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Helen Bershad | |
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Born | 1934 Philadelphia |
Nationality | American |
Alma mater | Moore College of Art |
Helen Bershad (born 1934, Philadelphia, United States) is an American abstract expressionist painter.
She graduated from Moore College of Art.
She was noted for her unique and intense use of color. She has exhibited in galleries in New York City, Philadelphia, Los Angeles and other cities in the United States.
Her work is in the collection of the Philadelphia Museum of Art, Woodmere Art Museum, [1] and other museums and private collections.
Violet Oakley was an American artist. She was the first American woman to receive a public mural commission. During the first quarter of the 20th century, she was renowned as a pathbreaker in mural decoration, a field that had been exclusively practiced by men. Oakley excelled at murals and stained glass designs that addressed themes from history and literature in Renaissance-revival styles.
Pearl Jeanette Van Sciver, née Aiman, was a Philadelphia based artist, mostly of oil paintings of landscapes and floral still lifes often inspired by flowers from her own garden and greenhouse. She married Lloyd Van Sciver, the son of notable Camden, New Jersey based furniture maker, J.B. Van Sciver.
Ellen Powell Tiberino (1937-1992) was an African American artist who was figurative and expressionist in her pastels, oils, pencil drawings and sculptures. Her works were infused with the experiences and history of Black people, women in particular, whom she most often painted in dark and haunting hues. She was a prolific artist, working against time as she battled cancer for the last 14 years of her life.
Elizabeth Osborne is an American painter who lives and works in Philadelphia. Working primarily in oil paint and watercolor, her paintings are known to bridge ideas about formalist concerns, particularly luminosity with her explorations of nature, atmosphere and vistas. Beginning with figurative paintings in the 1960s and '70s, she moved on to bold, color drenched, landscapes and eventually abstractions that explore color spectrums. Her experimental assemblage paintings that incorporated objects began an inquiry into psychological content that she continued in a series of self-portraits and a long-running series of solitary female nudes and portraits. Osborne's later abstract paintings present a culmination of ideas—distilling her study of luminosity, the landscape, and light.
Alice Kent Stoddard (1883–1976) was an American painter of portraits, landscapes, and seascapes. Many of her works, particularly portraits, are in public collections, including University of Pennsylvania's portrait collection, Woodmere Art Museum, and other museums. She lived and painted on Monhegan Island in Maine, an enclave of artists. During World War II, she worked as a combat artist and drafted designs for airplanes. She married late in life to Joseph Pearson, who had been a friend and taught at the Pennsylvania Academy of the Fine Arts.
Edith Emerson was an American painter, muralist, illustrator, writer, and curator. She was the life partner of acclaimed muralist Violet Oakley and served as the vice-president, president, and curator of the Woodmere Art Museum in the Chestnut Hill section of Philadelphia, Pennsylvania, from 1940 to 1978.
Ethel V. Ashton was an American artist who primarily worked in Philadelphia, Pennsylvania. She was both a subject of noted artist Alice Neel and a portraitist of Neel. Her early works reflect the influence of Ashcan realism focused primarily on portrait painting. She was commissioned to work on the Works Progress Administration's post office mural project and has works hanging in the permanent collections of several prominent museums. By the mid-1950s she worked with abstract concepts and through the end of the civil rights era, her works synthesize both abstract and realism. She also served as the librarian of the Pennsylvania Academy of the Fine Arts from 1957 into the early 1970s.
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Harry "Tony" Leith-Ross was a British-American landscape painter and teacher. He taught at the art colonies in Woodstock, New York and Rockport, Maine, and later was part of the art colony in New Hope, Pennsylvania. A precise draftsman and a superb colorist, Leith-Ross is considered one of the Pennsylvania Impressionists.
Sarah Jane Blakeslee was an American landscape and portrait painter.
Jane Gibson Piper (1916–1991) was an American artist known for her abstract treatment of still lifes. Building on the French modernist tradition of Matisse and Cézanne, she gave color precedence over representation. Shortly after her death a critic said "throughout her career Piper worked within a relatively narrow aesthetic range. She was interested in spatial organization and in creating space through color — concerns of another painter she admired, Henri Matisse. There's a sense of Matisse in her later work, but no indication that she was trying to imitate him; the resonance reflects shared concerns." From her first exhibition in 1943 through the end of her life she was given a total of thirty-four solo exhibitions in Philadelphia, New York, and other East Coast galleries and her works have been collected by major museums including the Philadelphia Museum of Art, the Pennsylvania Academy of the Fine Arts, the Brooklyn Museum, the National Academy of Design, The Phillips Collection, and the Carnegie Museum of Art.
Elizabeth Kitchenman Coyne was a Pennsylvania impressionist painter, best known for her landscapes and paintings of horses. Her works are included in the permanent collections of the Pennsylvania Academy of the Fine Arts, the Woodmere Art Museum and the Philadelphia Art Alliance.
Helen Corson Hovenden (1846–1935) was a Philadelphia area painter specializing in portraits of family pets, birds, and flowers.
Nancy Maybin Ferguson (1872–1967), was an American painter whose career spanned decades. She is known for her plein-air paintings. She was a member of the Philadelphia Ten.
Susan Gertrude Schell (1891-1970), was an American painter and educator. She was a member of the Philadelphia Ten.
Margaretta Shoemaker Hinchman (1876–1955) was a prize-winning American artist, illustrator, photographer, and sculptor who came from a prominent Pennsylvania Quaker family. She bequeathed her collection of Southwest American art, including her own gouache-on-paper portraits of Navajo individuals, to the University of Pennsylvania Museum of Archaeology and Anthropology. The Pennsylvania Academy of the Fine Arts, the Woodmere Art Museum, and the Delaware Art Museum preserve some of her landscape paintings and illustrations. The Philadelphia Museum of Art preserves her bequest of works by other artists, including George Biddle, Angelo Pinto, Clare Leighton, and Charles Sheeler. Haverford College in Haverford, Pennsylvania preserves her letterbooks in the Quaker and Special Collections division of its library. Among the prizes that Hinchman won was the Mary Smith Prize, which she received twice, including in 1943 for her portrait of the singer Marian Anderson.
Louise D. Clement-Hoff was an American painter and educator who specialized in oil painting, pastel and drawing of human figures and still lifes.
Barbara J. Bullock is an African American painter, collagist, printmaker, soft sculptor and arts instructor. Her works capture African motifs, African and African American culture, spirits, dancing and jazz in abstract and figural forms. She creates three-dimensional collages, portraits, altars and masks in vibrant colors, patterns and shapes. Bullock produces artworks in series with a common theme and style.
Martina Johnson-Allen is an American artist and educator.
Joan Wadleigh Curran was an American visual artist, painter, and printmaker active in Philadelphia, known primarily for her figurative paintings and drawings in which she addressed the intersection of the natural world and human intervention. Between 2001 and 2016, Curran served as Senior Lecturer in Painting and Drawing at the University of Pennsylvania.