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The 17th century organ composers of Germany can be divided into two primary schools: the north German school and the south German school. The stylistic differences were dictated not only by teacher-pupil traditions and international influences, but also by separate organ building traditions: northern organs tend to have a tower layout with emphasis on the pedal division, while southern and Austrian instruments are typically divided around a window and emphasize manual divisions.
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The Oper am Gänsemarkt was a theatre in Hamburg, Germany, built in 1678 after plans of Girolamo Sartorio at the Gänsemarkt square. It was the first public opera house to be established in Germany: not a court opera, as in many other towns. Everybody could buy a ticket, like in Venice. Most works were in the German language or translated librettos.
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Johann Christian Schieferdecker was a German Baroque composer.
Johann Friedrich Mayer was a German Lutheran theologian and professor of theology at Wittenberg University. He was an important champion of Lutheran orthodoxy and General Superintendent of Swedish Pomerania.
Johann Anton Coberg was a German composer.
The Johannes Brahms Medal of Hamburg is a music award established in 1928, named after the composer Johannes Brahms who was born in Hamburg.
The Oper am Brühl was the first opera house in Leipzig. It existed from 1693 to 1720 and was the second municipal music theatre in Germany, after the Oper am Gänsemarkt in Hamburg. It was initiated by Nicolaus Adam Strungk who saw a potential audience during the three annual trade fairs in Leipzig. An opera house was built, and opened on 8 May 1693. The house flourished when Georg Philipp Telemann directed the opera from 1703 to 1705. Among his operas for the house is Germanicus, premiered in 1704. A collection of 100 excerpts from the operas, Musicalische Rüstkammer, has been explored for background. The building was found in a dangerous state in 1719, was closed in 1720 and demolished in 1729.
The Opernhaus vorm Salztor was an opera house in Naumburg, then Saxe-Zeitz, that opened in 1701. The house was built during the regency of Moritz Wilhelm, Duke of Saxe-Zeitz, on his behalf. In 1716, it burned down and was not rebuilt. In the 15 years of its existence, at least 14 different operas and one play were performed there. One of them survived, Johann David Heinichen's Der glückliche Liebeswechsel oder Paris und Helena, and was revived in 2012 in a concert performance.
References
- ↑ Nicolaus Adam Strungk, 1640-1700: sein Leben und seine Werke, mit beiträgen 1915 Page 48
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