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Friedrich Blume was professor of musicology at the University of Kiel from 1938 to 1958. He was a student in Munich, Berlin and Leipzig, and taught in the last two of these for some years before being called to the chair in Kiel. His early studies were on Lutheran church music, including several books on J.S. Bach, but broadened his interests considerably later. Among his prominent works were chief editor of the collected Praetorius edition, and he also edited the important Eulenburg scores of the major Mozart Piano Concertos. From 1949 he was involved in the planning and writing of Die Musik in Geschichte und Gegenwart.
"Leck mich im Arsch" is a canon in B-flat major composed by Wolfgang Amadeus Mozart, K. 231 (K. 382c), with lyrics in German. It was one of a set of at least six canons probably written in Vienna in 1782. Sung by six voices as a three-part round, it is thought to be a party piece for his friends.
"Leck mir den Arsch fein recht schön sauber" is a canon for three voices in B-flat major, K. 233/382d. The music was long thought to have been composed by Wolfgang Amadeus Mozart during 1782 in Vienna, but now thought to be the work of Wenzel Trnka. The lyrics appear to stem from Mozart.
Imanuel Geiss was a German historian.
Stefan Schaub is a German music teacher and scholar.
Volkslied is a genre of popular songs in German which are traditionally sung. While many of them were first passed orally, several collections were published from the late 18th century. Later, some popular songs were also included in this classification.
Wenzel Trnka von Krzowitz was a physician, professor, and amateur composer of the 18th century.
"Bei der Hitz im Sommer eß ich" is a canon for three voices in G major, K. 234/382e. The music was long thought to have been composed by Wolfgang Amadeus Mozart during 1782 in Vienna, but now thought to be the work of Wenzel Trnka. The lyrics appear to stem from Mozart.
Walter Hinck was a German Germanist and writer. He was professor of German literature at the University of Cologne from 1964 to 1987.
Joseph Maria Müller-Blattau was a German musicologist and National Socialist cultural official. He is regarded as a "nestor of Saarbrücken musicology" but also as a "singer of a musical seizure of power" because of his activities in National Socialism.
Hans-Joachim Hinrichsen has been holding the chair for musicology at the University of Zurich since 1999.
Kurt von Fischer was a Swiss musicologist and classical pianist.
Helmuth Osthoff was a German musicologist and composer. Much of his career was spent at Frankfurt University, prior to which he held posts at Halle University and Berlin University. He wrote the first major biography on the composer Josquin des Prez, published as a two volume monograph in 1962 and 1965
Hermann Keller was a German Protestant church musician and musicologist.
Arno Forchert was a German musicologist.
Günther Massenkeil was a German musicologist, academic teacher, writer and concert singer (baritone). His main field of research was sacred music of the 16th to 20th century. He served as director of the musicology department at the University of Bonn from 1966 to 1991. He became known beyond academia for his editing and supplementing of the eight-volume encyclopaedia, Das Große Lexikon der Musik.
Wilibald Nagel (also Willibald Nagel, was a German musicologist and music critic.
Daniela Philippi is a German musicologist with a research focus on Christoph Willibald Gluck, Antonín Dvořák and Czech music history and music of the 20th century.
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Albin Lesky was an Austrian classical philologist. He was married to Austrian historian of medicine Erna Lesky.
References
- ↑ Interpretenlexikon der Instrumentalmusik on WorldCat
- ↑ Musikalisches Erbe und Gegenwart. Musikergesamtausgaben in der Bundesrepublik Deutschland on WorldCat
- ↑ Opera Incerta. Echtheitsfragen als Problem musikwissenschaftlicher Gesamtausgaben on WorldCat
- ↑ Komponistenbriefe des 19. Jahrhunderts on WorldCat
