Frank Weston Benson, frequently referred to as Frank W. Benson, was an American artist from Salem, Massachusetts known for his Realistic portraits, American Impressionist paintings, watercolors and etchings. He began his career painting portraits of distinguished families and murals for the Library of Congress. Some of his best known paintings depict his daughters outdoors at Benson's summer home, Wooster Farm, on the island of North Haven, Maine. He also produced numerous oil, wash and watercolor paintings and etchings of wildfowl and landscapes.
Ellen Day Hale was an American Impressionist painter and printmaker from Boston. She studied art in Paris and during her adult life lived in Paris, London and Boston. She exhibited at the Paris Salon and the Royal Academy of Arts. Hale wrote the book History of Art: A Study of the Lives of Leonardo, Michelangelo, Raphael, Titian, and Albrecht Dürer and mentored the next generation of New England female artists, paving the way for widespread acceptance of female artists.
Anna P. Baker was a Canadian visual artist.
Ezio Martinelli was an American artist who belonged to the New York School Abstract Expressionist artists, a leading art movement of the post-World War II era.
Donald Paul Tompkins (1933–1982) is an American jewelry artist known for his witty and satirical works based on objects, photo etchings, cast elements, and gemstones. He is most closely associated with the Pacific Northwest and the metalsmithing community that coalesced around Central Washington University in Ellensburg, Washington, where he taught for many years. His most famous series Commemorative Metals keenly reflected Pop Art and the artistic concerns of New York City-based artists in the 1950s and 60s.
Howard Helmick was an American painter, etcher, designer and illustrator, who was well known for his oil on canvas paintings. He specialized in figure painting and engravings. He was best known for his Irish genre studies, and paintings of Irish households.
Alice Edith Rumph (1878–1978) was a painter of watercolors and pastels, an etcher, and an art teacher. Rumph co-founded the Birmingham Art Club, which established the Birmingham Museum of Art in Birmingham, Alabama. She served as the club's founding vice president and later as its president. In 2004, Birmingham Historical Society published Art of the New South: Women Artists of Birmingham 1890-1950. The volume features the artwork of Rumph and seven other prominent artists from the city.
Gabrielle de Veaux Clements was an American painter, print maker, and muralist. She studied art at the Philadelphia School of Design for Women, Pennsylvania Academy of the Fine Arts, and in Paris at Académie Julian. Clements also studied science at Cornell University and graduated with a Bachelor of Science degree. She created murals, painted portraits, and made etchings. Clements taught in Philadelphia and in Baltimore at Bryn Mawr School. Her works have been exhibited in the United States and at the Paris Salon. Clements works are in several public collections. Her life companion was fellow artist Ellen Day Hale.
Z. Vanessa Helder was an American watercolor painter who gained national attention in the 1930s and 40s, mainly for her paintings of scenes in Eastern Washington. She painted with a bold, Precisionist style not commonly associated with watercolor, rendering landscapes, industrial scenes, and houses with a Magic Realist touch that gave them a forlorn, isolated quality, somewhat in the manner of Charles Sheeler and Edward Hopper. She spent most of her career in the Pacific Northwest, but was popular in New York art galleries, was a member of the National Association of Women Painters and Sculptors, and, in 1943, was included in a major exhibit at the Museum of Modern Art.
Alice Geneva "Gene" Kloss was an American artist known today primarily for her many prints of the Western landscape and ceremonies of the Pueblo people she drew entirely from memory.
Margaret White Lesley Bush-Brown was an American painter and etcher.
Blanche McVeigh was an American printmaker, founder of the Fort Worth School of Fine Arts and Fort Worth Artists Guild, and art educator in Fort Worth, Texas. Known for her mastery of the aquatint medium, McVeigh’s leadership in art education influenced a generation of local artists, particularly members of the group known as the Fort Worth Circle. Her work is represented in several national collections as well as local and private collections.
Clifford Isaac Addams was an American painter and etcher, and a protégé of James McNeill Whistler.
Kathrin Cawein (1895–1996) was an American printmaker known for her etchings. Her style was realist and her subjects were mainly landscapes and interiors. Early in her career, her work received praise from one critic for its "adroit handling of color and good drawing — a technique that seems to express personal engaging conceptions." Critics also considered her prints to be "striking" and having a "high level of workmanship."
Roselle Osk (1884–1954) was an American printmaker known for her drypoints and etchings. Her style was realist and her subjects were figure studies, landscapes, and seascapes. She exhibited frequently during the 1930s and 1940s and was awarded prizes by the Society of American Etchers, Philadelphia Print Club, and National Association of Women Artists. Her work was often selected for "Best Prints of the Year" shows held by the etchers group.
Sybilla Mittell Weber (1892–1957) was an American artist known for her etchings and drypoints of dogs and horses. She was trained by an Austrian animal painter at the Academy of Fine Arts Munich and by an American etcher at the Art Students League. With the skills they taught her, she embarked on a long and successful career during which she employed traditional techniques to achieve results that drew consistent critical praise. Admired for her skill in animal portraiture and for her ability to portray animals in action, she was said to use an "economy of line" to achieve a style situated between the extremes of pure realism and pure abstraction.
Edith Loring Getchell was an American landscape painter and etcher, highly regarded for the "exquisite" tonalism of her etchings, drypoints and watercolors." Working during the "American Etching Revival," a period that lent legitimacy to an art form that had once been scorned as commercial, Getchell made use of the opportunities the vogue for etching gave her, despite a crowded field and the gender discrimination of her era. Considered one of America's leading etchers in her lifetime, Getchell's work is notable for its skill, its aesthetic values and its approach to depicting American landscape.
Earl Horter was an American painter, illustrator, printmaker, teacher and art collector. He was instrumental in introducing modern art to Philadelphia as both an artist and collector of Cubist and abstract art. During the 1920s, he had one of the largest collections of modern art in the United States, and he was among the most prominent etchers of his generation.
Susan Fletcher Crawford ARE was a Scottish artist and printmaker, best known for her topographical etchings of Glasgow, the Scottish Highlands and other Scottish cities. Crawford was Teacher of Etching at the Glasgow School of Art between 1894 and 1917 and taught a number of artists who would become associated with the Etching Revival.
Mary Teichman is an American artist and printmaker known for her color aquatint etchings.
