Hamile (film)

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Hamile
Hamile film Opening titles (1964).jpg
Directed by Terry Bishop
Produced by Sam Aryeetey
StarringJoe Akonor
Kofi Middleton-Mends
Ernest Abbequaye
CinematographyR. O. Fenuku
Edited byEgbert Adjeso
Production
company
Ghana Film Industry Corporation
Release date
  • 1964 (1964)
Running time
119 minutes
CountryGhana
LanguageEnglish

Hamile (also known as The Tongo Hamlet and Hamlet) is a 1964 Ghanean black-and-white drama film directed by Terry Bishop and starring Joe Akonor, Kofi Middleton-Mends and Ernest Abbequaye. [1] [2] [3] [4] It was executive produced by Sam Aryeety for the Ghana Film Industry Corporation. It is an adaptation, in English, of Shakespeare's Hamlet performed by students of the University of Ghana School of Music and Drama, produced by Joe de Graft.

Contents

It was shown in Britain at the 1965 Commonwealth Film Festival. [5] [6]

Plot

This version of Hamlet is set among the Frafra people of northern Ghana, with characters renamed, and some modifications to the dialogue. In the title sequence the film states:

The action of the play takes place in Tongo, the home of the Frafra people, who live in the far north of Ghana. The text is unaltered, except where it would not make sense in a Frafra community, or where an archaic word obscures the meaning.

Cast

Production

The film was shot near Accra, with the grave scene filmed in the University of Ghana's botanical garden; the production schedule was 30 days. [2]

Reception

Variety wrote: "This film (although set outdoors in a simple native court in flat, open countryside) is based on the stage production performed by the students of the University of Ghana School of Music and Drama, under producer Joe de Graft. Novelty value of the film makes it of interest to scholars and students, but as Shakespeare goes, it is all fairly tepid. The students speak their lines clearly and well, and may have been capable of better things under a director with some imagination. Terry Bishop, however, has no camera sense and the whole is recorded in a dull and stilted way. There is no rhythm or movement, no feeling for the drama and no culminating sense of tragedy. Only the ghost scene comes to life. It makes a good festival film, but its chances, even as a specialized booking in North America, are slight." [7]

The Spectator wrote: "There is the freshness of meeting something as familiar as the text of Hamlet, not just in a new setting and costume, but with new voices and emphases and rhythms. There is the psychological satisfaction of finding how everything fits and can be translated into directly African terms ...Where the African landscape obtrudes, it brings the right touch of menace and the exotic; though mostly the film is rather stagily, statically made." [6]

In 'Hamlet' and World Cinema (2019) Mark Burnett called the film "cinematically inviting and aesthetically remarkable." [8]

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References

  1. ↑ "Hamile". British Film Institute Collections Search. Retrieved 28 January 2025.
  2. 1 2 Whiting, Kenneth (16 November 1965). "'Hamlet' filmed". The Baltimore Sun . pp. B4. Retrieved 28 January 2025.
  3. ↑ Collins, Stephen (2024). ""Tongo is a prison" – Revisiting Hamile: The Tongo Hamlet" . Shakespeare in Southern Africa. 37: 16–26. Retrieved 28 January 2025– via ProQuest.
  4. ↑ Burnett, Mark (2020). "Shakespearean Cinemas/Global Directions" (PDF). In Jackson, Russell (ed.). The Cambridge Companion to Shakespeare on Screen. Cambridge University Press. pp. 57–59. ISBN   9781108367479 . Retrieved 28 January 2025.
  5. ↑ "Hamile". Leaning on Screen. Retrieved 28 January 2025.
  6. 1 2 Quigly, Isabel (1 October 1965). "Commonwealth Film Festival: Drums over Elsinore". The Spectator . p. 14. Retrieved 28 January 2025.
  7. ↑ "Hamile" . Variety . Vol. 240, no. 9. 20 October 1965. p. 6. Retrieved 28 January 2025– via ProQuest.
  8. ↑ Burnett, Mark (2019). 'Hamlet' and World Cinema. Cambridge University Press. p. 64. doi:10.1017/9781316471708.003. ISBN   9781107135505.
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