Gregor Aichinger was a German composer.
Johann Georg Albrechtsberger was an Austrian composer, organist, and music theorist, and one of the teachers of Ludwig van Beethoven. He was a friend of Haydn and Mozart.
A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant Church service. The typical four-part setting of a chorale, in which the sopranos sing the melody along with three lower voices, is known as a chorale harmonization.
A rhapsody in music is a one-movement work that is episodic yet integrated, free-flowing in structure, featuring a range of highly contrasted moods, colour, and tonality. An air of spontaneous inspiration and a sense of improvisation make it freer in form than a set of variations.
Empfindsamkeit or Empfindsamer Stil is a style of musical composition and poetry developed in 18th-century Germany, intended to express "true and natural" feelings, and featuring sudden contrasts of mood. It was developed as a contrast to the Baroque Affektenlehre, in which a composition would have the same affect throughout.
A ricercar or ricercare is a type of late Renaissance and mostly early Baroque instrumental composition. The term ricercar derives from the Italian verb ricercare which means 'to search out; to seek'; many ricercars serve a preludial function to "search out" the key or mode of a following piece. A ricercar may explore the permutations of a given motif, and in that regard may follow the piece used as illustration. The term is also used to designate an etude or study that explores a technical device in playing an instrument, or singing.
Coloratura is an elaborate melody with runs, trills, wide leaps, or similar virtuoso-like material, or a passage of such music. Operatic roles in which such music plays a prominent part, and singers of these roles, are also called coloratura. Its instrumental equivalent is ornamentation.
Alla breve[alla ˈbrɛːve] – also known as cut time or cut common time – is a musical meter notated by the time signature symbol , which is the equivalent of 2
2. The term is Italian for "on the breve", originally meaning that the beat was counted on the breve.
A descant, discant, or discantus is any of several different things in music, depending on the period in question; etymologically, the word means a voice (cantus) above or removed from others. The Harvard Dictionary of Music states:
Anglicized form of L. discantus and a variant of discant. Throughout the Middle Ages the term was used indiscriminately with other terms, such as descant. In the 17th century it took on special connotations in instrumental practice.
In music, homorhythm is a texture having a "similarity of rhythm in all parts" or "very similar rhythm" as would be used in simple hymn or chorale settings. Homorhythm is a condition of homophony. All voices sing the same rhythm. This texture results in a homophonic texture, which is a blocked chordal texture. Homorhythmic texture delivers lyrics with clarity and emphasis. Texture in which parts have different rhythms is heterorythmic or heterometric.
In musical notation, tenuto, denoted as a horizontal bar adjacent to a note, is a direction for the performer to hold or sustain a note for its full length.
Fioritura is the florid embellishment of melodic lines, either notated by a composer or improvised during a performance. It usually involves lengthy, complex embellishments, as opposed to standardized local ornamental figures such as trills, mordents, or appoggiaturas, and its use is documented as early as the thirteenth century. The alternative term coloratura is less accurate. It is closely related to the sixteenth-century practice of diminution or division.
Emmanuel Adriaenssen was a Flemish lutenist, composer and master of music. He authored the influential Pratum Musicum, which contains scores for lute solos, and more importantly settings of madrigals for multiple lutes and different ensembles involving lutes and voices. He also had an important influence on the next generation of lutenists through his activity as a teacher of music in his own music school.
Antonio Maria Abbatini was an Italian composer, active mainly in Rome.
Claus Adam was an American cellist and cello teacher as well as a composer. His music teachers include Emanuel Feuermann for cello, Stefan Wolpe for composition, and Léon Barzin for conducting. He served as the second cellist of the Juilliard String Quartet from 1955 to 1974, preceded by Arthur Winograd and succeeded by Joel Krosnick, a former student of his. Composer and pianist Awilda Villarini was also one of his students.
Jenő Ádám was a Hungarian music educator, composer, and conductor.
Giuseppe Matteo Alberti was an Italian Baroque composer and violinist.
Marguerite-Louise Couperin was a French soprano singer and harpsichordist, who came from the musically talented Couperin family dynasty. The Frenchman Évrard Titon du Tillet, in his 1732 book Le Parnasse françois, describes her as "one of the most celebrated musicians of our time, who sang with admirable taste and who played the harpsichord perfectly."
This is a list of notable events in music that took place in the 1410s.
Luis Abraham Delgadillo was a Nicaraguan composer. He was director-general of musical culture for Nicaragua and later led the National School of Music in Managua and the National Symphony Orchestra.
