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Vaudeville is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent.
Dewey "Pigmeat" Markham was an American entertainer. Though best known as a comedian, Markham was also a singer, dancer, and actor. His nickname came from a stage routine, in which he declared himself to be "Sweet Poppa Pigmeat". He was sometimes credited in films as Pigmeat "Alamo" Markham.
Bill Robinson, nicknamed Bojangles, was an American tap dancer, actor, and singer, the best known and the most highly paid African-American entertainer in the United States during the first half of the 20th century. His long career mirrored changes in American entertainment tastes and technology. His career began in the age of minstrel shows and moved to vaudeville, Broadway theatre, the recording industry, Hollywood films, radio, and television.
Tim Moore was an American vaudevillian and comic actor of the first half of the 20th century. He gained his greatest recognition in the starring role of George "Kingfish" Stevens in the CBS TV's The Amos 'n' Andy Show. He proudly stated, "I've made it a point never to tell a joke on stage that I couldn't tell in front of my mother."
John Walcott Cooper, Jr. was an American ventriloquist, entertainer, and singer with the Southern Jubilee Singers. He was known as the "Black Napoleon of Ventriloquism" and also performed under the pseudonym Hezekiah Jones. Over the course of his lifetime Cooper was a member of the Negro Actors Guild of America, the Colored Vaudeville Benevolent Association, and the International Brotherhood of Ventriloquists.
The Rabbit's Foot Company, also known as the Rabbit('s) Foot Minstrels and colloquially as "The Foots", was a long-running minstrel and variety troupe that toured as a tent show in the American South between 1900 and the late 1950s. It was established by Pat Chappelle, an African-American entrepreneur in Tampa, Florida.
George Walker was an American vaudevillian, actor, and producer. In 1893, in San Francisco, Walker at the age of 20 met Bert Williams, who was a year younger. The two young men became performing partners. Walker and Williams appeared in The Gold Bug (1895), Clorindy (1898), The Policy Player (1899), Sons of Ham (1900), In Dahomey (1903), Abyssinia (1906), and Bandanna Land (1907). Walker married dancer Ada Overton, who later also was a choreographer.
Lew Dockstader was an American singer, comedian, and vaudeville star, best known as a blackface minstrel show performer. Dockstader performed as a solo act and in his own popular minstrel troupe.
Barney Fagan was an American performer, director, choreographer, and composer.
Milt G. Barlow was an American blackface comedian and actor popular in minstrel and vaudeville shows over the latter half of the 19th century.
Black Vaudeville is a term that specifically describes Vaudeville-era African American entertainers and the milieus of dance, music, and theatrical performances they created. Spanning the years between the 1880s and early 1930s, these acts not only brought elements and influences unique to American black culture directly to African Americans but ultimately spread them beyond to both white American society and Europe.
The Orpheum Circuit was a chain of vaudeville and movie theaters. It was founded in 1886, and operated through 1927 when it was merged into the Keith-Albee-Orpheum corporation, ultimately becoming part of the Radio-Keith-Orpheum (RKO) corporation.
David Craig Montgomery was an American actor and dancer, the partner of Fred Stone. Montgomery and Stone became famous for their performance in the 1903 Broadway musical The Wizard of Oz, and had many other successes in musical comedy and vaudeville.
Tom McIntosh (1840–1904) was an African-American comedian who starred in many colored minstrel shows in the US from the 1870s to the 1900s. He was considered one of the funniest performers in this genre.
Bertie Odell Swor, Sr. was a minstrel show performer.
George Walker and Bert Williams were two of the most renowned figures of the minstrel era. However the two did not start their careers together. Walker was born in 1873 in Lawrence, Kansas. His onstage career began at an early age as he toured in black minstrel shows as a child. George Walker became a better known stage performer as he toured the country with a traveling group of minstrels. George Walker was a "dandy", a performer notorious for performing without makeup due to his dark skin. Most vaudeville actors were white at this time and often wore blackface. As Walker and his group traveled the country, Bert Williams was touring with his group, named Martin and Selig’s Mastodon Minstrels. While performing with the Minstrels, African American song-and-dance man George Walker and Bert Williams met in San Francisco in 1893. George Walker married Ada Overton in 1899. Ada Overton Walker was known as one of the first professional African American choreographers. Prior to starring in performances with Walker and Williams, Overton wowed audiences across the country for her 1900 musical performance in the show Son of Ham. After falling ill during the tour of Bandana Land in 1909, George Walker returned to Lawrence, Kansas where he died on January 8, 1911. He was 38.
Wassell is a surname. Notable people with the surname include:
Blondie Robinson, also sometimes written as Blondi Robinson, was an African American renowned vaudeville comedic act performer.
The roots of modern stand-up comedy began in 1840s minstrel shows that perpetuated racist stereotypes in the United States. American vaudeville emerged around the same time and along with the later developed Chitlin' Circuit, produced the founders of this form of entertainment. Early stand-up comedians spoke directly to the audience as themselves without props or costumes, which distinguished these acts from vaudeville performances. These comics stood in front of the curtain during their shows, like early 20th century "front cloth" stand-up comics in Britain and Ireland whose numbers allowed the stage behind them to be re-set for another act.
References
- 1 2 3 4 "Herbert Nadal, 83, Dies. Vaudeville Performer Noted for Minstrel Routines". New York Times . January 28, 1957. Retrieved 2015-01-25.
- 1 2 "Herbert Wassell Nadal". Billboard magazine . February 9, 1957. Retrieved 2015-01-25.
- ↑ "Herbert Nadal". Danville Register & Bee . Associated Press. January 28, 1957. Retrieved 2015-01-25– via newspapers.com.