Hans von Reutlingen

Last updated

Hans von Reutlingen (1492-1524) was a German goldsmith and seal engraver who was born in, lived, and plied his trade in the city of Aachen. He worked under the patronage of Maximilian I, Holy Roman Emperor and Charles V, Holy Roman Emperor. [1] The Metropolitan Museum of Art holds one of his works, a gold-gilted bishop statuette. [2] Some of his pieces are also housed in the Aachen Cathedral.

"Hans of Reutlingen, who worked in Aachen, was one of the most important goldsmiths working at the change from the Gothic to the Renaissance period. His importance is expressed by the fact that he cut the imperial seals for Maximilian I, Holy Roman Emperor and Charles V, Holy Roman Emperor. In addition to that, he fashioned numerous objects for religious use." [3]

Related Research Articles

<span class="mw-page-title-main">Albrecht Dürer</span> German painter, printmaker and theorist (1471–1528)

Albrecht Dürer, sometimes spelled in English as Durer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I.

<span class="mw-page-title-main">Frederick III, Holy Roman Emperor</span> Holy Roman Emperor from 1452 to 1493

Frederick III was Holy Roman Emperor from 1452 until his death. He was the fourth king and first emperor of the House of Habsburg. He was the penultimate emperor to be crowned by the pope, and the last to be crowned in Rome.

<span class="mw-page-title-main">Maximilian II, Holy Roman Emperor</span> 16th century Holy Roman Emperor

Maximilian II was Holy Roman Emperor from 1564 until his death in 1576. A member of the Austrian House of Habsburg, he was crowned King of Bohemia in Prague on 14 May 1562 and elected King of Germany on 24 November 1562. On 8 September 1563 he was crowned King of Hungary and Croatia in the Hungarian capital Pressburg. On 25 July 1564 he succeeded his father Ferdinand I as ruler of the Holy Roman Empire.

<span class="mw-page-title-main">Aachen Cathedral</span> Roman Catholic cathedral in Aachen, Germany

Aachen Cathedral is a Roman Catholic church in Aachen, Germany and the seat of the Roman Catholic Diocese of Aachen.

<span class="mw-page-title-main">Hans von Aachen</span> German painter

Hans von Aachen was a German painter who was one of the leading representatives of Northern Mannerism.

<span class="mw-page-title-main">King of the Romans</span> Title used by medieval and early modern German monarchs

King of the Romans was the title used by the king of Germany following his election by the princes from the reign of Henry II (1002–1024) onward.

<span class="mw-page-title-main">Imperial crown</span> Crown used for the coronation of emperors

An Imperial Crown is a crown used for the coronation of emperors.

<span class="mw-page-title-main">Wenzel Jamnitzer</span> German goldsmith and artist (1507/08–1585)

Wenzel Jamnitzer was a Northern Mannerist goldsmith, artist, and printmaker in etching, who worked in Nuremberg. He was the best known German goldsmith of his era, and court goldsmith to a succession of Holy Roman Emperors.

<span class="mw-page-title-main">Vienna Coronation Gospels</span>

The Vienna Coronation Gospels, also known simply as the Coronation Gospels, is a late 8th century illuminated Gospel Book produced at the court of Charlemagne in Aachen. It was used by the future emperor at his coronation on Christmas Day 800, when he placed three fingers of his right hand on the first page of the Gospel of Saint John and took his oath. Traditionally, it is considered to be the same manuscript that was found in the tomb of Charlemagne when it was opened in the year 1000 by Emperor Otto III. The Coronation Evangeliar cover was created by Hans von Reutlingen, c. 1500. The Coronation Evangeliar is part of the Imperial Treasury (Schatzkammer) in the Hofburg Palace in Vienna, Austria.

<span class="mw-page-title-main">Maximilian armour</span> Early 16th-century German plate armour

Maximilian armour is a modern term applied to the style of early 16th-century German plate armour associated with, and possibly first made for the Emperor Maximilian I. The armour is still white armour, made in plain steel, but it is decorated with many flutings that may also have played a role in deflecting the points and blades of assailants and increasing the structural strength of the plates. It is a transitional stage in the decoration of armour, after the plain steel surfaces of 15th-century armour and before the elaborate decoration and colouring with etching and other techniques of Renaissance armour. The armour is characterized by armets and close helmets with bellows visors; small fan-shaped narrow and parallel fluting—often covering most of the harness ; etching; work taken from woodcuts; sharply waisted cuirasses, and squared sabatons.

<span class="mw-page-title-main">Golden Madonna of Essen</span> Gold-covered statue of the Virgin and Child in Essen Cathedral, Germany

The Golden Madonna of Essen is a sculpture of the Virgin Mary and the infant Jesus. It is a wooden core covered with sheets of thin gold leaf. The piece is part of the treasury of Essen Cathedral, formerly the church of Essen Abbey, in North Rhine-Westphalia, Germany, and is kept on display at the cathedral.

<i>Triumphal Arch</i> (woodcut) 16th-century monumental woodcut print

The Triumphal Arch is a 16th-century monumental woodcut print commissioned by the Holy Roman Emperor Maximilian I. The composite image was printed on 36 large sheets of paper from 195 separate wood blocks. At 295 × 357 centimetres (116 × 141 in), it is one of the largest prints ever produced and was intended to be pasted to walls in city halls or the palaces of princes. It is a part of a series of three huge prints created for Maximilian, the others being a Triumphal Procession which is led by a Large Triumphal Carriage ; only the Arch was completed in Maximilian's lifetime and distributed as propaganda, as he intended. Together, this series has been described by art historian Hyatt Mayor as "Maximilian's program of paper grandeur". They stand alongside two published biographical allegories in verse, the Theuerdank and Weisskunig, heavily illustrated with woodcuts.

<span class="mw-page-title-main">Cross of Lothair</span> Jewelled cross dating from c.1000AD

The Cross of Lothair or Lothair Cross is a crux gemmata processional cross dating from about 1000 AD, though its base dates from the 14th century. It was made in Germany, probably at Cologne. It is an outstanding example of medieval goldsmith's work, and "an important monument of imperial ideology", forming part of the Aachen Cathedral Treasury, which includes several other masterpieces of sacral Ottonian art. The measurements of the original portion are 50 cm height, 38.5 cm width, 2.3 cm depth.

<span class="mw-page-title-main">Free Imperial City of Aachen</span> Free Imperial City of the Holy Roman Empire (1166–1801)

The Free Imperial City of Aachen, also known in English by its French name of Aix-la-Chapelle and today known simply as Aachen, was a Free Imperial City and spa of the Holy Roman Empire west of Cologne and southeast of the Low Countries, in the Lower Rhenish–Westphalian Circle. The pilgrimages, the Coronation of the Holy Roman Emperor, flourishing industries and the privileges conferred by various emperors made it one of the most prosperous market towns of the Holy Roman Empire.

<span class="mw-page-title-main">Karlsschrein</span> Shrine-like naval containing Charlemagnes remains

The Karlsschrein is located in Aachen Cathedral and contains the remains of Charlemagne. It was completed in 1215 in Aachen at the command of Frederick II, Holy Roman Emperor. Previously, Charlemagne's remains had been in the Palatine Chapel part of the cathedral until 1165, when Frederick Barbarossa placed the remains in a sarcophagus beneath the floor of the cathedral.

<span class="mw-page-title-main">Aachen Cathedral Treasury</span> Museum in Germany

The Aachen Cathedral Treasury is a museum of the Roman Catholic Diocese of Aachen under the control of the cathedral chapter, which houses one of the most important collections of medieval church artworks in Europe. In 1978, the Aachen Cathedral Treasury, along with Aachen Cathedral, was the first monument on German soil to be entered in the List of UNESCO World Heritage Sites. The treasury contains works from Late Antique, Carolingian, Ottonian, Staufen, and Gothic times. The exhibits are displayed in premises connected to the cathedral cloisters.

<span class="mw-page-title-main">Royal Armoury of Madrid</span> Museum in Madrid, Spain

The Royal Armoury of Madrid or Real Armería de Madrid, is a collection that, among many other things, contains the personal arms of the Kings of Spain, and also houses military weapons, armours and diplomatic works of art like mixed tapestries, paintings and other works of art and trophies. Among the most notable parts of the collection are armor and full tools that Charles V, Holy Roman Emperor and Philip II used. It is considered, along with the Imperial Armory of Vienna, one of the best in the world.

<span class="mw-page-title-main">Jacob van Laethem</span>

Jacob van Laethem, also Jacques van Lathem or Laethem, (1470–1528) was a Flemish painter of the Early Netherlandish painting era.

<span class="mw-page-title-main">1519 imperial election</span> 1519 Imperial election convoked to elect Charles V as the Holy Roman Emperor

The imperial election of 1519 was an imperial election held to select the emperor of the Holy Roman Empire. It took place in Frankfurt on the 28th of June.

<span class="mw-page-title-main">Cultural depictions of Maximilian I, Holy Roman Emperor</span>

Maximilian I was Holy Roman Emperor from 1508 until his death.

References