Beloved Corinna is a 1956 German drama film directed by Eduard von Borsody and starring Elisabeth Müller. It was shot at the Pichelsberg Studios in West Berlin. The art director Gabriel Pellon worked on the film's sets.
Das Mädchen und der Staatsanwalt is a 1962 German drama film directed by Jürgen Goslar and starring Wolfgang Preiss, Götz George and Elke Sommer.
Before Sundown is a 1956 West German drama film directed by Gottfried Reinhardt and starring Hans Albers, Annemarie Düringer and Martin Held. At the 6th Berlin International Film Festival it won the Golden Bear. It was adapted from the play Before Sunset by Gerhart Hauptmann.
Hannelore Emilie Käte Grete Schroth was a German film, stage, and television actress whose career spanned over five decades.
Hartmut Reck was a German television and film actor. He also appeared in the American-produced epic film, The Longest Day. He also acted in the German film dubbing industry, dubbing into German the voices of Anthony Hopkins, John Hurt, Robert Duvall, Michael Caine, Donald Sutherland, Peter Graves, Patrick Stewart, Franco Nero, Terence Hill and others.
Under the Bridges is a 1946 German drama film directed by Helmut Käutner and starring Hannelore Schroth, Carl Raddatz and Gustav Knuth. The film was shot in Berlin during the summer of 1944, but was not released until after the defeat of Nazi Germany. It premiered in Locarno in September 1946, and wasn't released in Germany until 1950 when it was picked up for distribution by Gloria Film.
And the Heavens Above Us is a 1947 German drama film directed by Josef von Báky and starring Hans Albers, Paul Edwin Roth and Lotte Koch. It was part of the post-war series of rubble films.
Woman's Love—Woman's Suffering is a 1937 German drama film directed by Augusto Genina and starring Magda Schneider, Iván Petrovich and Oskar Sima.
Voyage to Italy, Complete with Love is a 1958 West German romantic comedy film directed by Wolfgang Becker and starring Paul Hubschmid, Susanne Cramer and Hannelore Schroth. It was shot at the Spandau Studios in West Berlin with extensive location shooting around Italy including Venice, Assisi, Rome, Naples and Sorrento. The film's sets were designed by the art directors Emil Hasler and Walter Kutz.
The Spanish Fly is a 1955 West German comedy film directed by Carl Boese and starring Joe Stöckel, Erika von Thellmann and Rudolf Platte. It was shot at the Göttingen Studios with sets designed by the art director Ernst Klose. It was based on the 1913 play The Spanish Fly by Franz Arnold and Ernst Bach. A previous adaptation had been released in 1931.
Holiday From Myself is a 1952 West German comedy film directed by Hans Deppe and starring Rudolf Prack, Marianne Hold and Willy Fritsch. It was shot at the Göttingen Studios with sets designed by the art director Ernst H. Albrecht. It is a remake of Deppe's 1934 film of the same title.
The Prince of Pappenheim is a 1952 West German comedy film directed by Hans Deppe and starring Viktor de Kowa, Hannelore Schroth and Grethe Weiser. It was based on a 1923 operetta of the same name which had previously been made into a 1927 silent film.
Taxi-Kitty is a 1950 West German musical comedy film directed by Kurt Hoffmann and starring Hannelore Schroth, Carl Raddatz and Fita Benkhoff. The film was made at the Bendestorf Studios. The film's sets were designed by the art director Franz Schroedter. It was partly shot in Hamburg.
Abundance of Life is a 1950 West German romantic comedy film directed by Wolfgang Liebeneiner and starring Erika Müller, Ingeborg Körner, and Gunnar Möller. It was one of the last of the Rubble films made in the immediate post-war years. It updates a story by Ludwig Tieck to modern-day Hamburg, addressing the shortage of housing in the heavily bombed city.
The Seventh Victim is a 1964 West German thriller film directed by Franz Josef Gottlieb and starring Hansjörg Felmy, Ann Smyrner and Hans Nielsen.
The Man Who Couldn't Say No is a 1958 comedy film directed by Kurt Früh and starring Heinz Rühmann, Hannelore Schroth and Siegfried Lowitz. It represented an early co-production between the Danish company Rialto Film and the German distributor Constantin Film.
When a Woman Loves is a 1950 West German comedy film directed by Wolfgang Liebeneiner and starring Hilde Krahl, Johannes Heesters and Mathias Wieman. It is based on the play Don't Promise Me Anything by Charlotte Rissmann, which Liebeneiner had previously made into a 1937 film of the same title.
Like Once Lili Marleen is a 1956 West German romantic drama film directed by Paul Verhoeven and starring Adrian Hoven, Marianne Hold and Claus Holm. The title refers to the popular wartime song "Lili Marleen" popularised by Lale Anderson, who performs it at a concert at the end of the film.
Sophienlund is a 1943 German comedy film directed by Heinz Rühmann and starring Harry Liedtke, Käthe Haack and Hannelore Schroth. It was based on a play of the same title by Helmut Weiss and Fritz von Woedtke. It was shot at the Babelsberg Studios in Berlin and on location around the baroque Buckow Castle. The film's sets were designed by the art director Willi Herrmann. The 1956 Austrian film Engagement at Wolfgangsee was an Agfacolor remake directed by Helmut Weiss.
A Wife for Three Days is a 1944 German romantic drama film directed by Fritz Kirchhoff and starring Hannelore Schroth, Carl Raddatz and Ursula Herking. It was shot at the Babelsberg Studios in Potsdam and on location around Berlin and its vicinity including the River Havel and Wannsee. Filming also took place in Salzburg and Mondsee in Austria. The film's sets were designed by the art director Erich Kettelhut.
