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Harrison Gradwell Slater Wignall was an American writer, pianist, and educator. Born Harry James Wignall in New Bedford, Mass., he lived in New Bedford while his father, a US Army officer, was a prisoner of war for three years, held by the Communist Chinese in North Korea. In his youth Harry lived for four years in Mannheim and Frankfurt, Germany while his father was stationed with the US Army Northern Army Command. He graduated from Rancocas Valley Regional High School in Mt. Holly, NJ. He changed his name circa the publication of his first book to Harrison Gradwell Slater.
A pianist, he studied with Anthony di Bonaventura and for many years with Paul Doguereau, the noted French pianist who was a pupil of Ravel, Emma Bardac (second wife of Claude Debussy) and Paderewski. In addition to writing and recording, Slater coached many world-class pianists, and served as chairman and Artistic Director of the Peabody Mason International Piano Competition.
Harrison Gradwell Slater Wignall combined the careers of musicologist, pianist and novelist. He has published three books on Mozart, the last of which is the mystery novel NightMusic, [1] which deals with the life and music of Mozart. The sequel, Nocturne, [2] explores Chopin's biography and music within a contemporary narrative.
For his first book, Slater (the author's pen name since 1995) traveled to fifty-five cities in nine European countries and completed his research over three years with correspondence to archives throughout Europe, always posing unresolved questions about Mozart Gedenkstaetten – the palaces, concert halls and salons in which Mozart performed, the houses and taverns in which he lodged, and the churches and public edifices that he visited. The resulting reference book, In Mozart's Footsteps, [3] has been called "an amazing feat of scholarship" by the pianist, Alfred Brendel, [4] while Nicholas Slonimsky described it as "absorbing in its brilliance". [4]
NightMusic was voted "Rising Star of 2003" by nine publishing houses, was on the Barnes & Noble bestseller list for mystery trade paperback for nineteen weeks and was optioned for a film.
Scholarly articles by Slater (a.k.a. Harrison James Wignall) have appeared in the journals Mozart-Jahrbuch, [5] Opera Quarterly [6] and Mozart Studien, [7] [8] among others. Some of his recent discoveries include previously unknown Mozart documents and manuscripts that have shed light on issues of recent Mozart research. He has also written entries for the latest editions of The New Grove , [9] Die Musik in Geschichte und Gegenwart , [10] The New Grove Dictionary of Opera [11] and has published articles in Perspectives of New Music , [12] Indiana Theory Review , [13] and the Nuova rivista musicale italiana. [14]
Slater's discovery in 1993 of the vocal nocturne tradition, and its influence on Mozart and Chopin are found in his seminal work Mozart and the Duetto Notturno Tradition, [15] and his entry "Duetto Notturno" in The New Grove. [15] His present musicological work on the influence of the vocal nocturne on Chopin's piano music continues that research.
Slater accepted a full academic scholarship to Boston University, where he graduated first in his class, Bachelor magna cum laude, 1972, followed by a Master of Arts, Boston University, 1987 and a certified advisory study, Harvard University, 1987. In 1995, he was awarded a PhD in musicology from Brandeis University with a dissertation on Mozart's opera Mitridate. [16]
Slater worked in various music capacities: a music theory instructor at Massasoit Community College, Brockton, Massachusetts, 1975–1980; music specialist, Munich (Germany) International School, 1980–1982, and International School of the Sacred Heart, Tokyo, 1984–1985; ballet pianist, National Theatre, Munich, 1982–1984; and as a ballet pianist at La Scala, Milan, 1985–1986. He performed numerous concerts during this period. He was a member of the American Musicological Society, Society Music Theory, Harvard Club, and Phi Beta Kappa.
Slater studied music and languages at Brandeis University, Boston University, Ludwig-Maximilians-Universität in Munich and Harvard, and was fluent, in addition to English, German, French and Italian. He was active as a music instructor in Boston, Munich, Milan, and Tokyo and worked at the National Theatre Munich and La Scala in Milan as a ballet pianist, performing numerous concerts.
Slater finished recordings featuring the music of Mozart [17] and Chopin, [18] and has completed the sequel to NightMusic, [1] entitled Nocturne [2] (based on rediscovered diaries related to Chopin). His research and writing of the unpublished monograph, "Mozart in Milan" continues and includes, "Mozart and Sacred Music in the Ambrosian Capital" and "Mozart's Singers in Ascanio in Alba," articles which incorporate two handwritten diaries from 1771 found by Slater in archives in Milan.
He resided in an historic apartment in Back Bay, Boston, as well as in Milan, Paris and Mount Holly Township, New Jersey. [19]
He died on April 6, 2017, in Mt. Holly, NJ at the age of 66.
A nocturne is a musical composition that is inspired by, or evocative of, the night.
Leif Ove Andsnes is a Norwegian pianist and chamber musician. Andsnes has made several recordings for Virgin and EMI. In 2012, Andsnes signed with Sony Classical, and recorded for the label the "Beethoven Journey" project, which included the five piano concertos with the Mahler Chamber Orchestra. The works were recorded over three years, beginning with Nos. 1 and 3 in 2012, followed by Nos. 2 and 4 in 2013 and the Fifth Piano Concerto and Choral Fantasy in 2014. He is represented by IMG.
Maurizio Pollini was an Italian pianist and conductor. He was known for performances of Beethoven, Chopin, Debussy, and the Second Viennese School, among others. He championed works by contemporary composers, including Pierre Boulez, Karlheinz Stockhausen, George Benjamin, Roberto Carnevale, Gianluca Cascioli and Bruno Maderna. Several compositions were written for him, including Luigi Nono's ... sofferte onde serene ..., Giacomo Manzoni's Masse: omaggio a Edgard Varèse, and Salvatore Sciarrino's Fifth Sonata. As a conductor he was instrumental in the Rossini revival at the Rossini Opera Festival in Pesaro, conducting La donna del lago from a new critical edition in 1981. He also conducted from the keyboard.
Constantin "Dinu" Lipatti was a Romanian classical pianist and composer whose career was cut short by his death from effects related to Hodgkin's disease at age 33. He was elected posthumously to the Romanian Academy. He composed few works, all of which demonstrated a strong influence from Hungarian composer Béla Bartok.
Murray David Perahia is an American pianist and conductor. He has been considered one of the greatest living pianists. He was the first North American pianist to win the Leeds International Piano Competition, in 1972. Known as a leading interpreter of Bach, Handel, Scarlatti, Mozart, Beethoven, and Schumann, among other composers, Perahia has won numerous awards, including three Grammy Awards from a total of 18 nominations, and 9 Gramophone Awards in addition to its first and only "Piano Award".
Vesselina Kasarova is a Bulgarian operatic mezzo-soprano.
Earl Wild was an American pianist known for his transcriptions of jazz and classical music.
Ivan Moravec was a Czech concert pianist whose performing and recording career spanned nearly half a century. Media and critics worldwide often called Moravec "a poet of the piano" or "pianist supreme". He is considered one of the greatest interpreters of Chopin.
Ann Schein Carlyss is an American pianist.
Maria João Alexandre Barbosa Pires is a Portuguese classical pianist, widely regarded as one of the leading interpreters of the repertoire of the 18th and 19th centuries.
Stéphane Raoul Pugno was a French composer, teacher, organist, and pianist known for his playing of Mozart's works.
The early Peabody Mason Piano Competitions were organized by Fanny Peabody Mason's longtime friend, pianist Paul Doguereau. The piano competition was inspired by Mason’s commitment to, and aspirations for, the arts and serves to showcase and encourage emerging piano talent. The first competition was held in 1981, with others following in 1984 and 1985. The grand prize winner received a yearly stipend plus a New York and a Boston recital. The competition’s rich heritage, its intermittent nature, and its generous prize have led to a significant reputation and a certain cachet for the award.
Paul René Doguereau was a French pianist and piano teacher. He spent most of his career in Boston, United States, where he was a well-respected cultural figure.
Francesco Libetta is an Italian pianist, composer and conductor.
Guiomar Novaes was a Brazilian pianist known for individuality of tone and phrasing, singing line, and a subtle and nuanced approach to her interpretations.
Vadim Chaimovich is a Lithuanian pianist.
Adolphe Gutmann was a German pianist and composer who was a pupil and friend of Frédéric Chopin and Franz Liszt.
Jane Austin Coop is a Canadian pianist and music pedagogue. An internationally recognized concert pianist, she has appeared as a recitalist and as a soloist with major symphony orchestras throughout the world. She has performed at such venues as the Bolshoi Hall in Saint Petersburg, the Kennedy Center, Alice Tully Hall, Roy Thomson Hall, the Hong Kong Cultural Centre, the Beijing Concert Hall, and the Salle Gaveau in Paris. From 1980 to 2012 she taught on the faculty of the University of British Columbia’s School of Music in Vancouver. In December 2012, she was appointed a member of the Order of Canada. In May, 2019 she was appointed to the Order of British Columbia (O.B.C.)
The Sei pezzi per pianoforte, P 044, is a set of six solo piano pieces written by the Italian composer Ottorino Respighi between 1903 and 1905. These predominantly salonesque pieces are eclectic, drawing influence from different musical styles and composers. The pieces have various musical forms and were composed separately and later published together between 1905 and 1907 in a set under the same title for editorial reasons; Respighi had not conceived them as a suite, and therefore did not intend to have uniformity among the pieces. The set, under Bongiovanni, became his first published work. Five of the six pieces are derived from earlier works by Respighi, and only one of them, the "Canone", has an extant manuscript.