Henriette Jacotte Cappelaere was a French painter active from 1846 until 1859.
Little is known of Cappelaere's life, although she warranted an entry in Émile Bellier de La Chavignerie 's Dictionnaire Général des Artistes de l'école française depuis l'origine des arts du dessin jusqu'à nos jours in 1882. She was a native of Paris and a student of Léon Cogniet, and exhibited at the Paris Salons of 1846, 1848, 1849, and 1859. Her output consisted mainly of portraits, genre paintings, and paintings of dogs. In 1850 she lived at 22, rue Godot-de-Mauroy, which would later become part of the 9th arrondissement of Paris. That year she exhibited her best-known works at the Salon; one was a portrait of Harriet Howard, mistress of Napoleon III, and one was a painting of his dog, Ham. Today both pieces are in the collection of the Château de Compiègne. [1] [2]
Suzanne Valadon was a French painter who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo.
Marie Laurencin was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or.
Jules Joseph Lefebvre was a French figure painter, educator and theorist.
Adélaïde Labille-Guiard, also known as Adélaïde Labille-Guiard des Vertus, was a French miniaturist and portrait painter. She was an advocate for women to receive the same opportunities as men to become great painters. Labille-Guiard was one of the first women to become a member of the Royal Academy, and was the first female artist to receive permission to set up a studio for her students at the Louvre.
Eva Gonzalès was a French Impressionist painter. She was one of the four most notable female Impressionists in the nineteenth century, along with Mary Cassatt (1844–1926), Berthe Morisot (1841–95), and Marie Bracquemond (1840–1916).
Victorine-Louise Meurent was a French painter and a model for painters. Although she is best known as the favorite model of Édouard Manet, she was an artist in her own right who regularly exhibited at the prestigious Paris Salon. In 1876, her paintings were selected for inclusion at the Salon's juried exhibition, when Manet's work was not.
Louise Catherine Breslau was a German-born Swiss painter, who learned drawing to pass the time while bedridden with chronic asthma. She studied art at the Académie Julian in Paris, and exhibited at the salon of the Société Nationale des Beaux-Arts, where she became a respected colleague of noted figures such as Edgar Degas and Anatole France.
Charles Joshua Chaplin was a French painter and printmaker who painted both landscapes and portraits. He worked in techniques such as pastels, lithography, watercolor, chalk, oil painting and etching. He was best known for his elegant portraits of young women.
Pauline Auzou was a French painter and art instructor, who exhibited at the Paris Salon and was commissioned to make paintings of Napoleon and his wife Marie Louise, Duchess of Parma.
Marie Bracquemond was a French Impressionist artist. She was one of four notable women in the Impressionist movement, along with Mary Cassatt (1844-1926), Berthe Morisot (1841-1895), and Eva Gonzalès (1847-1883). Bracquemond studied drawing as a child and began showing her work at the Paris Salon when she was still an adolescent. She never underwent formal art training, but she received limited instruction from Jean-Auguste-Dominique Ingres (1780–1867) and advice from Paul Gauguin (1848–1903) which contributed to her stylistic approach.
Aimé Nicolas Morot was a French painter and sculptor in the Academic Art style.
Elisabeth Henriette Marthe Lorimier was a popular portraitist in Paris at the beginning of Romanticism.
Marguerite Gérard was a successful French painter and printmaker working in the Rococo style. She was the daughter of Marie Gilette and perfumer Claude Gérard. At eight years old, she became the sister-in-law of Jean-Honoré Fragonard, and when she was 14, she went to live with him. She was also the aunt of the artist Alexandre-Évariste Fragonard. Gérard became Fragonard's pupil in the mid-1770s and studied painting, drawing and printmaking under his tutelage. Gérard and Fragonard created nine etchings in 1778. Historians currently believe Gérard was the sole artist of five of these etchings, since many have a duplicate created by her tutor Fragonard. More than 300 genre paintings, 80 portraits, and several miniatures have been documented to Gérard. One of her paintings, The Clemency of Napoleon, was purchased by Napoleon in 1808.
Marie-Françoise Constance Mayer La Martinière was a French painter of portraits, allegorical subjects, miniatures and genre works. She had "a brilliant but bitter career."
Harriet Osborne O'Hagan was an Irish portrait artist.
Angélique Mezzara, born Marie Angélique Foulon, was a French portrait painter and miniaturist, who frequently worked in pastels. During a time when few women were painters, she exhibited regularly for nearly 30 years at the Paris Salon, the major art event of the time. Two of her sons became sculptors, and a daughter exhibited with her at the Paris exhibition as a painter.
Nanine Vallain (1767–1815) was a French painter active between 1785 and 1810. She was sometimes known as Jeanne-Louise Vallain or Madame Piètre.
Marie-Nicole Vestier (1767–1846) was a French painter.
Zoé Goyet was a French portrait painter, pastel artist, and teacher. Her works were exhibited in the Paris Salon from 1834 to 1841. She was the wife of painter Eugène Goyet and daughter-in-law of painter Jean-Baptiste Goyet.
Mathilde Angèle Delasalle was a French artist known for her painting and etching. Her works are held in the collections of many museums.