Harry Kramer | |
|---|---|
 | |
| Born | March 20, 1939 |
| Nationality | American |
| Alma mater | University of the Arts (BFA in 1962), Yale University School of Art (MFA in 1965) |
| Known for | Abstract painting and drawing |
| Spouse | Trudy C. Kramer |
| Website | harrykramer |
Harry Kramer (born 1939) is an American abstract painter, born in Philadelphia, Pennsylvania. In 1962 he received a BFA from The University of Arts (formerly Philadelphia College of Art) and earned an MFA from Yale University in 1965. [1]
Kramer first gained recognition in the 1970s with solo shows at the Brata Gallery [2] and at 55 Mercer Street Gallery, [3] [4] critically acclaimed alternative spaces in New York City at that time. In the 1980s, his work was highlighted in “Six Painters: Gregory Armenoff, Jake Berthot, Howard Buchwald, Louise Fishman, Harry Kramer and Katherine Porter” at the Hudson River Museum with a catalog essay by the Director Peter Langlykke. [5] This was followed by solo shows over the following decades at numerous galleries, including the Greunebaum Gallery, [6] the Charles Cowles Gallery, [7] [8] and Ameringer and Yohe Gallery, [9] [10] all in New York City.
His work has also been included in numerous group exhibitions including the National Academy Museum (2013, 2007, 2004, 2001); Guild Hall in East Hampton, NY (2009); the Parrish Art Museum in Water Mill, NY (2014); The Hood Museum, Dartmouth College (1993); Concordia College, Bronxville, NY (1991); Barbara Kraków Gallery, Boston, MA (1987); Emily Lowe Gallery, Hofstra University, NY (1981); Detroit Institute of Arts (1976); and a major work is on permanent installation at the U.S. Federal Courthouse in Brooklyn, NY.[ citation needed ]
In Kramer’s work, the canvas is layered with thick surfaces of paint which are interspersed with animated drawing. Vivian Rayner of the New York Times called it "muscular but not macho". [6] Kramer’s extensive practice in drawing serves as a corollary to his paintings. [11]
Kramer’s work is represented in the collection of the Metropolitan Museum of Art, [12] and the Brooklyn Museum. [13]
Kramer was awarded a National Endowment for the Arts Fellowship in 1982. [14] He has received grants from the Robert Lehman Foundation and the Pollock-Krasner Foundation, with two works in the online collection. [15] He was elected to the National Academy in 1994. [1]
Paul Jackson Pollock was an American painter and a major figure in the abstract expressionist movement. He was widely noticed for his "drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles. It was also called all-over painting and action painting, since he covered the entire canvas and used the force of his whole body to paint, often in a frenetic dancing style. This extreme form of abstraction divided the critics: some praised the immediacy of the creation, while others derided the random effects. In 2016, Pollock's painting titled Number 17A was reported to have fetched US$200 million in a private purchase.
Jack Tworkov was an American abstract expressionist painter.
Katherine Porter (1941) is an American artist. Born in Cedar Rapids, Iowa in 1941, Porter is considered one of the most important contemporary artists associated with Maine. She resists categorization. Through the medium of painting and drawing her visually stunning canvases convey the conflict inherent in life. She expresses her ideas with a visual vocabulary that is "geometric and gestural, abstract and figurative, decorative and raw, lyric and muscular."
Frank Holliday is an American painter who became known in the New York City art world in the 1970s and 1980s. He is often associated with the East Village scene and associated with Club 57. His early career as an artist included working with Andy Warhol and close associations with artists such as Keith Haring Ann Magnuson and Kenny Scharf.
Ronnie Landfield is an American abstract painter. During his early career from the mid-1960s through the 1970s his paintings were associated with Lyrical Abstraction, and he was represented by the David Whitney Gallery and the André Emmerich Gallery.
Dorothea Rockburne is an abstract painter, drawing inspiration primarily from her deep interest in mathematics and astronomy. Her work is geometric and abstract, seemingly simple but very precise to reflect the mathematical concepts she strives to concretize. "I wanted very much to see the equations I was studying, so I started making them in my studio," she has said. "I was visually solving equations." Rockburne's attraction to Mannerism has also influenced her work.
Louise Fishman was an American abstract painter from Philadelphia, Pennsylvania. For many years she lived and worked in New York City, where she died.
Anne Ryan (1889–1954) was an American Abstract Expressionist artist associated with the New York School. Her first contact with the New York City avant-garde came in 1941 when she joined the Atelier 17, a famous printmaking workshop that the British artist Stanley William Hayter had established in Paris in the 1930s and then brought to New York when France fell to the Nazis. The great turning point in Ryan's development occurred after the war, in 1948. She was 57 years old when she saw the collages of Kurt Schwitters at the Rose Fried Gallery, in New York City, in 1948. She right away dedicated herself to this newly discovered medium. Since Anne Ryan was a poet, according to Deborah Solomon, in Kurt Schwitters’s collages “she recognized the visual equivalent of her sonnets – discrete images packed together in an extremely compressed space.” When six years later Ryan died, her work in this medium numbered over 400 pieces.
Richard Humann is a New York City-based American neo-conceptual artist. His art delves deep into concept and ideas, and he uses a multitude of materials to create his installations, sculptures, videos, and sound projects. Richard Humann's influences are as broad ranging as from Donald Judd, and Nam June Paik, to Jonathan Borofsky. His artwork bears conceptual similarities and to that of Joseph Kosuth, Sol LeWitt, Lawrence Weiner, Edward Ruscha, and Robert Morris.
Robert Carleton Hobbs is an art historian and curator specializing in twentieth-century art. Since 1991 he has held the Rhoda Thalhimer Endowed Chair of American Art in the School of Arts, Virginia Commonwealth University, a highly ranked art department. Since 2004 he has served as a visiting professor at Yale University. He has held positions at Cornell University, University of Iowa, Florida State University, and Tehran Museum of Contemporary Art in Iran, and is known for a number of books, in-depth essays, and exhibitions.
Edward Dugmore was an abstract expressionist painter with close ties to both the San Francisco and New York art worlds in the post-war era following World War II. Since 1950 he had more than two dozen solo exhibitions of his paintings in galleries across the United States. His paintings have been seen in hundreds of group exhibitions over the years.
Dannielle Tegeder is a contemporary artist who works with installation, animation and sound and is best known for her abstract paintings and drawings. She lives in Brooklyn, New York and maintains a studio at The Elizabeth Foundation in Times Square, Manhattan.
George Earl Ortman was an American painter, printmaker, constructionist and sculptor. His work has been referred to as Neo-Dada, pop art, minimalism and hard-edge painting. His constructions, built with a variety of materials and objects, deal with the exploration off visual language derived from geometry—geometry as symbol and sign.
Oliver Arms is an American painter based in Los Angeles, California.
Thornton Willis is an American abstract painter. He has contributed to the New York School of painting since the late 1960s. Viewed as a member of the Third Generation of American Abstract Expressionists, his work is associated with Abstract Expressionism, Lyrical Abstraction, Process Art, Postminimalism, Bio-morphic Cubism and Color Field painting.
Ray Ciarrocchi is a New York-based figurative painter. Ciarrocchi has presented numerous solo exhibitions in New York, additional US cities and Italy as well as dozens of group exhibitions in varied locations and venues. His paintings, watercolors, drawings and monotypes are in many museum and private collections both nationally and abroad.
Leslie Wayne is a visual artist who lives and works in New York. Wayne is best known for her "highly dimensional paintings".
Roberta Allen is a conceptual artist and fiction writer. Her interest in language is the bridge that connects these separate pursuits. As a conceptual artist who combines images and text, she explores how language changes or informs our perception of images. Her works included drawings, artist books, photo/text works, installations, digital prints, and sculpture. Her works in the early 1970s were inspired by Kierkegaard’s belief that our deepest experiences occur in the form of contradictions and wherever there is contradiction humor is present. Through the 1970s, she exhibited alongside Sol LeWitt, Robert Ryman and Carl Andre, among others, at John Weber Gallery in New York. In her writing, which includes, among other books, three micro and short story collections, a novel, a novella and a travel memoir, Allen questions the way we perceive the world and the self. Truths are relative and may change in a flash. The way our minds work and specifically the act of relating is her main subject. She presents disturbing views of the human scene which are often relieved by humor.
Jake Berthot (1939–2014) was an American artist whose abstract paintings contained elements of both the minimalist and expressionist styles. During the first 36 years of his career his paintings were entirely non-figurative. His style changed in 1995 when he moved his studio from New York City to a rural community in upstate New York. While continuing to be abstract his paintings thereafter contained figurative elements and were seen to have greater emotional content. Throughout his career his work frequently appeared in solo and group exhibitions in both commercial and public galleries. It has been collected by the Museum of Modern Art, Metropolitan Museum of Art, Guggenheim Museum, National Gallery of Art, and other major American art museums. He received a Guggenheim Fellowship in 1981 and a National Endowment for the Arts grant in 1983.
Rachel Owens is an American artist. She is best known for her multi-media sculptures and installations, which often incorporate a social component. Many of her works are made from crushed glass. She lives and works in New York, NY, and is an assistant professor of art and design at Purchase College, SUNY.
| General | |
|---|---|
| National libraries | |
| Art research institutes | |
| Other | |
