Eliot Feld is an American modern ballet choreographer, performer, teacher, and director. Feld works in contemporary ballet. His company and schools, including the Feld Ballet and Ballet Tech, are deeply committed to dance and dance education in New York City.
Le Baiser de la fée is a ballet in one act and four scenes composed by Igor Stravinsky in 1928 and revised in 1950 for George Balanchine and the New York City Ballet. Based on Hans Christian Andersen's short story Isjomfruen, the work is an homage to Pyotr Ilyich Tchaikovsky, for the 35th anniversary of the composer's death. Stravinsky elaborated several melodies from early piano pieces and songs by Tchaikovsky in his score. A commission by Ida Rubinstein from 1927, the ballet was choreographed by Bronislava Nijinska and premiered in Paris on 27 November 1928.
John Taras was an American ballet master, repetiteur, and choreographer.
Backchat is a ballet made by Eliot Feld for his Ballet Tech company to "Idle Chatter Junior" by Paul Lansky. The premiere took place October 21, 2004, during the company's MANDANCE PROJECT season at the Joyce Theater, New York. The New York City Ballet premiere of Backchat was Saturday, April 29, 2006, at the New York State Theater, Lincoln Center.
Ash is a ballet made by New York City Ballet's ballet master in chief Peter Martins to Ash (1991) by Michael Torke. The premiere took place Thursday, June 20, 1991, at the New York State Theater, Lincoln Center. Ash was the fourth in a series of collaborations between the choreographer and composer.
Tarantella is a ballet choreographed by George Balanchine to Grande Tarantelle by Louis Moreau Gottschalk, arranged by Hershy Kay. The ballet premiered on January 7, 1964, at the New York City Center, performed by New York City Ballet's Patricia McBride and Edward Villella.
Triptych is a ballet made by Christopher d'Amboise to Bartók's Music for Strings, Percussion and Celesta, as part of New York City Ballet's Diamond Project. The premiere took place on Wednesday, 7 June 2000 at the New York State Theater, Lincoln Center.
Symphony in C, originally titled Le Palais de Cristal, is a ballet choreographed by George Balanchine, to Georges Bizet's Symphony in C. The ballet was originally created for the Paris Opera Ballet, and premiered on July 28, 1947 at Théâtre National de l'Opéra.
Octet is a ballet made by New York City Ballet balletmaster in chief Peter Martins to Mendelssohn's Octet in E-flat major (1825). The premiere took place November 14, 2003 at the Royal Danish Ballet, Copenhagen; the NYCB premiere was November 23, 2004, at the New York State Theater, Lincoln Center.
Adams Violin Concerto is a ballet made by Peter Martins, New York City Ballet's ballet master in chief, set to eponymous music from 1994 by John Adams. It was commissioned jointly by the Minnesota Orchestra and City Ballet. The ballet premiere took place on 1 June 1995 at the New York State Theater, Lincoln Center; the third movement was danced earlier under the title X-Ray.
Miriam Mahdaviani is a choreographer, a former New York City Ballet dancer and a repetiteur for the George Balanchine Trust. She has created ballets for NYCB's 1988 American Music Festival and its Diamond Project in 1992, 1994,1997, 2000 and 2002. She also choreographed ballets for Pacific Northwest Ballet, Richmond Ballet, Jacob's Pillow, Vassar College, NYU Tisch School of the Arts, SUNY Purchase, and others. Internationally, her ballets have been presented at MaggioDanza in Florence, Italy and at the Edinburg Festival in Scotland.
Rachel Rutherford is a former soloist with New York City Ballet.
Ask la Cour Rasmussen is a Danish ballet dancer. He joined the Royal Danish Ballet in 2000, then moved to the New York City Ballet in 2002, and was promoted to principal dancer in 2013. He retired from the company in 2021.
Andantino, originally titled Pas de Deux, is a ballet choreographed by Jerome Robbins to the second movement of Tchaikovsky's Piano Concerto No. 1. The ballet was made for the New York City Ballet's Tchaikovsky Festival, and premiered on June 4, 1981, at the New York State Theater, originated by Darci Kistler and Ib Andersen.
Bugaku is a ballet made by New York City Ballet co-founder and ballet master George Balanchine to eponymous music by Toshiro Mayuzumi, commissioned by City Ballet in 1962. The premiere took place on 30 March 1963 at City Center of Music and Drama, New York, with scenery by David Hays, costumes by Karinska, and lighting by Ronald Bates. NYCB had toured Japan in 1958 and the Gagaku Company of the Imperial Household toured the US the following year.
The Chairman Dances is a ballet made by New York City Ballet ballet master in chief Peter Martins to John Adams' eponymous music from 1985. The music was originally written for Adams' opera, Nixon in China, but not used in production: the scene is that in which Mao Zedong dances with his future bride, movie star Chiang Ch'ing. The premiere took place on 14 May 1988, as part of City Ballet's American Music Festival at New York State Theater, Lincoln Center, with scenery and costumes by Rouben Ter-Arutunian, and lighting by Mark Stanley.
Union Jack is a ballet made by New York City Ballet co-founder and founding choreographer George Balanchine to traditional British tunes, hornpipe melodies and music-hall songs, ca. 1890–1914, adapted by Hershy Kay. The premiere took place on 13 May 1976, at the New York State Theater, Lincoln Center, to honor British heritage in the United States its bicentennial with costumes by Rouben Ter-Arutunian, original lighting by Ronald Bates and current lighting by Mark Stanley. At the finale the ensemble spells out "God Save the Queen" in semaphore code and the Union Jack unfurls. Principal dancer Jock Soto included an excerpt from Union Jack in his farewell performance in June 2005.
Beethoven Romance is a ballet made by New York City Ballet ballet master in chief Peter Martins to the composer's Romance in F for violin and orchestra, Op. 50 (1805). The premiere took place 2 February 1989 at the New York State Theater, Lincoln Center, with costumes by Heather Watts and lighting by Mark Stanley.
The Barber Violin Concerto is a ballet made by New York City Ballet ballet master in chief Peter Martins to Samuel Barber's Violin Concerto, Op. 14 (1939). The premiere was conducted by Robert Irving and took place on 12 May 1988 at the New York State Theater, as part of City Ballet's American Music Festival, with lighting by Jennifer Tipton and costumes by William Ivey Long. Two couples, one pair classical dancers, the other modern, perform a series of mix-and-match pas de deux. All four are dressed in white, with the classical dancers in point shoes and ballet slippers, and the modern dancers typically barefoot and the man bare-chested.
Maria Calegari is an American ballet dancer, teacher and répétiteur. She joined the New York City Ballet in 1974 and became a principal dancer in 1983. She left the company in 1994, then occasionally performed until 2004. She also teaches ballet and began working as a répétiteur for the Balanchine Trust and Robbins Rights Trust in 1996 and 2003 respectively.