Jean Delville, born Jean Libert, was a Belgian symbolist painter, author, poet, polemicist, teacher, and Theosophist. Delville was the leading exponent of the Belgian Idealist movement in art during the 1890s. He held, throughout his life, the belief that art should be the expression of a higher spiritual truth and that it should be based on the principle of Ideal, or spiritual Beauty. He executed a great number of paintings during his active career from 1887 to the end of the second World War expressing his Idealist aesthetic. Delville was trained at the Académie des Beaux-arts in Brussels and proved to be a highly precocious student, winning most of the prestigious competition prizes at the Academy while still a young student. He later won the Belgian Prix de Rome which allowed him to travel to Rome and Florence and study at first hand the works of the artists of the Renaissance. During his time in Italy he created his celebrated masterpiece L'Ecole de Platon (1898), which stands as a visual summary of his Idealist aesthetic which he promoted during the 1890s in his writings, poetry and exhibitions societies, notably the Salons d'Art Idéaliste.
Émile Friant was a French artist.
Louis Marcoussis, formerly Ludwik Kazimierz Wladyslaw Markus or Ludwig Casimir Ladislas Markus, was a Polish-French avant-garde painter active primarily in Paris. Markus studied law in Warsaw before attending the Kraków Academy of Fine Arts, and later moved to Paris to study under Jules Lefebvre at the Académie Julian. His work was first featured in a major exhibition at the Salon d'Automne in 1905. In Paris, he became acquainted with prominent artists of the School of Paris and writers in the cafes of Montmartre and Montparnasse.
Eugène Anatole Carrière was a French Symbolist artist of the fin-de-siècle period. Carrière's paintings are best known for their near-monochrome brown palette and their ethereal, dreamlike quality. He was a close friend of Auguste Rodin and his work likely influenced Pablo Picasso's Blue Period. He was also associated with such writers as Paul Verlaine, Stéphane Mallarmé and Charles Morice.
Georges Stein, born Séverin Louis Stein, was a French Impressionist artist. Stein was a painter and draughtsman, and is known primarily for light-infused views of Paris and London. He also painted scenes from Melun, Vichy, Bern, Geneva, and Monte Carlo.
Aimé Nicolas Morot was a French painter and sculptor in the Academic Art style.
Ignace Brice was a neoclassical painter of genre, portraits and religious scenes from Brussels.
Éliane Georgette Diane de Meuse was a Belgian painter. She was the wife of Max Van Dyck. They met at the Académie Royale des Beaux-Arts, Brussels where they attended the courses of the same professors.
Henri Biva was a French artist, known for his landscape paintings and still lifes. He focused primarily on the western suburbs of Paris, painting outdoors in the plein-air tradition; his style ranging between Post-Impressionism and Realism with a strong Naturalist component. Biva's pictures are characterized by intricate strokes and a pure palette bathed with warm natural light. The artist was a member of the Société des Artistes Français and a Knight of the Legion of Honour.
Robert Antoine Pinchon was a French Post-Impressionist landscape painter of the Rouen School who was born and spent most of his life in France. He was consistent throughout his career in his dedication to painting landscapes en plein air. From the age of nineteen he worked in a Fauve style but never deviated into Cubism, and, unlike others, never found that Post-Impressionism did not fulfill his artistic needs. Claude Monet referred to him as "a surprising touch in the service of a surprising eye".
Marcel-André Baschet was a French portrait painter, notable for his numerous portraits of the Presidents of the French Third Republic.
Henri Clément Serveau, also known as Clément-Serveau, was a French painter, designer, engraver and illustrator. Clément-Serveau produced works in a realist manner early on, but soon became interested in the new movements. He was influenced by his friend Louis Marcoussis and experimented with Cubism, utilising geometric patterns to give the illusion of form and space. Later in his career, he turned toward abstraction with a post-cubist stance. He designed banknotes for the Banque de France, produced large murals and participated in numerous French and international exhibitions.
Fernand Toussaint (1873–1956) was a Belgian painter and illustrator in the 19th century Belgian School. He was born in Brussels in 1873 in a family of upper-middle class. When his parents discovered his talent in drawing they helped him to develop it in full.
Paul Biva was a French painter. His paintings, both Realist, Naturalist in effect, principally represented intricate landscape paintings or elaborate flower settings, much as the work of his older brother, the artist Henri Biva (1848–1929). Paul Biva was a distinguished member of National Horticultural Society of France from 1898 until his untimely death two years later.
Jeanne-Henriette Tirman was a French woman painter and printmaker.
Henry Ottmann (also Henri Ottmann) (10 April 1877 – 1 June 1927) was a French painter and printmaker.
Henry d'Estienne was a French painter and a member of the Académie des Beaux-Arts.
Joseph Édouard Stevens was a Belgian animalier painter and engraver.
Pierre Roy was a French surrealist painter. He is known for his realistically painted compositions of ordinary objects in unexpected arrangements.
Louis Henri Deschamps was a French painter born on 25 May 1846 in Montélimar, (Drome); died 8 August 1902 in Montélimar.
Belgium 