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Haiku is a type of short form poetry that originated in Japan.
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Haiku may also refer to:
Haiku is a type of short form poetry that originated in Japan.
Haiku may also refer to:
Haiku is a type of short form poetry that originated in Japan. Traditional Japanese haiku consist of three phrases composed of 17 morae in a 5, 7, 5 pattern; that include a kireji, or "cutting word"; and a kigo, or seasonal reference. However, haiku by classical Japanese poets, such as Matsuo Bashō, also deviate from the 17-on pattern and sometimes do not contain a kireji. Similar poems that do not adhere to these rules are generally classified as senryū.
Tanka is a genre of classical Japanese poetry and one of the major genres of Japanese literature.
Diamond Head or Diamondhead may refer to:
A kigo is a word or phrase associated with a particular season, used in traditional forms of Japanese poetry. Kigo are used in the collaborative linked-verse forms renga and renku, as well as in haiku, to indicate the season referred to in the stanza. They are valuable in providing economy of expression.
The Japanese bush warbler, known in Japanese as uguisu (鶯), is an Asian passerine bird more often heard than seen. Its distinctive breeding song can be heard throughout much of Japan from the start of spring.
Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ryūka from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry. Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty. Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese (kanshi); and, as part of this tradition, poetry in Japan tended to be intimately associated with pictorial painting, partly because of the influence of Chinese arts, and the tradition of the use of ink and brush for both writing and drawing. It took several hundred years to digest the foreign impact and make it an integral part of Japanese culture and to merge this kanshi poetry into a Japanese language literary tradition, and then later to develop the diversity of unique poetic forms of native poetry, such as waka, haikai, and other more Japanese poetic specialties. For example, in the Tale of Genji both kanshi and waka are frequently mentioned. The history of Japanese poetry goes from an early semi-historical/mythological phase, through the early Old Japanese literature inclusions, just before the Nara period, the Nara period itself, the Heian period, the Kamakura period, and so on, up through the poetically important Edo period and modern times; however, the history of poetry often is different from socio-political history.
William Stanley Merwin was an American poet who wrote more than fifty books of poetry and prose and produced many works in translation. During the 1960s anti-war movement, Merwin's unique craft was thematically characterized by indirect, unpunctuated narration. In the 1980s and 1990s, his writing influence derived from an interest in Buddhist philosophy and deep ecology. Residing in a rural part of Maui, Hawaii, he wrote prolifically and was dedicated to the restoration of the island's rainforests.
Kobayashi Issa was a Japanese poet and lay Buddhist priest of the Jōdo Shinshū. He is known for his haiku poems and journals. He is better known as simply Issa (一茶), a pen name meaning Cup-of-tea. He is regarded as one of the four haiku masters in Japan, along with Bashō, Buson and Shiki — "the Great Four."
Lucien Stryk was an American poet, translator of Buddhist literature and Zen poetry, and former English professor at Northern Illinois University (NIU).
Renku, or haikai no renga, is a Japanese form of popular collaborative linked verse poetry. It is a development of the older Japanese poetic tradition of ushin renga, or orthodox collaborative linked verse. At renku gatherings participating poets take turns providing alternating verses of 17 and 14 morae. Initially haikai no renga distinguished itself through vulgarity and coarseness of wit, before growing into a legitimate artistic tradition, and eventually giving birth to the haiku form of Japanese poetry. The term renku gained currency after 1904, when Kyoshi Takahama started to use it.
Gabriel Rosenstock is an Irish writer who works chiefly in the Irish language. A member of Aosdána, he is a poet, playwright, haikuist, tankaist, essayist, and author/translator of over 180 books, mostly in Irish. Born in Kilfinane, County Limerick, he currently resides in Dublin.
On are the phonetic units in Japanese poetry. In the Japanese language, the word means "sound". It includes the phonetic units counted in haiku, tanka, and other such poetic forms. Known as "morae" to English-speaking linguists, the modern Japanese term for the linguistic concept is either haku or mōra.
Tazuo Basho Yamaguchi is a Japanese-American poet, filmmaker, storyteller, musician, painter, jllustrator and puppeteer. He both a national and world head-to-head haiku champion. He is also master of the English form of haiku and senryū. He has published four books of poetry and six recorded volumes. He also produced the National Poetry Slam, International World Poetry Individual Slam, Women of the World DVD from 2002 to 2013.
A haiku in English is an English-language poem written in a form or style inspired by Japanese haiku. Like their Japanese counterpart, haiku in English are typically short poems and often reference the seasons, but the degree to which haiku in English implement specific elements of Japanese haiku, such as the arranging of 17 phonetic units in a 5–7–5 pattern, varies greatly.
James Michael Kacian is an American haiku poet, editor, translator, publisher, organizer, filmmaker, public speaker, and theorist. He has authored more than 20 volumes of English-language haiku, and edited scores more, including serving as editor-in-chief for Haiku in English: The First Hundred Years. In addition, he is founder and owner of Red Moon Press (1993), a co-founder of the World Haiku Association (2000), and founder and president of The Haiku Foundation (2009).
Paul Terence Conneally is a poet, artist and musician based in Loughborough, UK.
Hiroaki Sato is a Japanese poet and prolific translator who writes frequently for The Japan Times. He has been called "perhaps the finest translator of contemporary Japanese poetry into American English". Sato received the Japan–U.S. Friendship Commission Prize for the Translation of Japanese Literature in 1999 for his translation of Breeze Through Bamboo by Ema Saikō and in 2017 for The Silver Spoon: Memoir of a Boyhood in Japan by Kansuke Naka.
Harvey Hess was an American poet, librettist, educator, arts critic and theologian. His life and work are associated primarily with the states of Iowa and Hawaii.
Robbie Coburn is a contemporary Australian poet.
Tokiji "Sojin" Takei (April 6, 1903 – July 23, 1991) was a Japanese poet and essayist who lived in Hawaii. He was a prolific writer who is best known for his poetry written while he was incarcerated in a series of internment camps.