Hermann Warm was a German art director for films. Born in 1889 (died 1976) in Berlin, Germany, Warm was an important figure in the expressionist movement of the 1920s. Warm entered the German film industry in 1912 after working on-stage for a while. As well as doing set work on films such as The Cabinet of Dr. Caligari and Fritz Lang's Destiny , Warm also worked with Danish film director Carl Theodor Dreyer on films including The Passion of Joan of Arc and Vampyr . During World War II, Warm lived in Switzerland and returned to Germany in 1947. [1] [2]
Leo White, was a German-born British-American film and stage actor who appeared as a character actor in many Charlie Chaplin films.
Arthur Edeson, A.S.C. was an American cinematographer. Born in New York City, his career ran from the formative years of the film industry in New York, through the silent era in Hollywood, and the sound era there in the 1930s and 1940s. His work included many landmarks in film history, including The Thief of Bagdad (1924), All Quiet on the Western Front (1930), Frankenstein (1931), The Maltese Falcon (1941), and Casablanca (1942).
Mutz Greenbaum, sometimes credited as Max Greene or Max Greenbaum, was a German film cinematographer.
Joseph Henry Kolker was an American stage and film actor and director.
John Stumar was a Hungarian-American cinematographer. He was a brother of cinematographer Charles J. Stumar. He worked as a cinematographer on 130 films between 1917 and 1947.
Olga Engl was an Austrian-German stage and motion picture actress who appeared in nearly 200 films.
Bert Lawrence Glennon was an American cinematographer and film director. He directed Syncopation (1929), the first film released by RKO Radio Pictures.
Paul Hermann Bildt was a German film actor. He appeared in more than 180 films between 1910 and 1956. He was born in Berlin and died in Zehlendorf, West Berlin.
Fritz Arno Wagner is considered one of the most acclaimed German cinematographers from the 1920s to the 1950s. He played a key role in the Expressionist film movement during the Weimar period and is perhaps best known for excelling "in the portrayal of horror," according to noted film critic Lotte H. Eisner.
Harry Hardt was an Austrian actor. The son of a military officer, he initially planned a military career for himself, studying at a military academy and serving during World War I. He later turned to acting, having a long career both in films and on television.
Carl Eduard Hermann Boese was a German film director, screenwriter, and producer. He directed 158 films between 1917 and 1957.
Gennaro Righelli was an Italian film director, screenwriter and actor. He directed more than 110 films in Italy and Germany between 1910 and 1947. In 1930, he directed the first Italian sound film, The Song of Love. He was married to the film star Maria Jacobini, whom he frequently cast in his films.
Keene Thompson was a story, scenario and screenwriter who worked in the film industry from 1920 to 1937.
Erich John Waschneck was a German cameraman, director, screenwriter, and film producer.
Werner Brandes was a German cinematographer. Brandes moved to Britain in the late 1920s to work on several prestige films for British International Pictures.
Margarete Kupfer was a German actress.
Paul Anton Heinrich Rehkopf was a German actor.
Curt Courant was a German-American cinematographer whose work includes more than 100 German and international films from the silent and early sound eras. Courant worked in several European countries, collaborating with figures such as Fritz Lang, Alfred Hitchcock and Charlie Chaplin. As he was of Jewish ancestry, Courant was forced to leave Germany in 1933 and go into exile following the Nazi takeover of power.
Otto Hunte was a German production designer, art director and set decorator. Hunte is considered one of the most important artists in the history of early German cinema, mainly for his set designs on the early silent movies of Fritz Lang. A working relationship with fellow designers Karl Vollbrecht and Erich Kettelhut defined his early career. Hunte's architectural designs are found in many of the period's most important films including Dr. Mabuse the Gambler, Die Nibelungen (1924), Metropolis (1927) and Der blaue Engel. Hunte subsequently worked as one of the leading set designers during the Nazi era. After World War II, he was employed by the East German DEFA studios.
Harry Fischbeck (1879–1968) was a German-born cinematographer who emigrated to the United States where he worked in the American film industry. He was employed by a variety of different studios during his career including Universal, United Artists and Warner Brothers, but primarily for Paramount Pictures. One of his first credits was for the historical The Lincoln Cycle films directed by John M. Stahl.