Heidi Von Gunden

Last updated

Heidi C. Von Gunden is a musicologist and Associate Professor of Composition-Theory at the University of Illinois Urbana-Champaign. She has written books on the music of Ben Johnston, Pauline Oliveros, [1] Lou Harrison, and Vivian Fine. The books about Johnston's and Harrison's music are detailed studies about the composers' use of just intonation, and the books about Oliveros and Fine contain analyses of their music and examine the issues of women composers. In addition, Von Gunden has published several compositions and contributed theoretical writings and analyses to the College Music Symposium , Neuland , Perspectives of New Music , and the International League of Women Composers Journal .

Related Research Articles

Harry Partch American composer

Harry Partch was an American composer, music theorist, and creator of musical instruments. He composed using scales of unequal intervals in just intonation, and was one of the first 20th-century composers in the West to work systematically with microtonal scales. He built custom-made instruments in these tunings on which to play his compositions, and described his theory and practice in his book Genesis of a Music (1947).

Harrison Birtwistle British composer

Sir Harrison Birtwistle, is a British composer.

Benjamin Burwell Johnston Jr. was an American contemporary music composer using just intonation. He was called "one of the foremost composers of microtonal music" by Philip Bush and "one of the best non-famous composers this country has to offer" by John Rockwell.

Pauline Oliveros American composer and musician

Pauline Oliveros was an American composer, accordionist and a central figure in the development of post-war experimental and electronic music.

Robert Erickson was an American composer.

Stuart Dempster

Stuart Dempster is a trombonist, didjeridu player, improvisor, and composer.

Vivian Fine

Vivian Fine was an American composer.

The San Francisco Tape Music Center, or SFTMC, was founded in the summer of 1962 by composers Ramon Sender, Morton Subotnick and Pauline Oliveros as a collaborative, "non profit corporation developed and maintained" by local composers working with tape recorders and other novel compositional technologies, which functioned both as an electronic music studio and concert venue. Composer Pauline Oliveros, artist Tony Martin and technician William Maginnis eventually joined the SFTMC.

Sound Patterns (1961) is a musical piece for a cappella mixed chorus by Pauline Oliveros. Oliveros won the Gaudeamus International Composers Award in 1962 with this work.

Meditation music is music performed to aid in the practice of meditation. It can have a specific religious content, but also more recently has been associated with modern composers who use meditation techniques in their process of composition, or who compose such music with no particular religious group as a focus. The concept also includes music performed as an act of meditation.

<i>Twelve Microtonal Etudes for Electronic Music Media</i>

Twelve Microtonal Etudes for Electronic Music Media, Op. 28, is a set of pieces in various microtonal equal temperaments composed and released on LP in 1980 by American composer Easley Blackwood, Jr.

Composers Recordings, Inc. (CRI) was an American record label dedicated to the recording of contemporary classical music by American composers. It was founded in 1954 by Otto Luening, Douglas Moore, and Oliver Daniel, and based in New York City.

Mayer Joel Mandelbaum is an American music composer and teacher, best known for his use of microtonal tuning. He wrote the first Ph.D. dissertation on microtonality in 1961. He is married to stained glass artist Ellen Mandelbaum, and is the nephew of Abraham Edel.

Brenda Hutchinson is an American composer and sound artist who has developed a body of work based on a perspective about interacting with the public and non-artists through personal, reciprocal engagement with listening and sounding. Hutchinson encourages her participants to experiment with sound, share stories, and make music. She often bases her electroacoustic compositions on recordings of these individual collaborative experiences, creating "sonic portraits" or "aural pictures" of people and situations.

Musicworks is a Canadian avant-garde music magazine, launched in January 1978 by Andrew Timar (editor-in-chief) and John Oswald.

The International Alliance for Women in Music (IAWM) is an international membership organization of women and men dedicated to fostering and encouraging the activities of women in music, particularly in the areas of musical activity, such as composing, performing, and research, in which gender discrimination is a historic and ongoing concern. In the U.S. the organization operates as a 501(c)3 non-profit. The IAWM engages in efforts to increase the programming of music by female composers, to combat discrimination against female musicians, including as symphony orchestra members, and to include accounts of the contributions of women musicians in university music curricula and textbooks.

Anna Rubin is an American composer of electroacoustic and instrumental music.

Elaine Barkin

Elaine Barkin née Radoff is an American composer, writer, and educator.

7-limit tuning

7-limit or septimal tunings and intervals are musical instrument tunings that have a limit of seven: the largest prime factor contained in the interval ratios between pitches is seven. Thus, for example, 50:49 is a 7-limit interval, but 14:11 is not.

References

  1. Rahn, John (1994). Perspectives on musical aesthetics. W. W. Norton & Company. p. 198. ISBN   978-0-393-96508-7 . Retrieved 15 May 2010.CS1 maint: discouraged parameter (link)