Harriet Bart | |
|---|---|
| Born | June 23, 1941 Duluth, MN |
| Education | University of Minnesota, BA |
| Known for | Artist's books, conceptual art, installation, textiles |
| Notable work | Processional (1977), Garment Registry (1999), Requiem: Inscribing the Names - American Soldiers Killed in Iraq (2003-11), Requiem: Enduring Afghanistan (2008-15), Drawn in Smoke (2010) |
| Movement | Installation art |
Harriet Bart is a Minneapolis-based conceptual artist, known for her objects, installations, and artists books. [1]
Harriet Bart was born in 1941 in Duluth, Minnesota, and earned a degree in textiles from the University of Minnesota in 1976. [2] [3] At the age of 19, she married and went on to have three children. Before pursuing art, Bart worked as a dental hygienist. [4]
Bart's work has been exhibited throughout the United States and Germany, and she has completed more than a dozen public art commissions in the United States, Japan, and Israel. She has been the recipient of fellowships from the Bush Foundation, McKnight Foundation, MacDowell Colony, Virginia Center for Creative Arts, NEA Arts Midwest, and the Minnesota State Arts Board.
Since 2000, Bart has published eleven artists books and has won three Minnesota Book Awards, most recently in 2015 for Ghost Maps. Her work is represented in notable collections, including the Jewish Museum, Metropolitan Museum of Art, New York Public Library, Library of Congress, National Gallery of Art, National Museum of Women in the Arts, Walker Art Center, Minneapolis Institute of Art, Weisman Art Museum, Yale University Art Gallery, Sackner Archive of Visual and Concrete Poetry. She is a guest lecturer, curator, and a founding member of the Women's Art Registry of Minnesota [5] and the Traffic Zone Center for Visual Art in Minneapolis, MN.