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The Hampton Grease Band was an American rock band, beginning as a blues rock group in the late 1960s in Atlanta, Georgia. They performed with several major bands in this period, including Grateful Dead and the Allman Brothers. The band gained a reputation for wacky stage antics, and eventually garnered enough attention to sign to Columbia Records. They recorded the double album Music to Eat (June 1971), which is apocryphally said to have been the second-lowest selling album in Columbia's history, second only to a yoga instructional record. This record compared with Captain Beefheart, Frank Zappa & The Mothers of Invention, and Pere Ubu. [1]
The band then signed to Frank Zappa's Bizarre and Straight labels, but broke up in 1973. Several of the members went on to more renowned music careers, including Glenn Phillips' solo work and Bruce Hampton's work with the Aquarium Rescue Unit. Harold Kelling formed The Starving Braineaters and continued playing with several bands in the Atlanta area. Sam Whiteside was also the road manager. Sam Whiteside and Espy Geisler designed the cover art and most of the artwork on the inside of their album Music to Eat. Music to Eat gained a significant cult following, and was re-released on CD in 1996 with several minutes of additional material that had been edited from the vinyl release.
The band was the lead-off band for Frank Zappa/Mothers last appearance at the Fillmore East on June 6, 1971. It was at this concert that Zappa and the Mothers recorded part of Live at the Fillmore East . Later that evening, they were joined by John Lennon and Yoko Ono, also available in recorded versions.
Lead guitarist Harold Kelling died in May 2005. [2] [3]
The Hampton Grease Band held their first reunion concert on June 2, 2006, at the Variety Playhouse in Little Five Points, a commercial area in Atlanta, Georgia. They played the Music to Eat and played some covers in their two encores, including "Rock Around the Clock".
Frank Vincent Zappa was an American musician, composer, and bandleader. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works; he also produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. His work is characterized by nonconformity, improvisation sound experimentation, musical virtuosity and satire of American culture. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.
We're Only in It for the Money is the third album by American rock band the Mothers of Invention, released on March 4, 1968, by Verve Records. As with the band's first two efforts, it is a concept album, and satirizes left- and right-wing politics, particularly the hippie subculture, as well as the Beatles' album Sgt. Pepper's Lonely Hearts Club Band. It was conceived as part of a project called No Commercial Potential, which produced three other albums: Lumpy Gravy, Cruising with Ruben & the Jets, and Uncle Meat.
Freak Out! is the debut studio album by the American rock band the Mothers of Invention, released on June 27, 1966, by Verve Records. Often cited as one of rock music's first concept albums, it is a satirical expression of guitarist/bandleader Frank Zappa's perception of American pop culture and the nascent freak scene of Los Angeles. It was the second rock music double album ever released, following Bob Dylan's Blonde on Blonde released just one week earlier, as well as the first double debut album by a rock artist. In the UK, the album was originally released as an edited single disc.
Lowell Thomas George was an American singer, songwriter, multi-instrumentalist, and record producer, who was the primary guitarist, vocalist, songwriter and founder/leader for the rock band Little Feat. Before forming Little Feat, he was a member of the original line-up of Frank Zappa's band the Mothers of Invention.
Col. Bruce Hampton and the Aquarium Rescue Unit was a jazz fusion group founded by Col. Bruce Hampton. The band gained popularity in the Atlanta club scene in the early 1990s and went on to tour with the first H.O.R.D.E. Tour. During their formative years, the band was composed of Bruce Hampton, Oteil Burbridge, Jimmy Herring, Jeff Sipe, Matt Mundy, and Count M'Butu. Jeff Mosier and Charlie Williams were members of the band during the early years, but left to pursue other endeavors. Although the band was never commercially successful, their combination of bluegrass, rock, Latin, blues, jazz, funk, and impeccable chops became a template for future bands.
Mother's Finest is an American funk rock band founded in Atlanta, Georgia, by the vocal duo of Joyce "Baby Jean" Kennedy and Glenn "Doc" Murdock in 1970 when the pair met up with guitarist Gary "Moses Mo" Moore and bassist Jerry "Wyzard" Seay. Their music is a blend of funky rhythms, heavy rock guitars and expressive soul/R&B-style vocals.
Fillmore East – June 1971 is a live album by The Mothers, released in 1971. It is the twelfth album in Frank Zappa's discography, and was produced by Zappa and mixed by Toby Foster.
Chunga's Revenge is the third solo album, and eleventh album counting the work of his band The Mothers of Invention, by Frank Zappa, released on October 23, 1970. Zappa's first effort of the 1970s marks the first appearance of former Turtles members Mark Volman and Howard Kaylan - nicknamed Flo & Eddie - on a Zappa record, and signals the dawn of a controversial epoch in Zappa's history. Chunga's Revenge represents a shift from both the satirical political commentary of his 1960s work with The Mothers of Invention, and the jazz fusion of Hot Rats.
Burnt Weeny Sandwich is the seventh album by the American rock band the Mothers of Invention, and the ninth overall by Frank Zappa, released in 1970. It consists of both studio and live recordings. Following the Mothers' split in late 1969, Zappa assembled two albums of unreleased recordings by the band - this album and its follow-up Weasels Ripped My Flesh. Burnt Weeny Sandwich focuses mostly on studio recordings and tightly arranged compositions, while Weasels Ripped My Flesh focuses mostly on live recordings and loose/improvisational pieces. Both albums also include some outtakes/leftovers from the sessions for Zappa's 1969 solo album Hot Rats.
The Mothers of Invention were an American rock band from California. Formed in 1964, their work is marked by the use of sonic experimentation, innovative album art, and elaborate live shows.
Bongo Fury is a collaborative album by American artists Frank Zappa, Captain Beefheart, and Zappa's band the Mothers, released in October 1975. The live portions were recorded on May 20 and 21, 1975, at the Armadillo World Headquarters in Austin, Texas. Tracks 5, 6 and 9 are studio tracks recorded in January 1975 during the sessions which produced One Size Fits All (1975) and much of Studio Tan (1978).
Howard Kaylan is an American retired musician and songwriter, best known as a founding member and lead singer of the 1960s rock band The Turtles, and, along with bandmate and friend Mark Volman, a member of the 1970s rock duo Flo & Eddie, where he used the pseudonym Eddie. He also was a member of Frank Zappa's band, The Mothers of Invention.
Bruce Hampton was an American musician. He was a key figure in the Atlanta, Georgia music scene, mentoring numerous other musicians who became national stars. His own musical style was avant-garde, combining elements of jazz, fusion, southern rock and jam band styles.
Music to Eat is an album by the avant garde rock group Hampton Grease Band. Their only album, and the first album by a band fronted by Bruce Hampton, it was released in 1971 as a two-disc LP.
"Whipping Post" is a song by The Allman Brothers Band. Written by Gregg Allman, the five-minute studio version first appeared on their 1969 debut album The Allman Brothers Band. The song was regularly played live and was the basis for much longer and more intense performances. This was captured in the Allman Brothers' 1971 double live album At Fillmore East, where a 22-minute, 40-second rendition of the song takes up the entire final side. It was this recording that garnered "Whipping Post" spots on both the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list and Rolling Stone's list of "The 500 Greatest Songs of All Time", which wrote, "the song is best appreciated in the twenty-three-minute incarnation on At Fillmore East."
"Willie the Pimp" is a song from Frank Zappa's 1969 album Hot Rats. It features an idiosyncratic Captain Beefheart vocal and one of Zappa's classic guitar solos. It is the only track that is not instrumental on the album, though the track features a long guitar solo.
Tinsel Town Rebellion is a double live album released by Frank Zappa in May 1981. The album was conceived by Zappa after he scrapped the planned albums Warts and All and Crush All Boxes, and contains tracks that were intended for those albums.
Glenn Phillips is a guitarist and composer with 18 albums released under his own name. He has also played on many other recordings, including those by his first group, the Hampton Grease Band.
"Don't Eat the Yellow Snow" is a suite by the American musician Frank Zappa, made up of the first four tracks of his 1974 album Apostrophe ('): "Don't Eat the Yellow Snow", "Nanook Rubs It", "St. Alfonzo's Pancake Breakfast", and "Father O'Blivion". Each song in the suite is loosely connected, although the songs are not all connected by one overall story/theme. The suite was only played in full from 1973 to 1974 and 1978 to 1980. "Saint Alfonzo's Pancake Breakfast" contains Zappa's percussionist Ruth Underwood on marimba, who added a very distinct sound to many of his songs in the early 1970s.
The Mothers 1971 is a boxset by Frank Zappa, released posthumously on March 18, 2022. It is a compilation of live music mainly consisting of several shows recorded at the Fillmore East which were originally intended for album Fillmore East – June 1971, including an encore with guest musicians John Lennon and Yoko Ono, which had been previously released on the CD Playground Psychotics. The boxset also includes a 'hybrid show' recorded in Harrisburg and Scranton, Pennsylvania, on June 3, and June 1, respectively, as well as a homemade radio spot, a single version of the song "Tears Began To Fall", and lastly, a recording from the Rainbow Theatre in London, England, on December 10. This would be the final show the band would play in 1971, as it concluded with Frank Zappa being pushed off the stage by an audience member, causing life-altering injuries, a months-long hiatus from performing live, and thus putting an end to the tour and this era of Zappa's career.