William Blake was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his "prophetic works" were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced". In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons. While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God" or "human existence itself".
Richard Brinsley Butler Sheridan was an Irish satirist, politician, playwright, poet and long-term owner of the London Theatre Royal, Drury Lane. He is known for his plays such as The Rivals, The School for Scandal, The Duenna and A Trip to Scarborough. He was also a Whig MP for 32 years in the British House of Commons for Stafford (1780–1806), Westminster (1806–1807), and Ilchester (1807–1812). He is buried at Poets' Corner in Westminster Abbey. His plays remain a central part of the canon and are regularly performed worldwide.
Joseph Nollekens R.A. was a sculptor from London generally considered to be the finest British sculptor of the late 18th century.
John Flaxman was a British sculptor and draughtsman, and a leading figure in British and European Neoclassicism. Early in his career, he worked as a modeller for Josiah Wedgwood's pottery. He spent several years in Rome, where he produced his first book illustrations. He was a prolific maker of funerary monuments.
Arthur William Symons was a British poet, critic and magazine editor.
Rembrandt Peale was an American artist and museum keeper. A prolific portrait painter, he was especially acclaimed for his likenesses of presidents George Washington and Thomas Jefferson. Peale's style was influenced by French neoclassicism after a stay in Paris in his early thirties.
Lady Charlotte Susan Maria Bury was an English novelist, who is chiefly remembered in connection with a Diary illustrative of the Times of George IV (1838).
Margaret Oliphant Wilson Oliphant was a Scottish novelist and historical writer, who usually wrote as Mrs. Oliphant. Her fictional works cover "domestic realism, the historical novel and tales of the supernatural".
William Hayley was an English writer, best known as the biographer of his friend William Cowper.
Henry Crabb Robinson was an English lawyer, remembered as a diarist. He took part in founding London University.
Anne Isabella, Lady Ritchie, eldest daughter of William Makepeace Thackeray, was an English writer, whose several novels were appreciated in their time and made her a central figure on the late Victorian literary scene. She is noted especially as the custodian of her father's literary legacy, and for short fiction that places fairy tale narratives in a Victorian milieu. Her 1885 novel Mrs. Dymond introduced into English the proverb, "Give a man a fish and you feed him for a day; teach a man to fish and you feed him for life."
George Henry Harlow was an English painter known mostly for his portraits.
Poetical Sketches is the first collection of poetry and prose by William Blake, written between 1769 and 1777. Forty copies were printed in 1783 with the help of Blake's friends, the artist John Flaxman and the Reverend Anthony Stephen Mathew, at the request of his wife Harriet Mathew. The book was never published for the public, with copies instead given as gifts to friends of the author and other interested parties. Of the forty copies, fourteen were accounted for at the time of Geoffrey Keynes' census in 1921. A further eight copies had been discovered by the time of Keynes' The Complete Writings of William Blake in 1957. In March 2011, a previously unrecorded copy was sold at auction in London for £72,000.
An Island in the Moon is the name generally assigned to an untitled, unfinished prose satire by William Blake, written in late 1784. Containing early versions of three poems later included in Songs of Innocence (1789) and satirising the "contrived and empty productions of the contemporary culture", An Island demonstrates Blake's increasing dissatisfaction with convention and his developing interest in prophetic modes of expression. Referred to by William Butler Yeats and E. J. Ellis as "Blake's first true symbolic book," it also includes a partial description of Blake's soon-to-be-realised method of illuminated printing. The piece was unpublished during Blake's lifetime, and survives only in a single manuscript copy, residing in the Fitzwilliam Museum, in the University of Cambridge.
Our Nig: Sketches from the Life of a Free Black is an autobiographical novel by Harriet E. Wilson. First published in 1859, it was rediscovered in 1981 by Henry Louis Gates Jr. and was subsequently reissued with an introduction by Gates. Our Nig has since been republished in several other editions. It was long considered the first novel published by an African-American woman in North America, though that record is now contested by another manuscript found by Gates, The Bondwoman's Narrative, which may have been written a few years earlier.
Maria Flaxman (1768–1833) was an English painter and illustrator.
Harriet Grote (1792–1878) was an English biographer. She was married to George Grote and was acquatined with many of the English philosophical radicals of the earlier 19th century. A longterm friend described her as "absolutely unconventional".
Anthony Stephen Mathew (1734–1824) was a cleric the Church of England. He and his wife Harriet Mathew are most notable for their friendship and support of John Flaxman and William Blake and their gathering of intellectuals and artists salon in their house at Rathbone Place.
Harriet Siddons, sometimes known as Mrs Henry Siddons, was a Scottish actress and theatre manager.
The Notebook of William Blake was used by William Blake as a commonplace book from c. 1787 to 1818.
