Hate Crime | |
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Directed by | James Cullen Bressack |
Written by |
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Produced by |
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Starring |
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Cinematography | James Cullen Bressack |
Edited by | James Cullen Bressack |
Production company | Psykik Junky Pictures |
Distributed by | Unearthed Films |
Release date |
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Running time | 71 minutes [1] |
Country | United States |
Language | English |
Hate Crime is a 2013 American found footage horror film directed by James Cullen Bressack, co-written by Bressack and Jarret Cohen.
A group of crystal meth-crazed neo-Nazis invade a Jewish family's home and subject them to beating, rape, torture, incest and murder.
In March 2015 the British Board of Film Classification (BBFC) refused to issue a certificate to the film for a video-on-demand release, stating:
It is the Board's carefully considered conclusion that the unremitting manner in which [the film] focuses on physical and sexual abuse, aggravated by racist invective, means that to issue a classification to this work, even if confined to adults, would be inconsistent with the Board's Guidelines, would risk potential harm, and would be unacceptable to broad public opinion. [1]
James Cullen Bressack commented that he was "honoured to know that [his] mind is officially too twisted for the UK." [2] Though some [3] reacted positively to the ban, which was the BBFC's first (and as of 2018 only) complete refusal of certification since 2011's The Bunny Game , Bressack stated:
As a Jewish man, and a victim of anti-Semitic hate, I made a horror film that depicts the very thing that haunts my dreams. As an artist I wanted to tell a story to remind us that we live in a dangerous world; a world where racial violence is on the rise. It saddens me to learn that censorship is still alive and well. [4]
Video nasty is a colloquial term popularised by the National Viewers' and Listeners' Association (NVALA) in the United Kingdom to refer to a number of films, typically low-budget horror or exploitation films, distributed on video cassette that were criticised for their violent content by the press, social commentators, and various religious organisations in the early 1980s. These video releases were not brought before the British Board of Film Classification (BBFC) due to a loophole in film classification laws that allowed videos to bypass the review process. The resulting uncensored video releases led to public debate concerning the availability of these films to children due to the unregulated nature of the market.
This article chronicles the history of British film certificates.
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The 18 certificate is issued by the British Board of Film Classification (BBFC), to state that in its opinion, a film, video recording, or game is suitable only for persons aged 18 years and over. It recommends that no one below that age should be admitted to view a film with an 18 certificate in a cinema, and that 18-rated video recordings should not be sold or rented to anyone below that age.
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The British Board of Film Classification (BBFC), previously the British Board of Film Censors, is a non-governmental organisation founded by the British film industry in 1912 and responsible for the national classification and censorship of films exhibited at cinemas and video works released on physical media within the United Kingdom. It has a statutory requirement to classify all video works released on VHS, DVD, Blu-ray, and, to a lesser extent, some video games under the Video Recordings Act 1984. The BBFC was also the designated regulator for the UK age-verification scheme, which was abandoned before being implemented.
The Human Centipede 2 (Full Sequence) is a 2011 psychological body horror film written, directed, and co-produced by Tom Six. An international co-production of the Netherlands and the United States, and the sequel to Six's 2009 film The Human Centipede (First Sequence), the film stars Laurence R. Harvey as a psychiatrically and intellectually impaired English man who watches and becomes obsessed with the first Human Centipede film, and decides to make his own "centipede" consisting of 12 people, including Ashlynn Yennie, an actress from the first film.
Film censorship in the United Kingdom began with early cinema exhibition becoming subject to the Disorderly Houses Act 1751. The Cinematograph Act 1909 was primarily concerned with introducing annual licensing of premises where films were shown, particularly because of the fire risk of nitrate film. After the Act began to be used by local authorities to control what was shown, the film industry responded by establishing a British Board of Film Censors (BBFC) in 1912, funded by an Incorporated Association of Kinematograph Manufacturers levy.
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James Cullen Bressack is an American film producer, screenwriter and film director. He is the son of Emmy Award-winning writer Gordon Bressack and voice actress Ellen Gerstell.
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