Head of Christ (Leonardo)

Last updated
Head of Christ Leonardo, testa di cristo, 1494 circa, pinacoteca di brera.jpg
Head of Christ

Head of Christ is a c.1494 chalk and pastel study by Leonardo da Vinci for his The Last Supper . It measures 40 by 32 cm (15.75 by 12.6 in) and is now in the Pinacoteca di Brera. [1]

See also

Related Research Articles

<span class="mw-page-title-main">Leonardo da Vinci</span> Italian Renaissance polymath (1452–1519)

Leonardo di ser Piero da Vinci was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he also became known for his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and paleontology. Leonardo is widely regarded to have been a genius who epitomized the Renaissance humanist ideal, and his collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary, Michelangelo.

<i>Vitruvian Man</i> Drawing by Leonardo da Vinci

The Vitruvian Man is a drawing by the Italian Renaissance artist and scientist Leonardo da Vinci, dated to c. 1490. Inspired by the writings of the ancient Roman architect Vitruvius, the drawing depicts a nude man in two superimposed positions with his arms and legs apart and inscribed in both a circle and square. Described by the art historian Carmen C. Bambach as "justly ranked among the all-time iconic images of Western civilization," the work is a unique synthesis of artistic and scientific ideals and often considered an archetypal representation of the High Renaissance.

<span class="mw-page-title-main">Cecilia Gallerani</span> Mistress of Ludovico Sforza (1473–1536)

Cecilia Gallerani was the favourite and most celebrated of the many mistresses of Ludovico Sforza, known as Lodovico il Moro, Duke of Milan. She is best known as the subject of Leonardo da Vinci's painting The Lady with an Ermine. While posing for the painting, she invited Leonardo, who at the time was working as court artist for Sforza, to meetings at which Milanese intellectuals discussed philosophy and other subjects. Cecilia herself presided over these discussions.

<i>Lady with an Ermine</i> Painting by Leonardo da Vinci, 1489–1491

The Lady with an Ermine is a portrait painting widely attributed to the Italian Renaissance artist Leonardo da Vinci. Dated to c. 1489–1491, the work is painted in oils on a panel of walnut wood. Its subject is Cecilia Gallerani, a mistress of Ludovico Sforza, Duke of Milan; Leonardo was painter to the Sforza court in Milan at the time of its execution. It is the second of only four surviving portraits of women painted by Leonardo, the others being Ginevra de' Benci, La Belle Ferronnière and the Mona Lisa.

<i>Saint John the Baptist</i> (Leonardo) Painting by Leonardo da Vinci

Saint John the Baptist is a High Renaissance oil painting on walnut wood by Leonardo da Vinci. Likely to have been completed between 1513 and 1516, it is believed to be his final painting. Its original size was 69 by 57 centimetres.

<i>The Holy Infants Embracing</i> Lost painting attributed to Leonardo da Vinci

The Holy Infants Embracing is a lost painting attributed to Leonardo da Vinci. It represents the infant Christ embracing his cousin John the Baptist. The subject matter relates to the two paintings of the Virgin of the Rocks by Leonardo and numerous other Renaissance works by Raphael and others of the meeting of the two children on the road to Egypt while escaping the Massacre of the Innocents.

<span class="mw-page-title-main">Giampietrino</span> 16th century Italian painter

Giampietrino, probably Giovanni Pietro Rizzoli, was a north Italian painter of the Lombard school and Leonardo's circle, succinctly characterized by S. J. Freedberg as an "exploiter of Leonardo's repertory."

<span class="mw-page-title-main">Mario Taddei</span> Italian academic (born 1972)

Mario Taddei is an Italian academic. He is an expert in multimedia and edutainment for museums, a Leonardo da Vinci devotee and scholar, and an expert in the codexes and machines of da Vinci and ancient books of technology.

Alessandro Vezzosi is an Italian art critic, Leonardo scholar, artist, expert on interdisciplinary studies and creative museology, he is also the author of hundreds of exhibits, publications and conferences, in Italy and abroad on Leonardo da Vinci and the Renaissance, contemporary art and design. Amongst others, he was the first scholar from the Armand Hammer Centre for Leonardo Studies from the University of California in Los Angeles (1981), directed by Carlo Pedretti; he taught at the University of Progetto in Reggio Emilia; and he is honorary professor at the Accademia delle Arti del Disegno of Florence. He began as an artist from 1964 to 1971 winning more than 80 prizes in painting competitions. In the Seventies he was the founder of the "Archivio Leonardisimi" and of Strumenti-Memoria del Territorio; he coordinated "ArteCronaca", he was the historical-artistic consultant of the Municipality of Vinci and he collaborated on the publications on Tuscany and Leonardo, modern and contemporary art. In 1980 he curated the Centro di Documentazione Arti Visive of the Municipality of Florence.

<i>Horse and Rider</i> (wax sculpture)

Horse and Rider is a beeswax sculpture depicting a rider on a horse. The history of the sculpture is unknown before the 20th century. The work has been attributed to Leonardo da Vinci by the Italian art historian Carlo Pedretti, though most historians have ignored or denied the attribution. A number of casts have been made, using a mold taken from the wax original.

<span class="mw-page-title-main">Museo Ideale Leonardo da Vinci</span> Museum

The Museo Ideale Leonardo da Vinci is located in Vinci, Leonardo da Vinci's birthplace, in the province of Florence, Italy. It is part of the Museo Leonardiano di Vinci.

<span class="mw-page-title-main">Adolfo Venturi</span> Italian art historian (1856–1941)

Adolfo Venturi was an Italian art historian. His son, Lionello Venturi, was also an art historian.

<i>Dama col mazzolino</i>

Woman with Flowers is a marble sculpture 60 centimetres (24 in) in height executed by Andrea del Verrocchio between 1475 and 1480. It is in the Bargello Museum in Florence.

<span class="mw-page-title-main">Lucrezia Donati</span>

Lucrezia Donati was an Italian noblewoman, mistress of Lorenzo de' Medici.

Luke Syson is an English museum curator and art historian. Since 2019, he has been the director of the Fitzwilliam Museum at the University of Cambridge, prior to which he held positions at the British Museum (1991–2002), the Victoria and Albert Museum (2002–2003), the National Gallery (2003–2012) and the Metropolitan Museum of Art (2015–2019). In 2011 he curated the acclaimed Leonardo da Vinci exhibition at the National Gallery: Leonardo da Vinci: Painter at the Court of Milan, which included his pivotal role in the controversial authentication by the National Gallery of da Vinci's Salvator Mundi.

<i>Leonardo</i> (2021 TV series) Italian-British-French-Spanish TV series

Leonardo is a historical drama created by Frank Spotnitz and Steve Thompson. The series was produced by Italian Lux Vide in collaboration with Rai Fiction, Sony Pictures Entertainment, with Frank Spotnitz's Big Light Productions and Freddie Highmore's Alfresco Pictures in association with France Télévisions and RTVE.

<i>Leonardo da Vinci: The Mind of the Renaissance</i> 1996 book by Alessandro Vezzosi

Leonardo da Vinci: The Mind of the Renaissance is a 1996 illustrated biography of Leonardo da Vinci authored by the Italian art critic Alessandro Vezzosi, translated from Italian into French by Françoise Liffran, and published by Éditions Gallimard in the same year as the 293rd volume in their "Découvertes" collection. The book was adapted into a documentary film in 2001, by the title Léonard de Vinci.

<span class="mw-page-title-main">Da Vinci family</span> Italian family

The Da Vinci family is an Italian family from Vinci, Tuscany.

<i>Bridgewater Madonna</i> Painting by Raphael

The Bridgewater Madonna is a religious painting by Raphael, dated 1507. Originally on oil and wood, but later transferred to canvas, it measures 81 by 55 cm. The picture is part of the permanent collection of the Scottish National Gallery in Edinburgh, on loan from the Duke of Sutherland Collection.

References

  1. (in Italian) Milena Magnano, Leonardo, collana I Geni dell'arte, Mondadori Arte, Milano 2007, p. 88. ISBN   978-88-370-6432-7