Rembrandt Peale was an American artist and museum keeper. A prolific portrait painter, he was especially acclaimed for his likenesses of presidents George Washington and Thomas Jefferson. Peale's style was influenced by French neoclassicism after a stay in Paris in his early thirties.
Nicolaes Maes was a Dutch painter known for his genre scenes, portraits, religious compositions and the occasional still life. A pupil of Rembrandt in Amsterdam, he returned to work in his native city of Dordrecht for 20 years. In the latter part of his career he returned to Amsterdam where he became the leading portrait painter of his time. Maes contributed to the development of genre painting in the Netherlands and was the most prominent portrait painter working in Amsterdam in the final three decades of the 17th century.
Carl Heinrich Bloch was a Danish artist.
Supper at Emmaus is an event in the Gospel of Luke.
Rembrandt Harmenszoon van Rijn, usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history. It is estimated Rembrandt produced a total of about three hundred paintings, three hundred etchings and two thousand drawings.
Aert de Gelder was a Dutch painter. He was the only Dutch artist to paint in the tradition of Rembrandt's late style into the 18th century.
Vincent van Gogh made many copies of other people's work between 1887 and early 1890, which can be considered appropriation art. While at Saint-Paul asylum in Saint-Rémy-de-Provence, France, where Van Gogh admitted himself, he strived to have subjects during the cold winter months. Seeking to be reinvigorated artistically, Van Gogh did more than 30 copies of works by some of his favorite artists. About twenty-one of the works were copies after, or inspired by, Jean-François Millet. Rather than replicate, Van Gogh sought to translate the subjects and composition through his perspective, color, and technique. Spiritual meaning and emotional comfort were expressed through symbolism and color. His brother Theo van Gogh would call the pieces in the series some of his best work.
Peter Arrell Browne Widener was an American businessman, art collector, and patriarch of the Widener family of Philadelphia, Pennsylvania.
Christ in the Storm on the Sea of Galilee is a 1633 oil-on-canvas painting by the Dutch Golden Age painter Rembrandt van Rijn. It was previously in the Isabella Stewart Gardner Museum in Boston but was stolen in 1990 and remains missing. The painting depicts the biblical story of Jesus calming the storm on the Sea of Galilee, specifically as it is described in the fourth chapter of the Gospel of Mark. It is Rembrandt's only seascape.
John Graver Johnson was an American corporate lawyer and art collector. The Philadelphia law firm that he founded in 1863 continues under the name Saul Ewing. His collection of nearly 1,300 paintings forms the core of early European works at the Philadelphia Museum of Art.
The dozens of self-portraits by Rembrandt were an important part of his oeuvre. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject or the artist, or the definition of a portrait.
The Raising of Lazarus is an oil-on-panel painting by the Dutch artist Rembrandt from early in his career; it was probably painted between 1630 and 1632. The work depicts the Raising of Lazarus as told in the Gospel of John, Chapter 11. It is in the collection of the Los Angeles County Museum of Art.
The Three Crosses is a 1653 print in etching and drypoint by the Dutch artist Rembrandt van Rijn, which depicts the crucifixion of Jesus Christ. Most of his prints are mainly in etching and this one is a drypoint with burin adjustments from the third state onwards. It is considered "one of the most dynamic prints ever made".
The Head of Christ is a 1648 oil-on-panel painting by the Dutch artist Rembrandt. It is now in the Gemäldegalerie in Berlin.
Slaughtered Ox, also known as Flayed Ox, Side of Beef, or Carcass of Beef, is a 1655 oil on beech panel still life painting by Rembrandt. It has been in the collection of the Louvre in Paris since 1857. A similar painting is in Kelvingrove Art Gallery and Museum, Glasgow, possibly by Rembrandt himself but probably by one of his pupils, perhaps Fabritius. Other similar paintings by Rembrandt or more likely his circle are held by museums in Budapest and Philadelphia.
Head of Christ is a 1650s painting by Rembrandt's workshop. It shows Christ with a beard and long dark hair. It is in the collection of the Metropolitan Museum of Art.
Head of Christ is a 17th-century painting by Rembrandt's workshop. It shows Christ with a beard and long dark hair. It is in the collection of the Philadelphia Museum of Art, in Philadelphia, Pennsylvania.
Christ with a Staff or St James the Less is a painting by a follower of Rembrandt, now in the Metropolitan Museum of Art. It was also known as Christ in 1854 and exhibited in 1933 as The Pilgrim.
Suffer little children to come unto me or Let the Little Children Come to Me, is a painting attributed to the Dutch painter Rembrandt. The subject of the portrait is the teaching of Jesus about little children and it is estimated that Rembrandt painted it in Leiden in the 1620s.
Head of Christ is a circa 1648 painting by Rembrandt or his workshop. It shows Christ with a beard and long dark hair. It is in the collection of the Louvre Abu Dhabi.
