork", weaving thin strips of clay together. Several other types of ware were produced, mostly earthenware but with some stoneware.

<span class="mw-page-title-main">Turner (potters)</span> Family of English potters, active from the mid-18th to the early 19th century

The Turner family of potters was active in Staffordshire, England 1756-1829. Their manufactures have been compared favourably with, and sometimes confused with, those of Josiah Wedgwood and Sons. Josiah Wedgwood was both a friend and a commercial rival of John Turner the elder, the first notable potter in the family.

References

  1. Berthoud, Michael. H. & R. Daniel 1822-1846, (Micawber Publication, Wingham, 1980) p 27
  2. 1 2 Berthoud, Michael. H. & R. Daniel 1822-1846, (Micawber Publication, Wingham, 1980) p 42
  3. 1 2 Whiter, Leonard. Spode, (Barrie & Jenkins, London, 1989) p 38
  4. 1 2 Whiter, Leonard. Spode, (Barrie & Jenkins, London, 1989) p 51
  5. Democratis, John. Spode; The Daniel Years c1803-1822, (Daniel Ceramic Circle Journal Number 34) p 9
  6. Whiter, Leonard. Spode, (Barrie & Jenkins, London, 1989) p 45
  7. Berthoud, Michael. H. & R. Daniel 1822-1846, (Micawber Publication, Wingham, 1980) p 44
  8. Wilkinson, Viga. Spode-Copeland-Spode The Works and its People 1770-1970, (The Antiques Collectors’ Club Limited, Italy, 2002) p 39
  9. Godden, Geoffrey A. Staffordshire Porcelain, (Granada Publishing Limited, St. Albans, 1983) p 276
  10. 1 2 Berthoud, Michael. H. & R. Daniel 1822-1846, (Micawber Publication, Wingham, 1980) p 46
  11. Berthoud, Michael. H. & R. Daniel 1822-1846, Appendix III – original not seen (Micawber Publication, Wingham, 1980) p 146
  12. 1 2 Berthoud, Michael. H. & R. Daniel 1822-1846, (Micawber Publication, Wingham, 1980) p 50
  13. Berthoud, Michael. H. & R. Daniel 1822-1846, (Micawber Publication, Wingham, 1980) p 51
  14. Berthoud, Michael. H. & R. Daniel 1822-1846, (Micawber Publication, Wingham, 1980) p 56
  15. Godden, Geoffrey A. Staffordshire Porcelain, (Granada Publishing Limited, St. Albans, 1983) p 134
  16. Godden, Geoffrey A. Staffordshire Porcelain, (Granada Publishing Limited, St. Albans, 1983) p 285
  17. Godden, Geoffrey A. Encyclopaedia of British Porcelain Manufacturers, (Barrie & Jenkins, London 1988) p 280
  18. Berthoud, Michael. An Anthology of British Cups, (Micawber Publication, Wingham, 1980) vi
  19. Berthoud, Michael. A Compendium of British Cups, (Micawber Publication, Bridgenorth, 1990) vi
  20. Goss, Steven. British Tea and Coffee Cups 1745-1940, (Shire Publications Ltd, Princes Risborough, 2005) p 18
  21. Simpson, John. Simpson, Jeannette. Smith, Brian. Beardmore, Bryan, H&R Daniel Earthenwares, (Mpress of Brighton U.K.) p 26

Further reading