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Apollo or Apollon is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The most Greek of the gods, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the kouros. Apollo is known in Greek-influenced Etruscan mythology as Apulu.
Delphi, in legend previously called Pytho (Πυθώ), was an ancient sacred precinct and the seat of Pythia, the major oracle who was consulted about important decisions throughout the ancient classical world. The ancient Greeks considered the centre of the world to be in Delphi, marked by the stone monument known as the omphalos (navel).
Pythia was the name of the high priestess of the Temple of Apollo at Delphi. She specifically served as its oracle and was known as the Oracle of Delphi. Her title was also historically glossed in English as the Pythoness.
The Castalian Spring, in the ravine between the Phaedriades at Delphi, is where all visitors to Delphi — the contestants in the Pythian Games, and especially pilgrims who came to consult the Delphic Oracle — stopped to wash themselves and quench their thirst; it is also here that the Pythia and the priests cleansed themselves before the oracle-giving process. Finally Roman poets regarded it as a source of poetic inspiration. According to some mythological versions it was here that Apollo killed the monster, Python, who was guarding the spring, and that is why it was considered to be sacred.
In Greek mythology, Python was the serpent, sometimes represented as a medieval-style dragon, living at the center of the earth, believed by the ancient Greeks to be at Delphi.
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic, Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials.
Chryselephantine sculpture is sculpture made with gold and ivory. Chryselephantine cult statues enjoyed high status in Ancient Greece.
The Stoa of the Athenians is an ancient portico in the Delphic Sanctuary, Greece, located south of the Temple of Apollo. The southern side of the polygonal wall of the platform forms the north wall of the stoa. It was constructed c. 478 BC-470 BC during the early Classical period. The one-aisled stoa with Ionic colonnade opens toward the southeast. It was dedicated by the Athenians after the Persian Wars.
The Temple of Apollo Palatinus was a temple on the Palatine Hill of ancient Rome, which was first dedicated by Augustus to his patron god Apollo. It was only the second temple in Rome dedicated to the god, after the Temple of Apollo Sosianus. It was sited next to the Temple of Cybele. Prior to excavations in 1956, these remains were thought to belong to the Temple of Jupiter Victor.
The Temple of Apollo, also known as Apollonion, was a major part of the Panhellenic religious sanctuary located in Central Greece at Delphi. The temple and sanctuary at large were dedicated to one of the major Greek deities, Apollo, the god of archery, music, light, prophecy, the arts, and healing. There have been several temples built at Delphi throughout the history of the site, though the visible ruins seen in modernity are those of the temple built in the 4th century B.C.E. before its destruction under the orders of Theodosius I in 390 C.E.. During antiquity, the temple was home to the famous Greek prophetess the Pythia, or the Oracle of Delphi, making the Temple of Apollo and the sanctuary at Delphi a major Panhellenic religious site as early as the 8th century B.C.E., and a place of great importance at many different periods of ancient Greek history. References to Delphi, the sanctuary, the temple, and the prophecies of the Pythia are made throughout ancient Greek mythology and historical accounts from the periods of its use.
Delphi Archaeological museum is one of the principal museums of Greece and one of the most visited. It is operated by the Greek Ministry of Culture. Founded in 1903, it has been rearranged several times and houses the discoveries made at the Panhellenic sanctuary of Delphi, which date from the Late Helladic (Mycenean) period to the early Byzantine era.
The Sphinx of Naxos, also Sphinx of the Naxians, now in the Archaeological Museum of Delphi, is a 2.22 meter tall marble statue of a sphinx, a mythical creature with the head of a woman, the chest and wings composed of the impressive feathers of a prey bird turned upward, and the body of a lioness. The Sphinx stood on a 10 meter column that culminated in one of the first Ionic capitals, and was erected next to the Temple of Apollo in Delphi, the religious center of Ancient Greece, in 560 BCE.
Among the famous ex votos of Delphi was that of Craterus, friend and general of Alexander the Great, attributed to Lysippos.
The chryselephantine statues of Apollo, Artemis and Leto occupy a hall in the Delphi Archaeological Museum looking rather like a treasury. They constitute excellent specimens of mid-6th century B.C. art, coming from workshops in Ionia, or, to a certain extent, Corinth.
The Temple of Athena Pronaia was a temple at the ancient site of Delphi, in the Sanctuary of Athena Pronaia, a group of buildings comprising temples and treasuries as well as the famous Tholos of Delphi. There were in fact three successive temples built at the site. The earlier temples (38°28′49″N22°30′30″E), referred to as A and B, were built in the 7th and 6th centuries BC respectively and were made of porous stone; a third temple (38°28′49″N22°30′28″E) was built of limestone in the 4th century BC, although it is not certain that it actually was dedicated to Athena this time.
The tenth book of the work Description of Greece by the traveler Pausanias is dedicated to Phocis; its larger part constitutes a description of the sanctuaries and buildings of Delphi. His work constituted a precious aid to travelers and archaeologists who attempted to identify the monuments revealed by the excavations, although in some cases their identifications were not enough.
Archaeological investigation in Delphi started in the second half of the 19th century, but it was not until 1892 when a systematic excavation began under the direction of Théophile Homolle and the French Archaeological School of Athens. The "Great Excavation" lasted 10 years and was concluded by the creation of the first museum on-site. In the years to follow, the site never ceased to be excavated and investigated. Several of the monuments were restored and new interpretations continue to see the light in the academic field.
Pythaids were ritual processions of the Athenians to Delphi, in remembrance of the initial journey of Apollo from Delos to Delphi through Athens.
The city of Argos dedicated several ex votos within the sanctuary of Apollo in Delphi. It was, after all, one of the most powerful cities of the archaic and classical period.
The modern town of Delphi is situated immediately west of the archaeological site of the same name. The town was created as a home for the population of Castro, which was relocated to allow for the excavation of the site of ancient Delphi. The importance of the twin locations grew to the point where Delphi has also been made the name of the modern-day municipality, which includes the communities of the Plaistos valley system as far south as the Gulf of Corinth. The name Delphi came from the Oracle of Delphi, which was anciently accepted as a purveyor of truth revealed by the god Apollo.