Kaya is the tenth studio album by the Jamaican band Bob Marley and the Wailers, released in 1978. The album consists of tracks recorded alongside those released on the Exodus album. It was produced by the band.
Th' Dudes are a New Zealand rock band that was formed in the late 1970s in Auckland, New Zealand. Hits include "Walking in Light", "Right First Time", " Be Mine Tonight" and "Bliss".
Upper Hutt Posse (UHP) are a New Zealand hip hop group formed in Upper Hutt, Wellington, in 1985. Upper Hutt Posse are one of the earliest New Zealand hip hop groups, known for their fusion of rap and reggae in both English and Māori. Prominent members include DLT, Dean "Te Kupu" Hapeta and Teremoana Rapley.
Te Vaka is an Oceanic music group that performs original contemporary Pacific music or "South Pacific Fusion". The group was founded in 1995 by singer and songwriter Opetaia Foaʻi in New Zealand. They have toured the world consistently since 1997 and have won a number of awards including the "Best Pacific Music Album" award from the New Zealand Music Awards for their albums Tutuki (2004) and Olatia (2007) and "Best Pacific Group" in the 2008 Pacific Music Awards According to the BBC, they are "the world's most successful band playing original contemporary Pacific music."
Brann Timothy Dailor is an American musician, best known as a member of heavy metal band Mastodon, in which he is the drummer and one of three vocalists.
The Politicians were a rock/new wave/reggae band formed in Tokoroa, New Zealand in March 1981. Originally writing and performing their own songs with such titles as "Shift worker", "Teacher Teacher", "Can't write a love song", "Arabian girl", and "5 Years time".
Katchafire are an all Māori New Zealand roots reggae band from Hamilton, New Zealand.
Ardijah is a music group from Auckland, New Zealand that formed in 1979.
Pacific reggae is a style of reggae music found in the Pacific. This style is found in Polynesia, and Melanesia. Within this genre there are differing styles, for example between the New Zealand reggae sound, and that found in the Pacific Islands. According to Herbs co-founder Dilworth Karaka, it is a phrase UB40 came up with.
Mississippi were an Australian soft rock band (1972–1975), which included Graham Goble on lead vocals and guitar, Beeb Birtles on lead vocals and guitar, and Derek Pellicci on drums. The band had started as Allison Gros in Adelaide in 1970 and moved to Melbourne in 1971 where they recorded as Allison Gros, Drummond and, early in 1972, became Mississippi. As Drummond they issued a cover version of "Daddy Cool", which peaked at No. 1 on the Go-Set National Top 40 for eight weeks. As Mississippi they reached No. 10 with "Kings of the World". In early 1975, with Birtles, Goble and Pellicci aboard and the addition of Glenn Shorrock, the group were renamed Little River Band.
Messenjah is a Canadian-based reggae group that flourished to become one of the most successful and popular reggae groups in the history of Canadian music.
Charles Turu Tumahai was a New Zealand singer, bass player and songwriter who was a member of several noted rock groups in New Zealand, Australia and the UK. He is best known internationally as the bassist and backing vocalist in Bill Nelson's Be-Bop Deluxe.
Chain are an Australian blues band formed as The Chain in late 1968 with a line-up including guitarist and vocalist Phil Manning and lead vocalist Wendy Saddington. Saddington left in May 1969 and in September 1970 Matt Taylor joined on lead vocals and harmonica. During the 1990s they were referred to as Matt Taylor's Chain. Their single, "Black and Blue", is their only top twenty hit. It was written and recorded by the line-up of Manning, Taylor, Barry Harvey on drums and Barry Sullivan on bass guitar. The related album, Toward the Blues, followed in September and peaked in the top ten. Manfred Mann's Earth Band covered "Black and Blue" on their 1973 album Messin'.
Drastic Plastic is the fifth and final album by English rock band Be-Bop Deluxe, released in February 1978.
"Sensitive to a Smile" is a single from the New Zealand reggae band Herbs from the Sensitive to a Smile album. The single reached #9 in the New Zealand chart.
The 2012 APRA Silver Scroll Awards were held on Thursday 13 September 2012 at the Auckland Town Hall, celebrating excellence in New Zealand songwriting. The Silver Scroll Award was presented to New York-based pop artist Stephanie Brown (Lips), and reggae band Herbs was inducted into the New Zealand Music Hall of Fame.
Sensitive to a Smile is a 1987 album by New Zealand reggae band Herbs. It reached number 10 and spent 30 weeks in the New Zealand album chart and was awarded Album of the Year at the 1987 New Zealand Music Awards. The album included the four singles "Sensitive to a Smile", "Rust In Dust", "Listen" and "No Nukes ", all of which charted. Sensitive to a Smile was re-released digitally in 2012 with extra tracks from Herbs' 1984 album Long Ago and their 1982 single "French Letter ".
Leo de Castro was a New Zealand funk and soul singer-guitarist. From 1969 to 1995 he worked in Australia in a variety of bands before returning to Auckland. He contributed to Rocco (1976), as a member of Johnny Rocco Band; Voodoo Soul – Live at The Basement, by Leo de Castro and Friends; a live album, Long White Clouds (2007), which had been recorded in January 1988 using two separate backing bands, The Dancehall Racketeers and Roger Janes Band.
"E Papa Waiari", also known as "E Papa Wairangi" is a traditional Māori song, often used in tītī tōrea, a type of whakaraka played by passing tītī while seated, in time to a rhythmic song.
What's Be Happen? is the debut studio album by New Zealand reggae band Herbs. The album was released in July 1981 on the eve of the 1981 Springbok tour by Warrior Records, only the second album to be released by the label at that point. What's Be Happen? is often seen as the first album of both Pacific and New Zealand reggae, blending reggae themes and styles with traditional Polynesian rhythms and musical structure. This is seen through elements such as the use of Cook Islands pātē on the title track and frequent use of the so-called "Māori strum" method of guitar on tracks throughout the record. As a result, the album has been described as representing a watershed moment in the development of a distinct form of reggae within New Zealand and establishing Herbs as a prominent band within that.
