Harmonia Rosales | |
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 Rosales in 2021 | |
| Born | February 6, 1984 Chicago, Illinois, U.S. |
| Alma mater | Glenville State University |
| Known for | The Creation of God (2017 painting) |
| Style | Painting |
Harmonia Rosales (born on February 6, 1984) is an Afro-Cuban American artist born in Chicago. [1] [2] [3] [4]
Rosales was born on February 6, 1984, in Chicago, Illinois, to Cuban-born Giraldo Rosales and Jamaican-Jewish illustrator Melodye Benson Rosales. She was raised in the Santería religious tradition.
As a child she was the model for the original American Girl Addy illustrations, painted by her mother. [5]
Rosales pursued a degree in Fine Arts from the University of Illinois at Chicago. Her artistic style is characterized by a vibrant color palette and compositions that draw from influences that include Afrocentric motifs and classical European art. Rosales exhibited her work in various reputable venues including the Museum of the African Diaspora and the Los Angeles County Museum of Art. Through her work and active dialogues on race, gender, and identity, she has become a voice in discussions surrounding representation in contemporary art. She engages with audiences on critical issues through interviews, panel discussions, and social media fostering awareness.
In 2017, Rosales posted an image, The Creation of God, on social media, of her first completed work for her solo exhibition Black Imaginary To Counter Hegemony. The painting is an oil-on-canvas piece that took two months to craft. In this painting, Rosales recreates Michelangelo's Creazione di Adamo (The Creation of Adam) by displaying both God and Adam as Black women. The Creation of Adam shows Jehovah's finger and the elegant, naked body of the first man. In contrast, the painting created by Rosales shows God as a black woman and creates the illusion of the heavens as a womb from which she is birthing Eve in an act of strength and empowerment. This image was created to show that White subjects are the standard in classic art while challenging the viewer to consider why that practice is commonly accepted.
In 2017, Rosales participated in the Museum of Science and Industry's Black Creativity Juried Art Exhibition. The name of the painting is Innocence Lost and it depicts her daughter and includes all the elements of being overexposed and categorized at a young age. This award encouraged Rosales to move away from portraits and create a strong body of work.
In the same year, Rosales was picked up by Simard-Bilodeau Contemporary, an art gallery based in LA and was given her first solo exhibition. Included in the show was Creation of God. One of her many works included The Birth of Oshun , an oil-on-canvas painting, which reimagines Sandro Botticelli's work, The Birth of Venus, by placing Oshun, the Yoruba goddess of fertility, sensuality, and prosperity, in a sea shell surrounded by black angels, in contrast to Botticelli's painting where a white Venus, the goddess of love, beauty, and fertility, is in a sea shell surrounded by white angels. [6]
The Birth of Venus is a painting by the Italian artist Sandro Botticelli, probably executed in the mid 1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown. The painting is in the Uffizi Gallery in Florence, Italy.
Oshun is the Yoruba orisha associated with love, sexuality, fertility, femininity, water, destiny, divination, purity, and beauty, and the Osun River, and of wealth and prosperity in Voodoo. She is considered the most popular and venerated of the 401 orishas.
Julie Mehretu is an Ethiopian American contemporary visual artist, known for her multi-layered paintings of abstracted landscapes on a large scale. Her paintings, drawings, and prints depict the cumulative effects of urban sociopolitical changes.
Pallas and the Centaur is a painting by the Italian Renaissance painter Sandro Botticelli, c. 1482. It is now in the Uffizi Gallery in Florence. It has been proposed as a companion piece to his Primavera, though it is a different shape. The medium used is tempera paints on canvas and its size is 207 x 148 cm. The painting has been retouched in many places, and these retouchings have faded.
Simonetta Vespucci, nicknamed la bella Simonetta, was an Italian noblewoman from Genoa, the wife of Marco Vespucci of Florence and the cousin-in-law of Amerigo Vespucci. She was known as the greatest beauty of her age in Italy, and was allegedly the model for many paintings by Sandro Botticelli, Piero di Cosimo, and other Florentine painters. Some art historians have taken issue with these attributions, which the Victorian critic John Ruskin has been blamed for promulgating.
Dana Schutz is an American artist who lives and works in Brooklyn, New York. Schutz is known for her gestural, figurative paintings that often take on specific subjects or narrative situations as a point of departure.
Venus Anadyomene is an oil painting by Titian, dating to around 1520. It depicts Venus rising from the sea and wringing her hair, with a shell visible at the bottom left, taken from a description of Venus by Greek poet Hesiod in which she was born fully-grown from a shell. The shell is smaller than usual in scenes of the birth of Venus, such as Botticelli's, and is just intended to identify the subject rather than be a boat-like vessel for Venus, as in Sandro Botticelli's The Birth of Venus and other depictions.
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The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Unclothed figures often also play a part in other types of art, such as history painting, including allegorical and religious art, portraiture, or the decorative arts. From prehistory to the earliest civilizations, nude female figures were generally understood to be symbols of fertility or well-being.
Primavera is a large panel painting in tempera paint by the Italian Renaissance painter Sandro Botticelli made in the late 1470s or early 1480s. It has been described as "one of the most written about, and most controversial paintings in the world", and also "one of the most popular paintings in Western art".
Consequences of War, also known as Horror of war, was executed between 1638 and 1639 by Peter Paul Rubens in oil paint on canvas. It was painted for Ferdinando II de' Medici. Although commissioned by an Italian, art historians characterize both the work and the artist as Flemish Baroque. It serves as a commentary on a European continent ravaged by the Thirty Years' War, and the artist employed numerous symbols, both contemporary and ancient, to deplore the state of the continent.
Helena AlmeidaGOIH was a Portuguese artist known for her work in photography, performance art, body art, painting and drawing.
Marcia Jones is an American professor and contemporary artist, known for her multimedia and large-scale installation works.
Suzanne Jackson is an American visual artist, gallery owner, poet, dancer, educator, and set designer; with a career spanning five decades. Her work has been exhibited in museums and galleries around the world. Since the late 1960s, Jackson has dedicated her life to studio art with additional participation in theatre, teaching, arts administration, community life, and social activism. Jackson's oeuvre includes poetry, dance, theater, costume design, paintings, prints, and drawings.
Venus and Cupid is an oil-on-canvas painting by the Italian Renaissance artist Lorenzo Lotto in the collection of the Metropolitan Museum of Art. It has been dated to several periods, including the late 1530s and the early 1540s, but was probably created in the 1520s.
Xin Yin (1959) is a painter of Chinese origin, residing in Paris and known for orientalizing traditional western images. Yin was born in Kashgar.
Jackie Saccoccio was an American abstract painter. Her works, considered examples of gestural abstraction, featured bright color, large canvases, and deliberately introduced randomness.
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