Hattie McIntosh (1860 - 1919) was a vaudeville performer who toured with successful shows and her husband, fellow performer Tom McIntosh (comedian).
She was from Detroit, Michigan. [1]
Together they performed a show titled Mr. and Mrs. McIntosh in the King of Bavaria as well as in their show A Hot Old Time in Dixie. [2] They also joined Sam T. Jack's The Creole Show. She starred in In Dahomey , Bandanna Land , and Mr. Lode of Koal ,
International performances included Shaftesbury in 1903. [3]
Her husband died of a stroke in 1904. She later married Billy King in 1912 [4] and performed with the Billy King Stock Company. [2] She performed in My Old Kentucky Home in July 1915 with King's company. [1]
The New York Public Library has an image published from In Dahomey that includes McIntosh and her fellow lead actors performing a dance in Boston. [5] That fall she was the lead in In Society. [1]
Ethel Waters was an American singer and actress. Waters frequently performed jazz, swing, and pop music on the Broadway stage and in concerts. She began her career in the 1920s singing blues. Her notable recordings include "Dinah", "Stormy Weather", "Taking a Chance on Love", "Heat Wave", "Supper Time", "Am I Blue?", "Cabin in the Sky", "I'm Coming Virginia", and her version of "His Eye Is on the Sparrow". Waters was the second African American to be nominated for an Academy Award, the first African American to star on her own television show, and the first African-American woman to be nominated for a Primetime Emmy Award.
Abriea "Abbie" Mitchell Cook, also billed as Abbey Mitchell, was an American soprano opera singer. She performed the role of Clara in the premiere production of George Gershwin's Porgy and Bess in 1935, and was also the first to record "Summertime" from that musical.
William Mercer Cook, better known as Will Marion Cook, was an American composer, violinist, and choral director. Cook was a student of Antonín Dvořák. In 1919 he took his New York Syncopated Orchestra to England for a command performance for King George V of the United Kingdom, and tour. Cook is probably best known for his popular songs and landmark Broadway musicals, featuring African-American creators, producers, and casts, such as Clorindy, or The Origin of the Cake Walk (1898) and In Dahomey (1903). The latter toured for four years, including in the United Kingdom and United States.
In Dahomey: A Negro Musical Comedy is a landmark 1903 American musical comedy described by theatre historian Gerald Bordman as "the first full-length musical written and played by blacks to be performed at a major Broadway house." It features music by Will Marion Cook, book by Jesse A. Shipp, and lyrics by poet Paul Laurence Dunbar. It was written by Jesse A. Shipp as a satire on the American Colonization Society's back-to-Africa movement of the earlier nineteenth century.
Victoria Regina Spivey, sometimes known as Queen Victoria, was an American blues singer and songwriter. During a recording career that spanned 40 years, from 1926 to the mid-1960s, she worked with Louis Armstrong, King Oliver, Clarence Williams, Luis Russell, Lonnie Johnson, and Bob Dylan. She also performed in vaudeville and clubs, sometimes with her sister Addie "Sweet Peas" Spivey, also known as the Za Zu Girl. Among her compositions are "Black Snake Blues" (1926), "Dope Head Blues" (1927), and "Organ Grinder Blues" (1928).
Flournoy Eakin Miller, sometimes credited as F. E. Miller, was an American entertainer, actor, lyricist, producer and playwright. Between about 1905 and 1932 he formed a popular comic duo, Miller and Lyles, with Aubrey Lyles. Described as "an innovator who advanced black comedy and entertainment significantly," and as "one of the seminal figures in the development of African American musical theater on Broadway", he wrote many successful vaudeville and Broadway shows, including the influential Shuffle Along (1921), as well as working on several all-black movies between the 1930s and 1950s.
George Walker was an American vaudevillian, actor, and producer. In 1893, in San Francisco, Walker at the age of 20 met Bert Williams, who was a year younger. The two young men became performing partners. Walker and Williams appeared in The Gold Bug (1895), Clorindy (1898), The Policy Player (1899), Sons of Ham (1900), In Dahomey (1903), Abyssinia (1906), and Bandanna Land (1907). Walker married dancer Ada Overton, who later also was a choreographer.
Aida Overton Walker, also billed as Ada Overton Walker and as "The Queen of the Cakewalk", was an American vaudeville performer, actress, singer, dancer, choreographer, and wife of vaudevillian George Walker. She appeared with her husband and his performing partner Bert Williams, and in groups such as Black Patti's Troubadours. She was also a solo dancer and choreographer for vaudeville shows such as Bob Cole, Joe Jordan, and J. Rosamond Johnson's The Red Moon (1908) and S. H. Dudley's His Honor the Barber (1911). Aida Overton Walker is also well known for her 1912 performance of the "Salome" dance at Hammerstein's Victoria Theatre. This was Aida's response to the national "Salomania" craze of 1907 that spread through the white vaudeville circuit.
Isabelle Urquhart was an American contralto and actress, noted for her performances in comic opera and musical comedy. She was "one of the reigning queens of comic opera".
Salem Tutt Whitney and J. Homer Tutt, known collectively as the Tutt Brothers, were American vaudeville producers, writers, and performers of the late 19th and early 20th century. They were also known as Whitney & Tutt, Tutt & Whitney and the Whitney Brothers. They were prominent in black vaudeville and created over forty revues for black audiences.
Anita Bush was an African American stage actress and playwright. She founded the Anita Bush All-Colored Dramatic Stock Company in 1915, a pioneering black repertory theatre company that helped gain her the moniker "The Little Mother of Colored Drama".
Tom McIntosh (1840–1904) was an African-American comedian who starred in many colored minstrel shows in the US from the 1870s to the 1900s. He was considered one of the funniest performers in this genre.
William King was an African-American vaudeville comedian who led the ‘’’Billy King Stock Company’’’ who was described as "a living link between the Harlem Renaissance and nineteenth-century black minstrelsy." He married fellow performer Hattie McIntosh.
Gonzell White, also written Gonzelle White, was an American jazz, blues, and vaudeville performer in the United States.
Gilbert Saroni, also written Gilbert Sarony, was a cross-dressing performer in vaudeville as well as early Edison Manufacturing, American Mutoscope, and Siegmund Lubin films. In his obituary in Variety he was described as one of the first impersonators of the "old maid" type and was said to be "considered one of the funniest men in the show business."
Blondie Robinson, also sometimes written as Blondi Robinson, was an African American renowned vaudeville comedic act performer.
The McCarver Brothers, Howard McCarver and William McCarver, performed in minstrel and vaudeville shows from the late 19th century into the 20th. William McCarver was lauded for his make-up, contortion, singing, and dancing in his comedy duo performances.
George Shelton was an actor who did vaudeville shows, appeared in American comedy films, and was on the radio show It Pays to be Ignorant. He appeared in about 40 films between 1933 and 1947.
Henrietta L. Loveless, sometimes spelled Henrietta Lovelass or Henrietta Lovelace, was an American actress and singer. After graduating with a degree in music from Fisk University, Loveless acted in several films and numerous theatre shows during the 1920s and early 1930s. The latter half of the 1930s saw her move to exclusively vocal performances, including as a part of a harmony group at the 1939 New York World's Fair and in her own musical radio broadcast.
James Daniel Parnell was an American film and television actor.