Heinrich Jakob Fried (11 March 1802, Queichheim - 2 November 1870, Munich) was a German painter.
He studied at Stuttgart and Augsburg, and from 1822 under Johann Peter von Langer and Peter von Cornelius at the Academy of Fine Arts, Munich. In 1834 he went to Rome, and afterwards to Naples, and from thence returned to his native country in 1837. Being patronized by Prince Karl Philipp von Wrede, he settled at Munich in 1842, and became conservator of the Artistic Society in 1845.
Fried was a great lover of legends, often taking these and similar sources for the subjects of his best pictures. He also executed a great number of landscapes, as well as genre and historical pieces and portraits, the best of which are:
Julius Schnorr von Carolsfeld was a German painter, chiefly of Biblical subjects. As a young man he associated with the painters of the Nazarene movement who revived the florid Renaissance style in religious art. He is remembered for his extensive Picture Bible, and his designs for stained glass windows in cathedrals.
Peter von Cornelius was a German painter; one of the main representatives of the Nazarene movement. He was the uncle of the composer Peter Cornelius (1824–1874).
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Heinrich Bürkel (1802–1869) was a German genre and landscape painter
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Johann Jakob Dorner the Elder (1741–1813), who was born at Ehrenstetten, near Freiburg in Breisgau, was a painter of historical and genre subjects. He was at first a pupil of Rösch at Freiburg and of Ignaz Bauer at Augsburg. He afterwards visited Italy, the Netherlands, and Paris. He was a professor and director of the Gallery at Munich in 1770, and died in that city in 1813. In the Darmstadt Gallery is a picture of Two Soldiers and a Maiden by him; and in the Pinakothek at Munich, a Linen Draper, which is a portrait of his wife, dated 1775.
Friedrich Eibner (1826–1877) was a German painter of architectural subjects. He was born in 1826, at Hilpoltstein in Bavaria, Weimar Republic. Eibner studied after the works of Heinrich Schönfeld; he travelled in Bavaria, and afterwards in Germany, France, Upper Italy, and Spain, making a large number of water-colour drawings of the places he visited. The Album for the Prince Metschersky, with whom he travelled in Spain in 1860–61, may be considered his best work. He died at Munich in 1877. His son was Alexander Eibner, a noted chemist and painter.
Friedrich August Elsasser (1810-1845), a painter of landscapes and architectural views, was born at Berlin and studied at the Academy of that city under Blechen, whose influence on art was at that time very great. In 1831 he went to Italy, and in 1834 and 1835 he visited Sicily.
Johann Jakob Frey, a Swiss landscape painter, a native of Basle, studied principally in Italy, and his views of that country are much valued. From Egypt, whither he accompanied Professor Lepsius, he brought many excellent sketches of the pyramids, labyrinths etc. It is to be regretted that he was obliged to make but a short stay on account of his health. His painting of 'Chamsyn in the Desert,' in the possession of the Emperor of Germany, was produced in 1845, and is greatly admired. He died at Frascati, near Rome, in 1865. The Modern Gallery at Munich has his Two Memnons near Thebes.