Tap dance is a form of dance that uses the sounds of tap shoes striking the floor as a form of percussion; it is often accompanied by music. Tap dancing can also be a cappella, with no musical accompaniment; the sound of the taps is its own music.
Street dance is an umbrella term for a large number of social dance styles such as: breakdancing, popping, locking, house dance, waacking, voguing etc. Social dance styles have many accompanying steps and foundations, created organically from a culture, a moment in time, a way of life, influenced by natural social interaction. A street dance is a vernacular dance in an urban context. Vernacular dances are often improvisational and social in nature, encouraging interaction and contact with spectators and other dancers. These dances are a part of the vernacular culture of the geographical area that they come from.
The Cotton Club was a New York City nightclub from 1923 to 1940. It was located on 142nd Street and Lenox Avenue (1923–1936), then briefly in the midtown Theater District (1936–1940). The club operated during the United States' era of Prohibition and Jim Crow era racial segregation. Black people initially could not patronize the Cotton Club, but the venue featured many of the most popular black entertainers of the era, including musicians Fletcher Henderson, Duke Ellington, Jimmie Lunceford, Chick Webb, Louis Armstrong, Count Basie, Fats Waller, Willie Bryant; vocalists Adelaide Hall, Ethel Waters, Cab Calloway, Bessie Smith, Lillie Delk Christian, Aida Ward, Avon Long, the Dandridge Sisters, the Will Vodery choir, The Mills Brothers, Nina Mae McKinney, Billie Holiday, Midge Williams, Lena Horne, and dancers such as Katherine Dunham, Bill Robinson, The Nicholas Brothers, Charles 'Honi' Coles, Leonard Reed, Stepin Fetchit, the Berry Brothers, The Four Step Brothers, Jeni Le Gon and Earl Snakehips Tucker.
Vogue, or voguing, is a highly stylized, modern house dance originating in the late 1980s that evolved out of the Harlem ballroom scene of the 1960s. It is inspired by the poses of models in fashion magazines.
Florence Mills, billed as the "Queen of Happiness", was an American cabaret singer, dancer, and comedian.
Iroquois music and dance are central components of traditional social gatherings, which take place in longhouses.
"Harlem Shuffle" is an R&B song written and originally recorded by the duo Bob & Earl in 1963.
"Harlem Shuffle" is an R&B song written and originally recorded by the duo Bob & Earl in 1963. The song describes a dance called the “Harlem Shuffle”, and mentions several other contemporary dances of the early 1960s, including the Monkey Shine, the Limbo, the Hitch hike, the Slide, and the Pony.
The Melbourne shuffle is a rave dance that developed in Melbourne, Australia, in the late 1980s and early 1990s. The dance moves involve a fast heel-and-toe movement or T-step, combined with a variation of the running man coupled with a matching arm action. The dance is improvised and involves "repeatedly shuffling your feet inwards, then outwards, while thrusting your arms up and down, or side to side, in time with the beat". Other moves can be incorporated including 360-degree spins and jumps and slides.
Shuffle Along is a musical composed by Eubie Blake, with lyrics by Noble Sissle and a book written by the comedy duo Flournoy Miller and Aubrey Lyles. One of the most notable all-Black hit Broadway shows, it was a landmark in African-American musical theater, credited with inspiring the Harlem Renaissance of the 1920s and '30s.
Footwork is a martial arts and combat sports term for the general usage of the legs and feet in stand-up fighting. Footwork involves keeping balance, closing or furthering the distance, controlling spatial positioning, and/or creating additional momentum for strikes.
African-American dance is a form of dance that was created by Africans in the Diaspora, specifically the United States. It has developed within various spaces throughout African-American communities in the United States, rather than studios, schools, or companies. These dances are usually centered on folk and social dance practice, though performance dance often supplies complementary aspects to this. Placing great value on improvisation, these dances are characterized by ongoing change and development. There are a number of notable African-American modern dance companies using African-American cultural dance as an inspiration, among these are the Whitey's Lindy Hoppers, Alvin Ailey American Dance Theater, Dance Theatre of Harlem, and Katherine Dunham Company. Hollywood and Broadway have also provided opportunities for African-American artists to share their work and for the public to support them.
Bob & Earl were an American music singing duo in the 1960s, best known for writing and recording the original version of "Harlem Shuffle".
The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. At the time, it was known as the "New Negro Movement", named after The New Negro, a 1925 anthology edited by Alain Locke. The movement also included the new African-American cultural expressions across the urban areas in the Northeast and Midwest United States affected by a renewed militancy in the general struggle for civil rights, combined with the Great Migration of African-American workers fleeing the racist conditions of the Jim Crow Deep South, as Harlem was the final destination of the largest number of those who migrated north.
Flournoy Eakin Miller, sometimes credited as F. E. Miller, was an American entertainer, actor, lyricist, producer and playwright. Between about 1905 and 1932 he formed a popular comic duo, Miller and Lyles, with Aubrey Lyles. Described as "an innovator who advanced black comedy and entertainment significantly," and as "one of the seminal figures in the development of African American musical theater on Broadway", he wrote many successful vaudeville and Broadway shows, including the influential Shuffle Along (1921), as well as working on several all-black movies between the 1930s and 1950s.
The St. Nicholas Historic District, known colloquially as "Striver's Row", is a historic district located on both sides of West 138th and West 139th Streets between Adam Clayton Powell Jr. Boulevard and Frederick Douglass Boulevard, in the Harlem neighborhood of Upper Manhattan, New York City. It is both a national and a New York City historic district, and consists of row houses and associated buildings designed by three architectural firms and built in 1891–93 by developer David H. King Jr. These are collectively recognized as gems of New York City architecture, and "an outstanding example of late 19th-century urban design":
The Singles 1971–2006 is a box set compilation of singles by The Rolling Stones spanning the years 1971 to 2006. It covers their output with both Rolling Stones Records and Virgin Records labels.
Harlem shake may refer to:
Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed is a musical with a score by Eubie Blake and Noble Sissle and a libretto by George C. Wolfe, based on the original book of the 1921 musical revue Shuffle Along, by Flournoy Miller and Aubrey Lyles. The story focuses on the challenges of mounting the original production of Shuffle Along and its effect on Broadway and race relations.
Lottie Gee(néeCharlotte O. Gee; 17 August 1886 Millboro, Virginia – 13 January 1973 Los Angeles) was an American entertainer who performed in shows and musicals during the Harlem Renaissance. She is perhaps best known as a performer in the 1921 Broadway hit, Shuffle Along, the show that launched the careers of Josephine Baker and Florence Mills.
