A jug band is a band employing a jug player and a mix of conventional and homemade instruments. These homemade instruments are ordinary objects adapted to or modified for making sound, like the washtub bass, washboard, spoons, bones, stovepipe, jew's harp, and comb and tissue paper. The term jug band is loosely used in referring to ensembles that also incorporate homemade instruments but that are more accurately called skiffle bands, spasm bands, or juke bands because they do not include a jug player.
The Memphis blues is a style of blues music created from the 1910s to the 1930s by musicians in the Memphis area, such as Frank Stokes, Sleepy John Estes, Furry Lewis and Memphis Minnie. The style was popular in vaudeville and medicine shows and was associated with Beale Street, the main entertainment area in Memphis.
Gustavus "Gus" Cannon was an American blues musician who helped to popularize jug bands in the 1920s and 1930s. There is uncertainty about his birth year; his tombstone gives the date as 1874.
The story of Tennessee's contribution to American music is essentially the story of three cities: Nashville, Memphis, and Bristol. While Nashville is most famous for its status as the long-time capital of country music, Bristol is recognized as the "Birthplace of Country Music". Memphis musicians have had an enormous influence on blues, early rock and roll, R&B, and soul music, as well as an increasing presence in rap.
Holly Golightly is a British singer-songwriter. Her mother christened her after the main character of Truman Capote's Breakfast at Tiffany's. Her musical style ranges from garage rock to R&B.
Walter Horton (April 6, 1921 – December 8, 1981), known as Big Walter (Horton) or Walter 'Shakey' Horton, was an American blues harmonica player. A quiet, unassuming, shy man, he is remembered as one of the premier harmonica players in the history of blues. Willie Dixon once called Horton 'the best harmonica player I ever heard'.
The Memphis Jug Band was an American musical group active from the mid-1920s to the late-1950s. The band featured harmonica, kazoo, fiddle and mandolin or banjolin, backed by guitar, piano, washboard, washtub bass and jug. They played slow blues, pop songs, humorous songs and upbeat dance numbers with jazz and string band flavors. The band made the first commercial recordings in Memphis, Tennessee, and recorded more sides than any other prewar jug band.
Victoria Regina Spivey, sometimes known as Queen Victoria, was an American blues singer, songwriter, and record company founder. During a recording career that spanned 40 years, from 1926 to the mid-1960s, she worked with Louis Armstrong, King Oliver, Clarence Williams, Luis Russell, Lonnie Johnson, and Bob Dylan. She also performed in vaudeville and clubs, sometimes with her sister Addie "Sweet Peas" Spivey, also known as the Za Zu Girl. Among her compositions are "Black Snake Blues" (1926), "Dope Head Blues" (1927), and "Organ Grinder Blues" (1928). In 1961, she co-founded Spivey Records with one of her husbands, Len Kunstadt.
Noah Lewis was an American jug band and country blues musician, generally known for playing the harmonica.
J. B. Lenoir was an American blues guitarist and singer-songwriter, active in the Chicago blues scene in the 1950s and 1960s.
Hudson Whittaker, known as Tampa Red, was an American Chicago blues musician.
William Shade Jr., known as Will Shade, was a Memphis blues musician, best known for his leadership of the Memphis Jug Band. He was commonly called Son Brimmer, a nickname from his grandmother Annie Brimmer. The name apparently stuck when other members of the band noticed that the sun bothered him and he used the brim of a hat to shade his eyes.
"Stealin" is an American blues song from the 1920s. It originated with jug bands, but gained wider popularity after several 1960s contemporary folk musicians recorded it. Although various artists have recorded different verses, the chorus has remained consistent:
"Bottle Up and Go" or "Bottle It Up and Go" is a song that is a standard of the blues. Based on earlier songs, Delta bluesman Tommy McClennan recorded "Bottle It Up and Go" in 1939. The song has been interpreted and recorded by numerous artists, sometimes using alternate titles, such as "Step It Up and Go", "Shake It Up and Go", etc.
Memphis Willie B. was an American Memphis blues guitarist, harmonica player, singer and songwriter.
American Epic: The Best of the Memphis Jug Band is a compilation album released to accompany the award-winning American Epic documentary film series. It collects performances from the Memphis Jug Band's career-spanning recording sessions for Victor Records and OKeh Records between 1927 and 1934. The album was released as a 15-track download and a vinyl LP.
Pearl Dickson was an American Memphis and country blues singer and songwriter. She recorded four songs, "High Yellow Blues", "Twelve Pound Daddy", "Little Rock Blues", and "Guitar Rag". Of these, only "Twelve Pound Daddy" and "Little Rock Blues" were issued. Little is known of Dickson's life outside of her short recording career.
Warren George Harding Lee, known professionally as Lee Jackson, was an American Chicago blues guitarist, bass guitarist, singer and songwriter. Although he did release a number of recordings in his own name, such as Lonely Girl (1974), he is most known for his work on recordings with other blues musicians such as Johnny Shines, Willie Dixon, Jimmy Reed, J. B. Hutto, Sunnyland Slim, Lacy Gibson, and Little Walter. AllMusic noted that "the playing style of Jackson is vastly influential".
