Hassan Hajjaj | |
|---|---|
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| Born | 1962 Morocco |
| Nationality | Moroccan spouses. Vanessa L Brown m.1987 Children. Zaynah Brown-Hajjaj Tariq Brown-Hajjaj |
| Occupation | Contemporary artist - photographer |
Hassan Hajjaj (born 1961) is a Moroccan contemporary artist who lives and works between London, UK and Marrakech, Morocco.
Hajjaj's first feature-length film, Karima: A Day in the Life of a Henna Girl, premiered at the Los Angeles County Museum of Art in May 2015. The film takes viewers into the world of one Hajjaj's most iconic series, Kesh Angels, depicting the henna girls of Marrakesh.[ further explanation needed ][ citation needed ]
Hassan Hajjaj: My Rock Stars was exhibited at the Memphis Brooks Museum of Art in 2016. [2] The film was shown at Art Basel in Basel, Switzerland in June 2015, curated by Cairo-based film curator and lecturer Maxa Zoller. [3]
The exhibition Hassan Hajjaj: La Caravane opened in London's Somerset House on 5 October 2017, his first solo show in the city in seven years. [4]
Hajjaj paid tribute to fellow Moroccan celebrities in “My Maroc Stars”. [5] The work featured artists, singers and designers such as Hindi Zahra, Dizzy DROS, Yassine Morabite, and many others.[ citation needed ]
One of Hajjaj’s most famous works include Kesh Angels (2010), a photograph of five veiled women from Marrakech, Morocco, as they sit on motorbikes stationed in front of the Theatre Royal. [6] In Hajjaj's photograph, the women are adorned with colorful, heart-shaped sunglasses and striped socks, as the edited graphic pattern of repeating upside-down red food cans lines the border. [6]
Hajjaj was commissioned by Vogue to shoot a series of photographs of pop singer Billie Eilish for the cover of their March 2020 magazine. [7] In Hajjaj’s cover, the singer sports a Gucci jacket and necklace, as she poses against a colorful patterned backdrop, for which the self-taught photographer is known. [7] The magazine issue also included other photos shot by Hajjaj, including one where Eilish wore a blazer made from the flag of Casablanca football club, Wydad AC. [8] Eilish was dressed in Hajjaj’s clothing label Andy Wahloo, and is shown posing in front of a decorative straw rug that is commonly found in North Africa. [9]
Aside from mixing elements of both Moroccan and pop culture references together in his art, Hajjaj is also known for subverting the Western viewer’s expectations as he deconstructs the “tourist gaze that fetishizes veiled women” and instead situates them in a purposefully jumbled, animated light. [10] By refashioning the Westernized view of Orientalism, Hajjaj states that he wanted to illustrate the multidimensional facets of Moroccan society in his photograph. [11]
Similarly, Femmes du Maroc , a popular magazine for women in Morocco, held the first fashion event to showcase Moroccan wear in 1996. [12] Journalist Aïcha Zaïmi Sakhri has commented on the now-popularized event, Caftan, by stating that its purpose was to show women that the caftan is not just a part of cultural wear, but a garment that could be worn in a fun, fashionable and modern sense. [12] Much like the magazine’s attempts to modernize Moroccan women fashion, Hajjaj’s colorful photograph of the veiled, playful women atop their motorbikes contrasts the audience’s perceptions of Moroccan women to show the “tension between assumption… and reality”. [13]
Hajjaj's style is easily recognizable and combines “elements of high fashion with trashy pop culture”. [14] He is known to mix luxury brands with obvious fakes and usually frames his photography with repeated motifs consisting of tin cans. [14] Hajjaj's stylings combine camouflage, polka-dot, or animal prints with traditional fabrics from the souk. [15] His photos "bring a sense of play that melds Moroccan heritage with a patchwork hip-hop swagger". [15]
Hajjaj was the winner of the 2011 Sovereign Middle East and African Art Prize [16] and was shortlisted for Victoria & Albert Museum's Jameel Prize in 2009. [17] In 2013, Rose Issa Projects published the monograph By Hassan Hajjaj, Photography, fashion, film, design edited by Katia Hadidian, London (2014) exploring his upbringing in Morocco and London, his experiences in fashion and interior design, and his adventures in the music industry influence the vibrant colours, joyful spirit, and visual rhythm of his highly sought-after images. [18]
In 2019 Hassan Hajjaj was published by the Maison Europeenne de la Photographie, Paris.[ citation needed ]
Hajjaj's work is in the collections of the Brooklyn Museum, New York City; the British Museum, London; the Nasher Museum of Art, Duke University, Durham, NC; the Newark Museum, New Jersey; Los Angeles County Museum of Art, Los Angeles; Los Angeles Museum of Contemporary Art, Los Angeles; the Victoria & Albert Museum, London; the Farjam Collection, Dubai; Institut du Monde Arabe, Paris; the Kamel Lazaar Foundation, Tunisia; and Virginia Museum of Fine Art, Richmond, VA. [19]
Casablanca, also known by its Arabic name Dar el-Beida, is the largest city in Morocco and the country's economic and business center. Located on the Atlantic coast of the Chaouia plain in the central-western part of Morocco, the city has a population of about 3.71 million in the urban area, and over 4.27 million in the Greater Casablanca, making it the most populous city in the Maghreb region, and the eighth-largest in the Arab world.
Hassan II was King of Morocco from 1961 until his death in 1999.
A kaftan or caftan is a variant of the robe or tunic. Originating in Asia, it has been worn by a number of cultures around the world for thousands of years. In Russian usage, kaftan instead refers to a style of men's long suit with tight sleeves.
The culture of Morocco is a blend of Arab, Amazighs, Andalusian cultures, with African, Hebraic and Mediterranean influences. It represents and is shaped by a convergence of influences throughout history. This sphere may include, among others, the fields of personal or collective behaviors, language, customs, knowledge, beliefs, arts, legislation, gastronomy, music, poetry, architecture, etc. While Morocco started to be stably predominantly Sunni Muslim starting from 9th–10th century AD, in the Almoravids empire period, a very significant Andalusian culture was imported and contributed to the shaping of Moroccan culture. Another major influx of Andalusian culture was brought by Andalusians with them following their expulsion from Al-andalus to North Africa after the Reconquista. In antiquity, starting from the second century A.D and up to the seventh, a rural Donatist Christianity was present, along an urban still-in-the-making Roman Catholicism. All of the cultural super strata tend to rely on a multi-millennial aboriginal Berber substratum still strongly present and dating back to prehistoric times.
The Museum of Marrakech is a historic palace and museum located in the old center of Marrakesh, Morocco. In addition to its notable architecture, the museum's collection showcases various historic art objects and contemporary art from Morocco.
Moulay Hassan bin Mohammed is the Crown Prince of Morocco. He is the elder child of King Mohammed VI of Morocco and Princess Lalla Salma. He has a younger sister, Princess Lalla Khadija. He is named after his grandfather Hassan II. Upon his accession, he is expected to bear the regnal name Hassan III. In 2013, he began participating with his father at public official engagements.
Princess Lalla Latifa, née Fatima Amahzoune, is the widow of King Hassan II of Morocco, and the mother of King Mohammed VI, Princesses Meryem, Asma, Hasna, and Prince Moulay Rachid.
Albert Watson OBE is a Scottish fashion, celebrity and art photographer. He has shot over 100 covers of Vogue and 40 covers of Rolling Stone magazine since the mid-1970s, and has created major advertising campaigns for clients such as Prada, Chanel and Levis. Watson has also taken some well-known photographs, from the portrait of Steve Jobs that appeared on the cover of his biography, a photo of Alfred Hitchcock holding a plucked goose, and a portrait of a nude Kate Moss taken on her 19th birthday.
The following is a timeline of the history of the city of Marrakesh, Morocco.
Lalla Assia Essaydi is a Moroccan photographer known for her staged photographs of Arab women in contemporary art. She currently works in Boston, Massachusetts, and Morocco. Her current residence is in New York.
Hassan El Glaoui (1923–2018) was a Moroccan figurative painter best known for his depictions of fantasia horsemen.
Dar Batḥa, or Qasr al-Batḥa, is a former royal palace in the city of Fez, Morocco. The palace was commissioned by the Alaouite Sultan Hassan I in the late 19th century and finished under his successor Abdelaziz. It was converted into a museum of historical arts and crafts in 1915 with a collection that now comprises over 6,500 objects. The palace is located near Bab Bou Jeloud at the western edge of Fes el-Bali, the old medina quarter of the city, and close to Fes el-Jdid, the new medina quarter. It is adjacent to the Dar el-Beida palace located to its southeast, which was originally part of the same complex.
Miss Moto Maroc is the first all-female motorcycle club in Morocco, the Arab world and in Africa. The club was founded in Casablanca by Dalia Mosbah in 2011. Mosbah claims that the other motorcycle clubs in Morocco were exclusively for men and decided that she wanted to create a club for women bikers. Mosbah says she started the club to break down "the Western image of Muslim women as restricted and oppressed, showing that Moroccan women were as free as their Western counterparts". She wanted to demonstrate Moroccan women's determination and push against the gender taboos. The club hosts an international biker rally called March Moto Madness held in Marrakesh during the same month as International Women's Day. Marrakesh was chosen because of its unique history of women on mopeds and motorcycles since the 1960s and is the subject of Hassan Hajjaj's pop art depiction of women on bikes.
The Yves Saint Laurent Museum in Marrakech is a museum dedicated to the fashion designer Yves Saint Laurent located in Marrakesh, Morocco.
Amina Benbouchta, a Moroccan artist educated in Canada and Paris, is recognized internationally for her contemporary artworks that concentrate on social issues regarding gender politics. Early in her career she headed the fashion and culture magazine Les Aligés. She was also part of the Collectif 212 group of artists and curators who dedicated themselves to supporting emerging contemporary art in Morocco.
Youssef Ksiyer is a comedian, content creator, and multimedia host from Casablanca, Morocco. He is passionate about writing, interpretation, and comedy, creating content in Arabic, French, and English. When performing, he highlights current news as well as environmental problems.
Radia Bent Lhoucine (1912–1994) was a self-taught Moroccan artist who began painting in her later years, and whose work has been exhibited and sold at galleries in Africa and Europe.
Jean Besancenot,, born as Jean Girard, was a French painter, documentary photographer, and self-trained ethnographer, active mainly during the 1930s and 1940s in the French protectorate in Morocco.
Avenue Mohammed V, sometimes referred to by its old name Avenue Dar al-Makhzen, is a major thoroughfare in downtown Rabat, Morocco. Its main section was created under the French Protectorate in Morocco and mostly developed between 1915 and 1932, when it was also known as Cours Lyautey. At the southern end of that section is the As-Sunna Mosque, whose history dates back to the 18th century like that of the nearby royal palace or Dar el-Makhzen.
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