Honolulu is the capital and most populous city of the U.S. state of Hawaii, which is in the Pacific Ocean. An unincorporated city, it is the county seat of the consolidated City and County of Honolulu, situated along the southeast coast of the island of Oʻahu, and is the westernmost and southernmost major U.S. city. Honolulu is Hawaii's main gateway to the world. It is also a major hub for business, finance, hospitality, and military defense in both the state and Oceania. The city is characterized by a mix of various Asian, Western, and Pacific cultures, reflected in its diverse demography, cuisine, and traditions.
Kenzō Tange was a Japanese architect, and winner of the 1987 Pritzker Prize for Architecture. He was one of the most significant architects of the 20th century, combining traditional Japanese styles with modernism, and designed major buildings on five continents. His career spanned the entire second half of the twentieth century, producing numerous distinctive buildings in Tokyo, other Japanese cities and cities around the world, as well as ambitious physical plans for Tokyo and its environments.
Brutalist architecture is an architectural style that emerged during the 1950s in the United Kingdom, among the reconstruction projects of the post-war era. Brutalist buildings are characterised by minimalist constructions that showcase the bare building materials and structural elements over decorative design. The style commonly makes use of exposed, unpainted concrete or brick, angular geometric shapes and a predominantly monochrome colour palette; other materials, such as steel, timber, and glass, are also featured.
Hawaiian architecture is a distinctive architectural style developed and employed primarily in the Hawaiian Islands. Though based on imported Western styles, unique Hawaiian traits make Hawaiian architecture stand alone against other styles. Hawaiian architecture reflects the history of the islands from antiquity through the kingdom era, from its territorial years to statehood and beyond.
Metabolism was a post-war Japanese biomimetic architectural movement that fused ideas about architectural megastructures with those of organic biological growth. It had its first international exposure during CIAM's 1959 meeting and its ideas were tentatively tested by students from Kenzo Tange's MIT studio.
Yoshio Taniguchi is a Japanese architect best known for his redesign of the Museum of Modern Art in New York City, which was reopened November 20, 2004. Critics have emphasized Taniguchi's fusion of traditional Japanese and Modernist aesthetics. Martin Filler, writing in The New York Times, praised "the luminous physicality and calm aura of Taniguchi's buildings," noting that the architect "sets his work apart by exploiting the traditional Japanese strategies of clarity, understatement, opposition, asymmetry and proportion." "In an era of glamorously expressionist architecture," wrote Time critic Richard Lacayo, MoMA "has opted for a work of what you might call old-fashioned Modernism, clean-lined and rectilinear, a subtly updated version of the glass-and-steel box that the museum first championed in the 1930s, years before that style was adopted for corporate headquarters everywhere."
Kobe Masjid, also known as Kobe Muslim Masjid, was founded in October 1935 in Kobe and is Japan's first masjid. It is situated in the Hyōgo Prefecture city of Kobe. Established in October 1935, it holds historical significance as a symbol of the early presence of Islam in Japan .Its construction was funded by donations collected by the Islamic Committee of Kobe from 1928 until its opening in 1935. The mosque was confiscated by the Imperial Japanese Navy in 1943. However, it continues to function as a mosque today. It is located in the Kitano-cho foreign district of Kobe. Despite being confiscated by the Imperial Japanese Navy in 1943, the mosque persisted and remains functional to this day. Remarkably, it endured the devastation caused by air raids in 1945 and withstood the Great Hanshin earthquake of 1995 .The mosque is located in one of Kobe's best-known tourist areas, which features many old western style buildings.
Kunio Maekawa was a Japanese architect and a key figure in Japanese postwar modernism. After early stints in the studios of Le Corbusier and Antonin Raymond, Maekawa began to articulate his own architectural language after establishing his own firm in 1935, maintaining a continuous tension between Japanese traditional design and European modernism throughout his career. Firmly insistent that both civic and vernacular architecture should be rendered through a modernist lens appropriate to the contemporary lifestyle of the Japanese people, Maekawa's early work and competition entries consistently pushed back against the dominant Imperial Crown Style. His postwar prefab housing projects borrowed from manufacturing strategies in the automotive industry to create houses that privileged light, ventilation, and openness against the feudal hierarchical principles perpetuated by the interior divisions found in traditional Japanese homes.
Structuralism is a movement in architecture and urban planning that evolved around the middle of the 20th century. It was a reaction to Rationalism's (CIAM-Functionalism) perceived lifeless expression of urban planning that ignored the identity of the inhabitants and urban forms.
The groups of people who have settled or controlled the territory of modern-day North Macedonia have influenced the country in many ways, one of the most visible being architecture. These groups of people include the Paionians, Illyrians, Ancient Macedonians, Romans, Byzantines, Bulgarians, Serbs, Ottomans, Yugoslavs, and ethnic Macedonians.
Charles William “C.W.” Dickey was an American architect famous for developing a distinctive style of Hawaiian architecture, including the double-pitched Dickey roof. He was known not only for designing some of the most famous buildings in Hawaiʻi—such as the Alexander & Baldwin Building, Halekulani Hotel, Kamehameha Schools campus buildings—but also for influencing a cadre of notable successors, including Hart Wood, Cyril Lemmon, Douglas Freeth, Roy Kelley, and Vladimir Ossipoff.
Italian modern and contemporary architecture refers to architecture in Italy during the 20th and 21st centuries.
The Supreme Court Building is the official and principal site for the Supreme Court of Pakistan, located on the Constitution Avenue in Islamabad, Pakistan. Completed in 1993, it is flanked by the Prime Minister's Office to the south and the Presidential House and the Parliament House to the north.
The architecture of Yugoslavia was characterized by emerging, unique, and often differing national and regional narratives. As a socialist state remaining free from the Iron Curtain, Yugoslavia adopted a hybrid identity that combined the architectural, cultural, and political leanings of both Western liberal democracy and Soviet communism.
The Royal State Palace is a palace in the city of Jeddah, Saudi Arabia. It was designed for King Fahd of Saudi Arabia by the Japanese architect Kenzo Tange. It was completed in 1982. The palace is 14,000 sq meters in size internally and is spread over a 65,000 sq meter site. The palace has two storeys and a basement.
Plan for Skopje 1963 was the urban and architectural plan put forward to rebuild the city of Skopje following the 1963 Skopje earthquake. The plan was organised between 1963 and 1966 by the government of Yugoslavia and the United Nations. The rebuilding of the city attracted large international attention, this led to the involvement of a large number of high-profile architects. The UN invited Kenzo Tange and his team to participate in an international competition for the urban design of the city centre in 1965; as one of several Yugoslav and international architecture teams. Architects that participated in the plan include Greek architect Constantinos Doxiadis and Polish architect Adolf Ciborowski. Dutch architects Van den Broek and Jaap Bakema. Luigi Piccinato (Italy) and Maurice Rotival (USA). Yugoslav participants included Aleksandar Dordevik, Slavko Brezoski, Edvard Ravnikar, Radovan Miščević and Fedor Wenzler.
The Cooper Apartments, also known as Seaside Apartments, is a historic apartment building located at 421–425 Seaside Avenue in Honolulu, Hawaii, U.S.. Constructed in 1939 during the Great Depression, the building is a distinguished example of a pre-war garden court apartment in Waikiki, embodying a transition between Streamline Moderne and the emerging tropical modern style, a fusion between Modern architecture and borrowing from Asian and South American vernacular architecture. This architectural style is characterized by its clean lines and simple aesthetic, reflecting the economic austerity of the time.
Tropical Modernism, or Tropical Modern is a style of architecture that merges modernist architecture principles with tropical vernacular traditions, emerging in the mid-20th century. This movement responded to the unique climatic and cultural conditions of tropical regions, primarily in Asia, Africa, Latin America, and the Pacific Islands. Pioneering architects like Geoffrey Bawa in Sri Lanka, and Charles Correa in India balanced modern architectural techniques with traditional building practices of their respective regions. Tropical Modernism's legacy continues to influence contemporary architectural practices, especially in the quest for sustainable design solutions in tropical climates.
Bjarne Cato Dahl (1897–1989) was an American architect, known for his significant contributions to the architectural landscape of Hawaii from the 1920s to the 1940s. Dahl's architectural career initially took root in California before he established himself in Hawaii, where he became a key figure in shaping the region's unique architectural identity. His work is characterized by a synthesis of modernist principles and local Hawaiian elements, marking a distinct period in the evolution of Hawaiian architecture.
Walter Booser "Chip" Detweiler was an American architect who practiced primarily in Hawai’i. He was awarded a Bachelor of Architecture from Carnegie Mellon University in 1955, and did one year of graduate architectural studies at Yale University. Detweiler’s choices of rugged site and use of strong clean lines, intersecting planes and indigenous materials places his work solidly in the Tropical Modernism or Tropical Brutalist style.
