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Henri Debain (3 August 1886 – 15 January 1983) was a French film actor.
He first appeared in Le Petit café in 1919, and appeared in more than 25 films between 1919 and 1956. He directed three films including Mephisto in 1931.
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William H. Daniels ASC was a film cinematographer who was best-known as Greta Garbo's personal lensman. Daniels served as the cinematographer on all but three of Garbo's films during her tenure at Metro-Goldwyn-Mayer, including Torrent (1926), The Mysterious Lady (1928), The Kiss (1929), Anna Christie (1930), Grand Hotel (1932), Queen Christina (1933), Anna Karenina (1935), Camille (1936) and Ninotchka (1939). Early in his career, Daniels worked regularly with director Erich von Stroheim, providing cinematography for such films as The Devil's Pass Key (1920) and Greed (1924). Daniels went on to win an Academy Award for Best Cinematography for his work on The Naked City (1948).
Gaston Baty, whose full name was Jean-Baptiste-Marie-Gaston Baty, was a French playwright and theatre director. He was born in Pélussin, Loire, France.
William Reeves Eason, known as B. Reeves Eason, was an American film director, actor and screenwriter. His directorial output was limited mainly to low-budget westerns and action pictures, but it was as a second-unit director and action specialist that he was best known. He was famous for staging spectacular battle scenes in war films and action scenes in large-budget westerns, but he acquired the nickname "Breezy" for his "breezy" attitude towards safety while staging his sequences—during the famous cavalry charge at the end of Charge of the Light Brigade (1936), so many horses were killed or injured so severely that they had to be euthanized that both the public and Hollywood itself were outraged, resulting in the selection of the American Humane Society by the beleaguered studios to provide representatives on the sets of all films using animals to ensure their safety.
Albert Maroica Blasius Franz Maria,RitterConti von Cedassamare, commonly known as Albert Conti, was an Austrian-American actor. He was a member of the noble Kaboga family.
John Miljan was an American actor. He appeared in more than 200 films between 1924 and 1958.
Mathilde Comont, credited also as Mathilda Caumont, was a French-born American actress, primarily of the silent era.
Warwick Manson Ward was an English actor of the stage and screen, and a film producer. He appeared in more than 60 films between 1919 and 1933. He also produced 19 films between 1931 and 1958. He was born in St. Ives, Cornwall.
Émile Chautard was a French-American film director, actor, and screenwriter, most active in the silent era. He directed more than 100 films between 1910 and 1924. He also appeared in more than 60 films between 1911 and 1934.
Gaston Modot was a French actor. For more than 50 years he performed for the cinema working with a number of great French directors.
Émile Henriot was a French poet, novelist, essayist and literary critic.
Armand Bernard was a French comic actor and composer known mainly for his prolific work in film.
Yves Mirande was a French screenwriter, director, actor, and producer.
André Roanne was a French actor. He began his career playing in short films, and acted in 91 films in total, most notably those of Fernandel. Most of his films were French; he did, however, also appear in German and Italian works, especially co-productions with French companies. He also served occasionally as an assistant director, screenwriter, technician, and film editor.
Jean Angelo was a French film actor of silent movies and early talkies. He was often a leading man playing romantic or athletic roles. Angelo was born and died in Paris.
Daniel Mendaille was a French stage and film actor whose career spanned nearly sixty years.
The Société des Cinéromans was a French film production company of the silent movie era.
Clément Vautel, pen name of Clément-Henri Vaulet was a journalist, novelist and playwright of Belgian origin, naturalized French (1897).
Pierre Labry (1885–1948) was a French stage and film actor. He was active in the French film industry between 1920 and 1948, appearing in more than a hundred films.
