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Helene Black | |
|---|---|
| Born | Cyprus |
| Occupation(s) | Artist, curator |
Helene Black is a Cypriot-born Australian artist and curator, [1] working with various media. She is cofounder of NeMe. [2] She has had exhibitions in museums and contemporary art centers in UK, United States, Japan, [3] Greece, Switzerland, Denmark, Russia and Australia.
Jurate Macnoriute writes: [1]
Helene Black quasi renews life of 'Arte Povera' in the light of the 21st century applying new materials and new technologies that was not known in 1962–1972. Her artworks are constructed of mirror stainless steel, perspex, perspex mirror, diffraction grating film, computer manipulated image exposed on color separation film and aluminum text. She likes hard slow sublime rhythms, poor, but weighty colors that came from antique. Digital photography, computer helps to build her many layered tricky compositions, dealing with the relationships between the real and the virtual, the private to the public – theme of the authenticity of a person's existence is attractive for the artist. She applies tags of Internet language together with portraits and copies of personal documents like the birth certificate as signs carrying deeper meaning. These mentioned things make novelty brought by Helene Black for 'Arte Povera.'
whilst Denise Robinson had this to say: "Much of Black's work engages with the altered relation of object and observer in the new visual spaces created by new technologies."
In 2000, Black, in collaboration with Yiannis Colakides, produced the first art interactive CD-ROM in Cyprus, which they called "IDs", and in 2001 their collaboration continued with the production of "Loop", a 6-minute digital video. The CD-ROM was the first one to be acquired by the Cyprus National Gallery.
In 2004, Black co-founded NeMe with Yiannis Colakides and Konstantinos Sophocleous. A year later she co-founded the Independent Museum of Contemporary Art (IMCA), the first itinerant museum in Cyprus. IMCA is a NeMe project which organizes Cypriot and international Art events.
In October 2006, Black and L.A. artist Sheila Pinkel curated "In Transition Cyprus", whilst in January 2008 she curated ISOLOMANIA. Both were international group exhibitions which attracted critical attention from artists and critics alike. In 2008 Black and Pinkel were invited by the National Centre of Contemporary Art (Moscow and Ekaterinburg branches) to present the "In Transition" exhibition in Russia. "In Transition Russia 2008" was developed to include an exhibition at the Museum of Fine Arts Ekaterinburg and NCCA Moscow and an international conference on displacement in Ural State University.
Arte Povera was an art movement that took place between the end of the 1960s and the beginning of the 1970s in major cities throughout Italy and above all in Turin. Other cities where the movement was also important are Milan, Rome, Genoa, Venice, Naples and Bologna. The term was coined by Italian art critic Germano Celant in 1967 and introduced in Italy during the period of upheaval at the end of the 1960s, when artists were taking a radical stance. Artists began attacking the values of established institutions of government, industry, and culture.
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Germano Celant was an Italian art historian, critic, and curator who coined the term "Arte Povera" in the 1967 Flash Art piece "Appunti Per Una Guerriglia", which would become the manifesto for the Arte Povera artistic and political movement. He wrote many articles and books on the subject.
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Marisa Merz was an Italian artist and sculptor. In the 1960s, Merz was the only female protagonist associated with the radical Arte povera movement. In 2013 she was awarded the Golden Lion for Lifetime Achievement at the Venice Biennale. She lived and worked in Turin, Italy.
Alyona Azernaya, born March 9, 1966, Ekaterinburg, Russia is a contemporary Russian naïve painter. Her name has been transliterated from Russian as : Alyona Azernaya, Alena Azernay, Aliona Azernaia, Elena Azernaya, Aliona Aziornaya.
Contemporary African art is commonly understood to be art made by artists in Africa and the African diaspora in the post-independence era. However, there are about as many understandings of contemporary African art as there are curators, scholars and artists working in that field. All three terms of this "wide-reaching non-category [sic]" are problematic in themselves: What exactly is "contemporary", what makes art "African", and when are we talking about art and not any other kind of creative expression?
Carolyn Christov-Bakargiev is an Italian-American writer, art historian and exhibition maker who has been serving as the Director of Castello di Rivoli Museo d'Arte Contemporanea and Fondazione Francesco Federico Cerruti in Turin since 2016. She was Edith Kreeger Wolf Distinguished Visiting Professor in Art Theory and Practice at Northwestern University (2013-2019). She is the recipient of the 2019 Audrey Irmas Award for Curatorial Excellence.
Anatoly Osmolovsky, is a Russian visual artist, performer, theorist, editor and teacher. He resides in Moscow where he sculpts wood. Osmolovsky grounds his art in theory and supports his work with self-published writings in Radek (1993) and Base (2010) magazines and by teaching art history.
Giovanni Anselmo is an artist who emerged in Italy after World War II within the art movement called Arte Povera. His most famous artwork is Untitled (1968), a piece of art representing time and nature.
Tatiana Vasilyevna Badanina is a Russian visual artist.
Daina Augaitis is a Canadian curator whose work focuses on contemporary art. From 1996 to 2017, she was the chief curator and associate director of the Vancouver Art Gallery in British Columbia.
Sheila Pinkel is an American visual artist, activist and educator whose practice includes experimental light studies, photography, conceptual and graphic works, and public art. She first gained notice for cameraless photography begun in the 1970s that used light-sensitive emulsions and technologies to explore form; her later, socially conscious art combines research, data visualization, and documentary photography, making critical and ethical inquiries into the military-industrial complex and nuclear industry, consumption and incarceration patterns, and the effects of war on survivors, among other subjects. Writers identify an attempt to reveal the unseen—in nature and in culture—as a common thread in her work.
Paolo De Grandis is an Italian contemporary art curator and president of PDG Arte Communications. He lives currently in Venice.
Sonia Amalia Romero is an American artist, she is known for her printmaking, mixed media linocut prints, murals, and public art based in Los Angeles. She is known for depicting Los Angeles, Latin American imagery, and Chicano themes in her work.
Taus Makhacheva is a contemporary artist from Russia. She creates works that explore the restless connections between historical narratives and fictions of cultural authenticity. Often humorous, her art considers the resilience of images, objects and bodies emerging out of stories and personal experiences. Her methodology involves reworking of materials, landscapes and monuments, pushing against walls, opening up ceilings and proliferating institutional spaces with a cacophony of voices.
Katy Stephanides was one of the leading artists in Cypriot modernist movement in the second half of the 20th century and the first decade of the 21st century. She held her first solo exhibition in 1972 featuring abstract geometric paintings and continued exhibiting through 2003. She has works in the collections of the Byzantine Museum of the Archbishop Makarios III, the Loukia and Michalakis Zambelas Art Museum, the Municipal Art Gallery of Limassol and the State Gallery of Contemporary Cypriot Art.
Magazzino Italian Art is a museum and Research Center dedicated to advancing scholarship and public appreciation of postwar and contemporary Italian art in the United States. The museum was founded by Nancy Olnick and Giorgio Spanu with the mission to share works of the group of Italian artists who exhibited together in the late 1960s and early 1970s, affiliated with the art movement of Arte Povera, with American audiences. Magazzino opened to the public on June 28, 2017, with an exhibition dedicated to the influence and legacy of Margherita Stein, a late Italian dealer associated with artists active in Arte Povera circles and beyond. The museum is free and open to the public.